Practical Electronics SDIY articles index (view source)
Revision as of 20:35, 11 December 2017
, 6 years agoText replacement - "||Drums||" to "||Drum||"
m (Text replacement - "Test Equipment" to "Test equipment") |
m (Text replacement - "||Drums||" to "||Drum||") |
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Line 40:
| Feb ||1968||PE Glissandovibe||R. Bebbington||94||Instrument||||||||
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| Mar||1968||Rhythmic Sound Effects Unit||A. J. Bassett||168||
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| Apr||1968||Sound Effects Unit||A. J. Bassett||267||Effect||||||||
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| May||1968||Electronic Cymbals||A. J. Bassett||342||
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| Jun||1968||Drummer's Whoosh||A. J. Bassett||443||
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| Jul||1968||Waa-Waa Pedal||B. H. Baily||470||Effect||||||||
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| Nov||1968||Rhythm Generator||P. R. Allcock||792||
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| Dec||1968||Rhythm Generator||P. R. Allcock||861||
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| Feb||1969||The Harmonaphone||M. P. R. Hamer||107||Effect||||||||
Line 96:
| Oct||1971||Electronic Music Synthesis||A. Douglas||802||Information||||||||
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| Nov||1971||Rhythmetron||F. C. Judd||890||
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| Mar||1972||Tremolo Unit||A. Russell||206||Effect||||||||
Line 146:
| Feb||1974||P.E. Sound Synthesiser||G. D. Shaw||151||Synth||||Part 13||||[http://www.spontis.se/pdf/pess13.pdf CAG]
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| Mar||1974||Rhythym Generator||Brice Ward||228||
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| Apr||1974||Rhythym Generator||Brice Ward||335||
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| May||1974||Sound Bender||D. Bollen||412||Effect||||||||
Line 234:
| Feb||1976||Ingenuity Unlimited: Polyphonic Keyboard System||E. F. Flint||136||Controller||||||||
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| Feb||1976||Ingenuity Unlimited: Percussion Effects||Miss L. Robinson||141||
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| Feb||1976||Ingenuity Unlimited: Simple Compressor||Q. A. Rice||141||Effect||||||||
Line 264:
| Dec||1977||128 Note Sequencer||D. G. Evans||246||Synth||||Part 2||||[http://www.spontis.se/pdf/noteseq.pdf CAG]
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| Jan||1978||Rhythm Generator||N. A. Cooke||332||
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| Feb||1978||Rhythm Generator||N. A. Cooke||432||
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| Mar||1978||P. E. String Ensemble||A. J. Boothman||482||Synth||||Part 1||||
Line 410:
| Nov||1980||Disco Desk||Ben J. Duncan||56||Audio||||Part 3||||
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| Dec||1980||P. E. Master Rhythm||A. J. Boothman||32||
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| Dec||1980||Disco Desk||Ben J. Duncan||60||Audio||||Part 4||||
Line 416:
| Dec||1980||Ingenuity Unlimited: Keyboard Switches||R. M. Pimlott||64||Controller||||||||
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| Jan||1981||P. E. Master Rhythm||A. J. Boothman||22||
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| Jan||1981||Disco Desk||Ben J. Duncan||60||Audio||||Part 4||||
Line 432:
| Aug||1981||Audio Analyser||Michael Tooley and David Whitfield||24||Audio||||Part 1||Nov82-16||
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| Sep||1981||Drum Synthesiser||P. Bailey||50||
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| Sep||1981||Audio Analyser||Michael Tooley and David Whitfield||68||Audio||||Part 2||Nov82-16||
Line 438:
| Oct||1981||Audio Analyser||Michael Tooley and David Whitfield||67||Audio||||Part 3||Nov82-16||
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| Nov||1981||PE Bandbox||A. J. Boothman||32||
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| Nov||1981||Ingenuity Unlimited: Accented-Beat Metronome||P. C. French||62||Music||||||||
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| Dec||1981||PE Bandbox||A. J. Boothman||32||
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| Jan||1982||PE Bandbox||A. J. Boothman||37||
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| Feb||1982||PE Bandbox||A. J. Boothman||62||
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| Apr||1982||Ingenuity Unlimited: Octave Bank for VCO's||Martin Russ||63||Synth||||||||
Line 476:
| Oct||1982||Semi-Professional Mixer||Tim Orr||30||Audio||||||||[http://www.spontis.se/pdf/modmix.pdf CAG]
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| Oct||1982||Ingenuity Unlimited: Percussion Synth||R. A. Jagger||57||
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| Oct||1982||Mini Chorus Unit||R. A. Penfold||60||Effect||SAD1024||||||[http://www.spontis.se/pdf/mcu.pdf CAG]
Line 494:
| Jun||1983||Rocktone||D. Head and P. D'Lemos||26||Test equipment||||||||
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| Jun||1983||Percussion MicroSynth||A. R. Bradford||50||
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| Jul||1983||Percussion MicroSynth||A. R. Bradford||26||
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| Jul||1983||Fairlight Music Computer||Ray Hammond||32||Information||||||||
Line 544:
| Sep||1985||Digital Delay & Sound Sampler||John M. H. Becker||50||Effect||||Part 4||||
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| Oct||1985||Modulated Syndrum||R. A. Penfold||32||
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| Jan||1986||Modular Mixer||John M. H. Becker||20||Audio||||Part 1||||
Line 584:
| Jun||1989||Deluxe Metronome||Robert Penfold||12||Music||||||||
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| Aug||1989||Hand Clapper||Harvey Kent||26||
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| Oct||1989||Mono-Stereo Echo Station||John Becker||27||Effect||||Part 1||||
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