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section 1V/Oct input jack.
Both phaser and filter can sweep over a range of roughly 18 octaves and can be modulated up
to really high audio rates. In this last case FM-type and
with much more timbral control than traditional
OSC HRM modules, set to sinewave output and tuned in some interval, are mixed and routed
into the filter just slight amounts of the internal modulation on either the phaser or the filter
will start to produce ‘undertones’ and ‘overtones’ that are sum and difference frequencies of
the interval. This exemplifies the idea behind the
material away like a normal filter does but to also produce new material not present in the
input signal and combine the both to create a vast range of possible timbres.
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