ETI SDIY articles index: Difference between revisions
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Articles relevant to
{| class="wikitable sortable mw-datatable"
! Month!!Year!!Article name!!Author!!PPNo!!Classification!!Key components!!Comments!!Corrections!!On Web
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| Apr||1973||ETI Master Mixer||Not Given||66||Audio||||Part 1
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| May||1973||ETI Master Mixer||Not Given||30||Audio||||Part 2
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| Jun||1973||New Sound For Your Guitar||Not Given||30||Effect
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| Jun||1973||ETI Master Mixer||Not Given||56||Audio||||Part 3
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| Jul||1973||ETI Master Mixer||Not Given||63||Audio||||Part 4
|-
| Oct||1973||Master Mixer Modification||Not Given||52||Audio
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| Jan||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||20||Synth||||Part 1 of ETI 4600 build||||
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| Feb||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||24||Synth||||Part 2 of ETI 4600 build||||
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| Mar||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||40||Synth||||Part 3 of ETI 4600 build||||
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| Apr||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||44||Synth||||Part 4 of ETI 4600 build||||
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| May||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||54||Synth||||Part 5 of ETI 4600 build||||
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| Jun||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||24||Synth||||Part 6 of ETI 4600 build||||
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| Jul||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||52||Synth||||Part 7 of ETI 4600 build||||
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| Aug||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||58||Synth||||Part 8 of ETI 4600 build||||
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| Aug||1974||BBC Radiophonic Workshop||Not given||18||History
|-
| Sep||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||48||Synth||||Part 9 of ETI 4600 build||||
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| Dec||1974||Spring Reverberation Unit||Not given||46||Effect
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| Feb||1975||Tech Tip: Simple Waa-Waa Circuit||Not given||66||Effect
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| Mar||1975||Using the LM3900||Not given||29||Information
|-
| May||1975||ETI 3600 Synthesiser||Not given||42||Synth||||Part 1 of 4
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| Jun||1975||ETI 3600 Synthesiser||Not given||32||Synth||||Part 2 of 4
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| Jun||1975||Tech Tip: Pink Noise Generator||Not given||62||Effect
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| Jul||1975||Stage Mixer||Not given||26||Audio||||Part 1 of 2
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| Jul||1975||ETI 3600 Synthesiser||Not given||54||Synth||||Part 3 of 4
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| Sep||1975||Stage Mixer||Not given||33||Audio||||Part 2 of 2
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| Oct||1975||ETI 3600 Synthesiser||Not given||41||Synth||||Part 4 of 4
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| Feb||1976||Datasheet: AY-1-0212 & AY-1-5051||Not given||66||Data
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| Jun||1976||Waa-Waa Unit||Not given||16||Effect
|-
| Dec||1976||Touch Organ||Not given||41||Organ||||Capacitive Touch Keys
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| Dec||1976||Audio Phaser||Not given||29||Effect
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| Dec||1976||Tech Tip: Guitar Fuzz||Not given||83||Effect
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| Apr||1977||Fuzz Box||Not given||48||Effect
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| May||1977||Datasheet: TDA1022||Not given||49||Data
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| Jul||1977||Active Filters||[[Tim Orr]]||23||Information||||Part 1
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| Jul||1977||Datasheet: ICL8038||Not given||50||Data
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| Jul||1977||Tech Tip: A Simple VCO||Not given||77||Synth
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| Aug||1977||Active Filters||Tim Orr||36||Information||||Part 2||||
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| Aug||1977||Vocoders!||Not given||34||Information||||||||
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| Sep||1977||Active Filters||Tim Orr||52||Information||||Part 3
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| Sep||1977||Graphic Equaliser||Not given||27||Audio
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| Oct||1977||Datasheet: NE570/NE571||Not given||59||Data
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| Nov||1977||Tech Tip: Organ Divider||Not given||73||Organ||||Related to Touch Organ (Dec 76)||||[http://www.worldradiohistory.com/Archive-Electronics-Today/70s/ETI-11-77.pdf World Radio History]
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| Feb||1978||
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| Apr||1978||Op Amps||Tim Orr||29||Information||||Part 3||||[http://www.worldradiohistory.com/Archive-Electronics-Today/70s/ETI-04-78.pdf World Radio History]
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| Jul||1978||[[Powertran Transcendent 2000|Music Synthesiser]]||Tim Orr||38||Synth||||Part 1 of Transcendent 2000||||[https://web.archive.org/web/20160123231517/http://www.spontis.se/pdf/t2000.pdf CAG], [http://www.emusic-diy.org/Schematics/Synths Emusic DIY], [http://www.worldradiohistory.com/Archive-Electronics-Today/70s/ETI-07-78.pdf World Radio History]
|-
| Aug||1978||Music Synthesiser||Tim Orr||45||Synth||||Part 2 of Transcendent 2000||||[https://web.archive.org/web/20160123231517/http://www.spontis.se/pdf/t2000.pdf CAG], [http://www.emusic-diy.org/Schematics/Synths Emusic DIY], [http://www.worldradiohistory.com/Archive-Electronics-Today/70s/ETI-08-78.pdf World Radio History]
|-
| Oct||1978||Complex Sound Generator||Not given||17||Synth||SN76477||||||[https://web.archive.org/web/20150406055601/http://www.spontis.se/pdf/eti_csg.pdf CAG], [http://www.worldradiohistory.com/Archive-Electronics-Today/70s/ETI-10-78.pdf World Radio History]
|-
| Nov||1978||Autochord||Not given||56||Organ||||Part 1||||[http://www.worldradiohistory.com/Archive-Electronics-Today/70s/Electronics-Today-1978-11.pdf World Radio History]
|-
| Nov||1978||Tech Tip: Guitar Sustain Unit||S. D. Maistre||91||Effect||||||||[http://www.worldradiohistory.com/Archive-Electronics-Today/70s/Electronics-Today-1978-11.pdf World Radio History]
|-
| Dec||1978||Autochord||Not given||80||Organ||||Part 2||||[http://www.worldradiohistory.com/Archive-Electronics-Today/70s/ETI-12-78.pdf World Radio History]
|-<!-- for below check against http://www.worldradiohistory.com/ETI_Magazine.htm -->
| Jan||1979||Log-Exponential Converter||Not given||34||Synth||||Novel Oven for temp stability||||[https://web.archive.org/web/20200627005600/https://worldradiohistory.com/Archive-Electronics-Today/Canada/70s/ETI-CA%201979-01.pdf World Radio History]
|-
| Feb||1979||100W Disco Mixer Amplifier||Richard Becker||64||Amplifier||||Powertran MPA 200||||[https://web.archive.org/web/20150409095832/http://www.spontis.se/pdf/mixamp.pdf CAG]
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| May||1979||Headphone Amplifier||Not given||77||Amplifier||||||||
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| Aug||1979||Transcendent DPX||Tim Orr||18||Synth||BF244C, SAD512D||Part 1 of A String Thing||||[https://web.archive.org/web/20150405174129/http://www.spontis.se/pdf/eti_dpx.pdf CAG]
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| Nov||1979||Transcendent DPX||Tim Orr||64||Synth||75107, MC6810L, ZN425SE||Part 4 of A String Thing||||[https://web.archive.org/web/20150405174129/http://www.spontis.se/pdf/eti_dpx.pdf CAG]
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| Dec||1979||Tech Tip: A Simple Sequencer||P. Hill||109||Synth||||||||
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| Feb||1980||Modular Synthesiser||R. C. Blakey||62||Synth||||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-1_files/80-1_ETI.pdf Digisound80], [http://www.synthdiy.com/files/2006/80-1_eti.pdf SynthDIY.com]
|-
| Feb||1980||Modular Synthesiser||R. C. Blakey||67||Synth||CA3080E, CEM3340||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-2_files/80-2&3_ETI.pdf Digisound80]
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| Mar||1980||Voltage Controlled Mixer||Not given||87||Synth||CEM3330||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-4_files/80-4&5_ETI.pdf Digisound80], [http://www.synthdiy.com/files/2006/80-4_5_eti.pdf SynthDIY.com]
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| May||1980||Project 80 filters||Chris Blakey||20||Synth||CEM3320||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-6_files/80-6_ETI.pdf Digisound80]
|-
| May||1980||The Black Hole||Tim Orr||90||Effect||SAD512D||Chorus Machine||||[https://web.archive.org/web/20150409040042/http://www.spontis.se/pdf/eti_bh.pdf CAG]
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| Aug||1980||Dual VCA||R. C. Blakey||78||Synth||CEM3330||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-9_files/80-9_ETI.pdf Digisound80]
|-
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| Sep||1980||Envelope Shaper||R. C. Blakey||93||Synth||CEM3310||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-10_files/80-10_ETI.pdf Digisound80]
|-
| Oct||1980||
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| Oct||1980||Vocoder||Richard Becker||40||Synth||||Part 2 of 2||||[https://web.archive.org/web/20150405234226/http://www.spontis.se/pdf/etivocoder.pdf CAG]
|-
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| Oct||1980||Monitor Amplifier||Chris Blakey||79||Synth||TDA2030H||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-14_files/80-14_ETI.pdf Digisound80]
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| Dec||1980||Four Input Mixer||John Fitzgerald||19||Audio||||||||
|-
| Dec||1980||Bandpass and Beyond||Tim Orr||25||Information||||||||
|-
| Dec||1980||[[Powertran Transcendent polysynth|Polysynth]]||Tim Orr||87||Synth||2102, 6810||Part 1||||[https://web.archive.org/web/20150408214235/http://www.spontis.se/pdf/etipoly.pdf CAG], [https://worldradiohistory.com/UK/Electronics-Today-UK/80s/ETI-1980-12-80.pdf World Radio History]
|-
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| Feb||1981||Polysynth||Tim Orr||32||Synth||CA3080, CEM3310, CEM3340, LM13600||Part 3||||[https://web.archive.org/web/20150408214235/http://www.spontis.se/pdf/etipoly.pdf CAG], [https://worldradiohistory.com/UK/Electronics-Today-UK/80s/ETI_Feb_81.pdf World Radio History]
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| Apr||1981||Noise Generator||Charles Blakey||59||Synth||||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-12_files/80-12_ETI.pdf Digisound80]
|-
| Apr||1981||
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| Apr||1981||Guitar Note Expander||Q. A. Rice||95||Effect||||||||[https://web.archive.org/web/20150405174138/http://www.spontis.se/pdf/eti_ge.pdf CAG]
|-
| Apr||1981||Tech Tip: Joystick Control||M. Swale||36||Synth||||ETI 4600||||
|-
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| May||1981||Synthesiser Sequencer||Richard Becker||36||Synth||DM8130, ADC0804, DAC0808, 2x6514||||||[https://web.archive.org/web/20150408033617/http://www.spontis.se/pdf/composer.pdf CAG], [https://web.archive.org/web/20160306014435/http://www.milton.arachsys.com/nj71/zip/1024.zip Neil Johnson]
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| Jun||1981||Waa-Phase Unit||Ray Marston||24||Effect||||||||[https://web.archive.org/web/20160124232719/http://www.spontis.se/pdf/eti_waaphase.pdf CAG]
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| Jan||1982||Guitar Tuner||Brian Brooks||41||Test equipment||||||||
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| Apr||1982||Solid State Reverb||Charles Blakey||101||Effect||MN3011/3101||||||[http://www.synthdiy.com/files/2003/eti-mn3011reverb.pdf SynthDIY.com], [http://www.digisound80.co.uk/digisound/modules/80-17_files/80-17_ETI.pdf Digisound80]
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| Oct||1982||Tech Tip: Enriching Synthesiser Sounds||H. Duncan||77||Synth||||||||
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| Jan||1983||Waveform Multiplier||David Ward-Hunt||71||Synth||||||||[https://web.archive.org/web/20041123043958/http://www.milton.arachsys.com/nj71/pdf/magazine/ETIWaveMult.pdf Neil Johnson], [http://www.digisound80.co.uk/digisound/modules/80-20_files/80-20_ETI.pdf Digisound80]
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| Apr||1983||The ETI Organ||Richard Watts||56||Organ||||Part 3||||
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| Jun||1983||Data Sheet: M108/M208||Not given||71||Data sheet||||||||[https://web.archive.org/web/20041123042437/http://www.milton.arachsys.com/nj71/pdf/magazine/ETIM108.pdf Neil Johnson]
|-
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| Sep||1983||1/3 Octave Graphic Equaliser||David Tilbrook||41||Audio||||Part 2||||
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| Nov||1983||Tech Tip: Active Bass Tone Control||Ian Willats||57||Effect||||||||
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| Jan||1984||Chorus/Flanger Unit||Tim Orr||33||Effect||MN3207/3102||||||[https://web.archive.org/web/20150409161536/http://www.spontis.se/pdf/flanger.pdf CAG], [http://www.synthdiy.com/files/2005/flanger.pdf SynthDIY.com]
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| May||1984||Midi Drum Synth||Not given||62||Synth||||Not MIDI||||[https://web.archive.org/web/20150408035138/http://www.spontis.se/pdf/eti_drumsynth.pdf CAG]
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| Mar||1985||Voltage Controlled Digital Oscillator||Richard Thorp||16||Synth||CEM3340, DAC0800, 2716||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-21_files/80-21_ETI.pdf Digisound80]
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| Apr||1985||CCD Delay Line Effects Board||Phil Walker||57||Effect||TDA1022/1097||||||
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| Oct||1985||ETI Sorcerer String Synthesiser||Graeme Durant||32||Synth||CA3080, MN3010||Part 3||||[https://web.archive.org/web/20150405234352/http://www.spontis.se/pdf/eti_sorcerer.pdf CAG]
|-
| Nov||1985||The Rhythm Chip||Geoff Phillips||33||Synth||||||||
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| Nov||1985||Chorus Unit||Ian Coughlan||48||Effect||TDA1097||||||[https://web.archive.org/web/20150408100028/http://www.spontis.se/pdf/eti_chorusunit.pdf CAG]
||
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| Nov||1985||Cymbal Synth||D. Stone||58||Synth
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| Nov||1985||Digital Sound Sampler||Paul Chappell||63||Synth||||Part 1
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| Dec||1985||Specdrum Drum Sequencer||Digisound||41||Synth||||Uses a ZX Spectrum||||
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| Dec||1985||DI Compression Gate||Allan Bradford||46||Audio||||||||
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| Jan||1986||The ETI Activator||Allan Bradford||30||Audio
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| Jan||1986||Digital Sound Sampler||Paul Chappell||63||Synth||||Part 2
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| Feb||1986||Digital Sound Sampler||Paul Chappell||42||Synth||ZN448||Part 3
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| Mar||1986||Digital Sound Sampler||Paul Chappell||44||Synth||||Part 4
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| Jun||1986||MIDI To CV Convertor||R. A. Penfold||29||Synth
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| Jun||1986||Digital Sound Sampler||Paul Chappell||48||Synth||||Part 5
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| Jul||1986||Digital Sound Sampler||Paul Chappell||44||Synth||||Part 6
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| Oct||1986||Audio Analyser||R. A. Penfold||43||Audio||||||May87-57
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| Dec||1986||Bongo Box||Peter Davie||43||Synth
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| Dec||1986||Tech Tip: Simple Fuzz Unit||Lee Sage||58||Effect
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| Jan||1987||The MIDI Interface||Alan Robinson||17||Information
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| Jan||1987||The Better Flanger||Ian Coughlan||47||Effect||TDA1022||||Feb87-63, Mar87-55
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| Jan||1987||The ETI LEDScope||Tony Ellis||57||Test
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| Feb||1987||The MIDI Interface||Alan Robinson||31||Information
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| Apr||1987||BBC Micro MIDI Interface||John Yua||42||MIDI||||||Jun87-51, Jul87-51,
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| May||1987||MIDI Master Keyboard||John Yua||27||MIDI
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| May||1987||Metronome||Not given||44||Music
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| May||1987||Electronic Tuning Fork||Not given||44||Test
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| May||1987||Valve Distortion' Fuzz Box||Not given||46||Effect
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| Jun||1987||MIDI Master Keyboard||John Yua||33||MIDI||||||Jul87-51, Aug87-57,May88-53
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| Jul||1987||MIDI Master Keyboard||John Yua||40||MIDI
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| Aug||1987||MIDI Master Keyboard||John Yua||32||MIDI
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| Sep||1987||The Hybrid Music System||Malcolm Brown||24||Information
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| Oct||1987||Inside Hybrid's Music 5000||Chris Jordan||23||Information
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| Oct||1987||Hyper Fuzz||Charles Dancer||43||Effect
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| Dec||1987||Electronic Violet||Ronald Alpiar||41||Controller||||Part 1
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| Jan||1988||Music Circuit Potpourri||Bruno Hewitt||20||Synth
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| Jan||1988||Electronic Violet||Ronald Alpiar||63||Controller||||Part 2
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| Nov||1988||Tech Tips: Guitar Preshaper||I. Harvey||49||Effect
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| Nov||1988||Tech Tips: Envelope Generator||T. Allgood||51||Synth
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| Feb||1989||Compressor/limiter/Gate||Ian Harvey||26||Effect
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| Mar||1989||MIDI Programmer||Robert Penfold||31||MIDI
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| May||1989||Guitar Tuner||Laurie Barron||41||Test
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| Jun||1989||How to MIDI a Piano||John Brockhurst||26||MIDI||||||Nov89-60
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| Jul||1989||MIDI Patch Work||Robert Penfold||41||MIDI||||||Nov89-60
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| Oct||1989||MIDI Mapper||Robert Penfold||53||MIDI
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| Dec||1989||Pedal Power||Gordon Tomlinson||43||Effect
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| Dec||1989||Digital Noise Generator||Edward Barrow||50||Synth
|-
| Jun||1990||The Fecko Box||Keith Brindley||40||Effect||MN3004/3101||||Jul90-60
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| Aug||1990||SY77 Music Synthesis||Mike Barnes||39||Information||||Part 1
|-
| Sep||1990||SY77 Music Synthesis||Mike Barnes||37||Information||||Part 2
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| Nov||1990||Music Tech Tips||Robert Penfold||51||Synth
|-
| Jul||1991||The Foot-Tapper||Paul Stevenson||47||Effect
|-
| Mar||1992||MIDI Switch||G. Parris||16||MIDI
|-
| Apr||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||22||Audio||||Part 1
|-
| May||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||17||Audio||||Part 2
|-
| Jun||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||46||Audio||||Part 3
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| Jul||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||53||Audio||||Part 4
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| Aug||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||52||Audio||||Part 5
|-
| Aug||1992||MIDI Keyboard||Stephen Lenham||40||MIDI||E510
|-
| Sep||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||60||Audio||||Part 6
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| Oct||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||38||Audio||||Part 7
|-
| Nov||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||24||Audio||||Part 7b
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| Dec||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||23||Audio||||Part 8
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| Jan||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||24||Audio||||Part 8b
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| Feb||1993||Sound to MIDI Processor||Ken Blackwell||34||MIDI
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| Mar||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||49||Audio||||Part 10a
|-
| Apr||1993||Auto-mate 20 Mixer PPM module||Mike Meecham||32||Audio||||Part 1
|-
| May||1993||Auto-mate 20 Mixer PPM module||Mike Meecham||36||Audio||||Part 2
|-
| May||1993||The Fuzztone||Daniel Coggins||16||Effect
|-
| June||1993||5-Band Graphic Equaliser||Andrew Armstrong||12||Audio
|-
| Jun||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||39||Audio||||Part 11
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| Jul||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||48||Audio||||Part 12
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| Aug||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||40||Audio||||Part 13
|-
| Sep||1993||MIDI Analyser||Tom Scarff||32||MIDI
|-
| Sep||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||39||Audio||||Part 14
|-
| Oct||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||26||Audio||||Part 15
|-
| Nov||1993||MIDI Change Pedal||D. Sapwell||34||MIDI
|-
| Jun||1994||An Introduction to MIDI||Robert Penfold||54||Information
|-
| Jun||1994||A MIDI Bass Pedal||Tom Scarff||58||MIDI
|-
| Jul||1994||An Introduction to MIDI||Robert Penfold||62||Information||||Part 2
|-
| Aug||1994||An Introduction to MIDI||Robert Penfold||60||Information||||Part 3
|-
| Sep||1994||An Introduction to MIDI||Robert Penfold||62||Information||||Part 4
|-
| Oct||1994||Hall Effect Swell Pedal||Robert Penfold||30||Effect
|-
| Oct||1994||An Introduction to MIDI||Robert Penfold||62||Information||||Part 5
|-
| Nov||1994||Hall Effect Wah-Wah Pedal||Robert Penfold||58||Effect
|-
| Nov||1994||An Introduction to MIDI||Robert Penfold||64||Information||||Part 6
|-
| Dec||1994||The Parabender||Barry Porter||64||Audio||||Part 1
|-
| Jan||1995||Metal Effects Unit||Robert Penfold||46||Effect
|-
| Jan||1995||The Parabender||Barry Porter||50||Audio||||Part 2
|-
| Sep||1995||Fibre Optic MIDI Link||Robert Penfold||40||MIDI
|-
| Oct||1995||16 Channel MIDI Mixer||Tom Scarff||46||MIDI
|-
| Sep||1996||"Chopper" Tremolo||Robert Penfold||46||Effect
|-
| Apr||1997||MIDI Controlled Voice Harmoniser||Tom Scarff||28||Effect
|-
| Jan||1998||Infra-red Theramin||Robert Penfold||35||Synth
|-
| Feb||1998||MIDI Drum Pads||Tom Scarff||64||MIDI
|-
| Jun||1998||HT-8955 Digital Echo||Robert Penfold||19||Effect
|-
| Sep||1998||Tracking Filter Effects Unit||Robert Penfold||49||Effect
|-
| Sep||1998||A PC-controlled Sine Wave Generator||Mark Roberts||29||Synth
|-
| Nov||1998||Circuits for Music Lovers||James Scott||29||Effect
|}
Line 549 ⟶ 554:
{| class="wikitable"
! Month!!Year!!Article name!!Author!!PPNo!!Classification!!Key components!!Comments!!Corrections!!On Web
|-
| Sep||1976||Audio Phaser||Not Given||51||Effect||||ETI 447 PCB||||[http://www.synthdiy.com/files/2004/eti447.pdf SynthDIY.com], [https://web.archive.org/web/20160321100600/http://www.spontis.se/pdf/eti447.pdf CAG]
|-
|
|-
|Jun||1982||Sub-octave oscillator for ETI synthesizer||Ken Stone||||Synth||LM301, 4024||||||
|}
Line 559 ⟶ 566:
* Compiled by Mike Gorman from the original magazines
[[Category:Magazine SDIY articles indexes]]
|
Latest revision as of 17:36, 15 February 2023
Articles relevant to synth DIY that were published in the UK edition of the magazine Electronics Today International (ETI):
Month | Year | Article name | Author | PPNo | Classification | Key components | Comments | Corrections | On Web | |
---|---|---|---|---|---|---|---|---|---|---|
Apr | 1973 | ETI Master Mixer | Not Given | 66 | Audio | Part 1 | ||||
May | 1973 | ETI Master Mixer | Not Given | 30 | Audio | Part 2 | ||||
Jun | 1973 | New Sound For Your Guitar | Not Given | 30 | Effect | |||||
Jun | 1973 | ETI Master Mixer | Not Given | 56 | Audio | Part 3 | ||||
Jul | 1973 | ETI Master Mixer | Not Given | 63 | Audio | Part 4 | ||||
Oct | 1973 | Master Mixer Modification | Not Given | 52 | Audio | |||||
Jan | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 20 | Synth | Part 1 of ETI 4600 build | ETI4600 | |||
Feb | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 24 | Synth | Part 2 of ETI 4600 build | ETI4600 | |||
Mar | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 40 | Synth | Part 3 of ETI 4600 build | ETI4600 | |||
Apr | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 44 | Synth | Part 4 of ETI 4600 build | ETI4600 | |||
May | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 54 | Synth | Part 5 of ETI 4600 build | ETI4600 | |||
Jun | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 24 | Synth | Part 6 of ETI 4600 build | ETI4600 | |||
Jul | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 52 | Synth | Part 7 of ETI 4600 build | ETI4600 | |||
Aug | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 58 | Synth | Part 8 of ETI 4600 build | ETI4600 | |||
Aug | 1974 | BBC Radiophonic Workshop | Not given | 18 | History | |||||
Sep | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 48 | Synth | Part 9 of ETI 4600 build | ETI4600 | |||
Dec | 1974 | Spring Reverberation Unit | Not given | 46 | Effect | |||||
Feb | 1975 | Tech Tip: Simple Waa-Waa Circuit | Not given | 66 | Effect | |||||
Mar | 1975 | Using the LM3900 | Not given | 29 | Information | |||||
May | 1975 | ETI 3600 Synthesiser | Not given | 42 | Synth | Part 1 of 4 | ||||
Jun | 1975 | ETI 3600 Synthesiser | Not given | 32 | Synth | Part 2 of 4 | ||||
Jun | 1975 | Tech Tip: Pink Noise Generator | Not given | 62 | Effect | |||||
Jul | 1975 | Stage Mixer | Not given | 26 | Audio | Part 1 of 2 | ||||
Jul | 1975 | ETI 3600 Synthesiser | Not given | 54 | Synth | Part 3 of 4 | ||||
Sep | 1975 | Stage Mixer | Not given | 33 | Audio | Part 2 of 2 | ||||
Oct | 1975 | ETI 3600 Synthesiser | Not given | 41 | Synth | Part 4 of 4 | ||||
Feb | 1976 | Datasheet: AY-1-0212 & AY-1-5051 | Not given | 66 | Data sheet | |||||
Jun | 1976 | Waa-Waa Unit | Not given | 16 | Effect | |||||
Dec | 1976 | Touch Organ | Not given | 41 | Organ | Capacitive Touch Keys | ||||
Dec | 1976 | Audio Phaser | Not given | 29 | Effect | |||||
Dec | 1976 | Tech Tip: Guitar Fuzz | Not given | 83 | Effect | |||||
Apr | 1977 | Fuzz Box | Not given | 48 | Effect | |||||
May | 1977 | Datasheet: TDA1022 | Not given | 49 | Data sheet | |||||
Jul | 1977 | Active Filters | Tim Orr | 23 | Information | Part 1 | ||||
Jul | 1977 | Datasheet: ICL8038 | Not given | 50 | Data sheet | |||||
Jul | 1977 | Tech Tip: A Simple VCO | Not given | 77 | Synth | |||||
Aug | 1977 | Active Filters | Tim Orr | 36 | Information | Part 2 | World Radio History | |||
Aug | 1977 | Vocoders! | Not given | 34 | Information | World Radio History | ||||
Sep | 1977 | Active Filters | Tim Orr | 52 | Information | Part 3 | ||||
Sep | 1977 | Graphic Equaliser | Not given | 27 | Audio | |||||
Oct | 1977 | Datasheet: NE570/NE571 | Not given | 59 | Data sheet | World Radio History | ||||
Nov | 1977 | Tech Tip: Organ Divider | Not given | 73 | Organ | Related to Touch Organ (Dec 76) | World Radio History | |||
Feb | 1978 | Tech Tip: Sample and Hold for Music Synthesisers | L. Robinson | 84 | Synth | |||||
Feb | 1978 | Tech Tip: Battery Operated VCO | R. Zaman | 91 | Synth | |||||
Feb | 1978 | Op Amps | Tim Orr | 22 | Information | Part 1 | ||||
Mar | 1978 | Op Amps | Tim Orr | 49 | Information | Part 2 | World Radio History | |||
Apr | 1978 | Op Amps | Tim Orr | 29 | Information | Part 3 | World Radio History | |||
May | 1978 | Op Amps | Tim Orr | 69 | Information | Part 4 | World Radio History | |||
May | 1978 | CCD Phaser | David Vorhaus | 57 | Effect | TDA1022 | World Radio History | |||
Jun | 1978 | Spectrum Analyser | Tim Orr | 27 | Audio | World Radio History | ||||
Jul | 1978 | Designing Oscillators | Tim Orr | 15 | Information | World Radio History | ||||
Jul | 1978 | Music Synthesiser | Tim Orr | 38 | Synth | Part 1 of Transcendent 2000 | CAG, Emusic DIY, World Radio History | |||
Aug | 1978 | Music Synthesiser | Tim Orr | 45 | Synth | Part 2 of Transcendent 2000 | CAG, Emusic DIY, World Radio History | |||
Oct | 1978 | Complex Sound Generator | Not given | 17 | Synth | SN76477 | CAG, World Radio History | |||
Nov | 1978 | Autochord | Not given | 56 | Organ | Part 1 | World Radio History | |||
Nov | 1978 | Tech Tip: Guitar Sustain Unit | S. D. Maistre | 91 | Effect | World Radio History | ||||
Dec | 1978 | Autochord | Not given | 80 | Organ | Part 2 | World Radio History | |||
Jan | 1979 | Log-Exponential Converter | Not given | 34 | Synth | Novel Oven for temp stability | World Radio History | |||
Feb | 1979 | 100W Disco Mixer Amplifier | Richard Becker | 64 | Amplifier | Powertran MPA 200 | CAG | |||
Feb | 1979 | Tech Tip: Simple Wide Range VCO | A. J. Richardson | 87 | Synth | |||||
Apr | 1979 | Ten 3080 Circuits | Tim Orr | 70 | Information | |||||
Apr | 1979 | Guitar Effects Unit | Not given | 97 | Effect | |||||
May | 1979 | Datasheet: TDA1008 | Not given | 70 | Data sheet | |||||
May | 1979 | Headphone Amplifier | Not given | 77 | Amplifier | |||||
Jul | 1979 | Polyphonic Keyboard | Tim Orr | 36 | Synth | CAG | ||||
Aug | 1979 | Transcendent DPX | Tim Orr | 18 | Synth | BF244C, SAD512D | Part 1 of A String Thing | CAG | ||
Sep | 1979 | Transcendent DPX | Tim Orr | 62 | Synth | NE566, M086 | Part 2 of A String Thing | CAG | ||
Sep | 1979 | Tech Tip: Voltage Controlled Filter | T. W, Stride | 95 | Synth | |||||
Oct | 1979 | Transcendent DPX | Tim Orr | 35 | Synth | BF244B, CA3080 | Part 3 of A String Thing | CAG | ||
Oct | 1979 | High Quality Audio Amplifier | Not given | 55 | Amplifier | |||||
Nov | 1979 | Transcendent DPX | Tim Orr | 64 | Synth | 75107, MC6810L, ZN425SE | Part 4 of A String Thing | CAG | ||
Nov | 1979 | Analogue Delay Lines | Tim Orr | 29 | Information | |||||
Nov | 1979 | Tech Tip: Simple Rhythm Generator | J. J. Trinder | 101 | Synth | Basic Sequencer | ||||
Dec | 1979 | Random Noise Source | Not given | 67 | Synth | |||||
Dec | 1979 | Tech Tip: A Simple Sequencer | P. Hill | 109 | Synth | |||||
Jan | 1980 | Tech Tip: A Simple Sequencer | S. Giles | 101 | Synth | |||||
Feb | 1980 | Modular Synthesiser | R. C. Blakey | 62 | Synth | Project 80 | Digisound80, SynthDIY.com | |||
Feb | 1980 | Modular Synthesiser | R. C. Blakey | 67 | Synth | CA3080E, CEM3340 | Project 80 | Digisound80 | ||
Feb | 1980 | Tuning Fork | Not given | 79 | Test equipment | |||||
Feb | 1980 | Tech Tip: Stereo VCA | J. Macauley | 97 | Synth | |||||
Mar | 1980 | The 1537 VCA | Keith Brindley | 30 | Information | |||||
Mar | 1980 | Voltage Controlled Mixer | Not given | 87 | Synth | CEM3330 | Project 80 | Digisound80, SynthDIY.com | ||
Apr | 1980 | Analogue Switches | Tim Orr | 18 | Information | |||||
Apr | 1980 | 300W Amplifier Module | Not given | 58 | Amplifier | |||||
Apr | 1980 | Tech Tip: Transcendent 2000 Preamp | R. N. Johnson | 89 | Synth | |||||
May | 1980 | Project 80 filters | Chris Blakey | 20 | Synth | CEM3320 | Project 80 | Digisound80 | ||
May | 1980 | The Black Hole | Tim Orr | 90 | Effect | SAD512D | Chorus Machine | CAG | ||
Jun | 1980 | Drum Synthesiser | Roger Shore | 84 | Synth | ICL8038 | ||||
Jun | 1980 | Tech Tip: 555 Voltage Control | S. Draper | 97 | Synth | |||||
Jun | 1980 | Tech Tip: 16 Note Sequencer | P. Gatehouse | 99 | Synth | |||||
Jul | 1980 | Filter Design | Tim Orr | 17 | Information | |||||
Jul | 1980 | State Variable Filter | R. C. Blakey | 84 | Synth | SSM2040 | Project 80 | Digisound80 | ||
Jul | 1980 | Envelope Shaper | R. C. Blakey | 88 | Synth | CEM3310 | Project 80 | Digisound80 | ||
Aug | 1980 | 100W Power Amplifier | Not given | 64 | Amplifier | |||||
Aug | 1980 | Dual VCA | R. C. Blakey | 78 | Synth | CEM3330 | Project 80 | Digisound80 | ||
Sep | 1980 | Vocoder | Richard Becker | 58 | Synth | Part 1 of 2 | CAG | |||
Sep | 1980 | Envelope Shaper | R. C. Blakey | 93 | Synth | CEM3310 | Project 80 | Digisound80 | ||
Oct | 1980 | Spot Design: Reverberation Unit | Not given | 25 | Effect | |||||
Oct | 1980 | Vocoder | Richard Becker | 40 | Synth | Part 2 of 2 | CAG | |||
Oct | 1980 | Sustain Fuzz Box | Not given | 53 | Effect | |||||
Oct | 1980 | Monitor Amplifier | Chris Blakey | 79 | Synth | TDA2030H | Project 80 | Digisound80 | ||
Nov | 1980 | Spot Design: Waa-Waa Unit | Not given | 61 | Effect | |||||
Nov | 1980 | 2W Power Amplifier | Keith Brindley | 72 | Amplifier | |||||
Dec | 1980 | Four Input Mixer | John Fitzgerald | 19 | Audio | |||||
Dec | 1980 | Bandpass and Beyond | Tim Orr | 25 | Information | |||||
Dec | 1980 | Polysynth | Tim Orr | 87 | Synth | 2102, 6810 | Part 1 | CAG, World Radio History | ||
Jan | 1981 | Polysynth | Tim Orr | 77 | Synth | 2102, 6810, LM13600 | Part 2 | CAG, World Radio History | ||
Feb | 1981 | Polysynth | Tim Orr | 32 | Synth | CA3080, CEM3310, CEM3340, LM13600 | Part 3 | CAG, World Radio History | ||
Feb | 1981 | Sound Pressure Level Meter | Not given | 74 | Test equipment | 2N3819 | ||||
Mar | 1981 | Polysynth | Tim Orr | 27 | Synth | Part 4 | CAG, World Radio History | |||
Apr | 1981 | Noise Generator | Charles Blakey | 59 | Synth | Project 80 | Digisound80 | |||
Apr | 1981 | Drum Machine | Ray Marston | 75 | Synth | |||||
Apr | 1981 | Guitar Note Expander | Q. A. Rice | 95 | Effect | CAG | ||||
Apr | 1981 | Tech Tip: Joystick Control | M. Swale | 36 | Synth | ETI 4600 | ||||
Apr | 1981 | Tech Tip: Transcendent Pulse Wave Improvement | J. F. Jordan | 37 | Synth | Transcendent 2000 | ||||
Apr | 1981 | Spot Design: 20W MOSFET Amplifier | Not given | 88 | Amplifier | |||||
May | 1981 | Synthesiser Sequencer | Richard Becker | 36 | Synth | DM8130, ADC0804, DAC0808, 2x6514 | CAG, Neil Johnson | |||
May | 1981 | Spot Design: Guitar Treble Boost | Not given | 77 | Effect | |||||
May | 1981 | Tech Tip: 555 VCO | J. Harrold | 94 | Synth | |||||
May | 1981 | Tech Tip: Computer-controlled Synthesiser Keyboard | P.McChesney | 94 | Synth | |||||
Jun | 1981 | Waa-Phase Unit | Ray Marston | 24 | Effect | CAG | ||||
Jun | 1981 | Tech Tip: Transposing Master Tone Generator | R. Basterfield | 54 | Organ | |||||
Jun | 1981 | Tech Tip: Synthesiser Interface For Transcendent DPX | D. Pallant | 56 | Synth | |||||
Aug | 1981 | Hand Clap Synthesiser | Roger Shore | 68 | Synth | |||||
Aug | 1981 | Tech Tip: Computer-controlled Synthesiser Keyboard | K. Wood | 81 | Synth | |||||
Aug | 1981 | Tech Tip: Duophonic Synthesiser Keyboard | P. R. Williams | 83 | Synth | Transcendent 2000 | ||||
Sep | 1981 | Equaliser Circuit Design | Tim Orr | 71 | Information | |||||
Oct | 1981 | Sound Bender | Ray Marston | 24 | Effect | Ring Modulator | ||||
Nov | 1981 | Music Processor | Ray Marston | 38 | Effect | TDA1022 | ||||
Dec | 1981 | Tech Tip: Active 'Stereo' Bass Guitar | J. Smalley | 75 | Effect | |||||
Jan | 1982 | Guitar Tuner | Brian Brooks | 41 | Test equipment | |||||
Mar | 1982 | Facts on DAC's and ADC's | Tim Orr | 19 | Information | |||||
Apr | 1982 | Electromusic Techniques | Tim Orr | 17 | Information | Part 1 | ||||
Apr | 1982 | Solid State Reverb | Charles Blakey | 101 | Effect | MN3011/3101 | SynthDIY.com, Digisound80 | |||
May | 1982 | Electromusic Techniques | Tim Orr | 47 | Information | Part 2 | ||||
May | 1982 | Tech Tip: Economy CMOS Vocoder | S. P. Giles | 60 | Synth | |||||
May | 1982 | Tech Tip: Guitar Tracking Oscillator | S. P. Giles | 61 | Effect | |||||
Jun | 1982 | Electromusic Techniques | Tim Orr | 59 | Information | Part 3 | ||||
Jun | 1982 | Tech Tip: Solid StateScope Using LED's | G. Durant | 27 | Test equipment | |||||
Jul | 1982 | Tech Tip: CMOS Sustainer for Electric Guitars | S. P. Giles | 27 | Effect | |||||
Jul | 1982 | Playmate Guitar Effects/Amp | Phil Walker | 28 | Effect | Part 1 of 2 | ||||
Aug | 1982 | Tech Tip: Guitar Harmoniser | S. P. Giles | 34 | Effect | |||||
Aug | 1982 | Tech Tip: CMOS Phaser | S. P. Giles | 35 | Effect | |||||
Sep | 1982 | Playmate Guitar Effects/Amp | Phil Walker | 16 | Effect | Part 2 of 2 | ||||
Sep | 1982 | Tech Tip: Cheap Auto-Waa | Tony Allgood | 22 | Effect | |||||
Sep | 1982 | Tech Tip: CMOS Fuzz/Tremelo | S. P. Giles | 23 | Effect | |||||
Oct | 1982 | Tech Tip: Enriching Synthesiser Sounds | H. Duncan | 77 | Synth | |||||
Nov | 1982 | Tech Tip: Switched Volume Guitar | E. D. Pearson | 85 | Effect | |||||
Dec | 1982 | Tech Tip: Computer/Synth Keyboard Interface | Philip Jones | 93 | Synth | |||||
Jan | 1983 | Waveform Multiplier | David Ward-Hunt | 71 | Synth | Neil Johnson, Digisound80 | ||||
Feb | 1983 | The ETI Organ | Richard Watts | 19 | Organ | Part 1 | ||||
Mar | 1983 | The ETI Organ | Richard Watts | 36 | Organ | Part 2 | ||||
Apr | 1983 | The ETI Organ | Richard Watts | 56 | Organ | Part 3 | ||||
May | 1983 | The ETI Organ | Richard Watts | 67 | Organ | Part 4 | ||||
May | 1983 | Tech Tip: Electronic Guitar | Quentin Rice | 74 | Effect | |||||
Jun | 1983 | Data Sheet: M108/M208 | Not given | 71 | Data sheet | Neil Johnson | ||||
Aug | 1983 | 1/3 Octave Graphic Equaliser | David Tilbrook | 18 | Audio | Part 1 | ||||
Sep | 1983 | 1/3 Octave Graphic Equaliser | David Tilbrook | 41 | Audio | Part 2 | ||||
Nov | 1983 | Mini Drum Synth | A. G. Atkins | 36 | Synth | |||||
Nov | 1983 | Tech Tip: Active Bass Tone Control | Ian Willats | 57 | Effect | |||||
Jan | 1984 | Chorus/Flanger Unit | Tim Orr | 33 | Effect | MN3207/3102 | CAG, SynthDIY.com | |||
Mar | 1984 | Tech Tip: Cheap Envelope Generator | Jeff Macanley | 41 | Synth | |||||
May | 1984 | Midi Drum Synth | Not given | 62 | Synth | Not MIDI | CAG | |||
Oct | 1984 | Simple Echo Unit | Phil Walker | 18 | Effect | |||||
Oct | 1984 | Tech Tip: A440 Tuning Reference | C. Robertson | 48 | Test equipment | |||||
Dec | 1984 | Digital Delay Line | Ray Lowe | 16 | Effect | Part 1 | ||||
Jan | 1985 | Digital Delay Line | Ray Lowe | 62 | Effect | Part 2 | ||||
Feb | 1985 | Digital Delay Line | Ray Lowe | 24 | Effect | Part 3 | ||||
Feb | 1985 | Paragraph Equaliser | Barry Porter | 31 | Audio | Part 1 | ||||
Mar | 1985 | Voltage Controlled Digital Oscillator | Richard Thorp | 16 | Synth | CEM3340, DAC0800, 2716 | Project 80 | Digisound80 | ||
Mar | 1985 | Paragraph Equaliser | Barry Porter | 49 | Audio | Part 2 | ||||
Apr | 1985 | CCD Delay Line Effects Board | Phil Walker | 57 | Effect | TDA1022/1097 | ||||
Jul | 1985 | Noise Gate | Ian Coughlan | 38 | Effect | |||||
Aug | 1985 | ETI Sorcerer String Synthesiser | Graeme Durant | 36 | Synth | Part 1 | CAG | |||
Oct | 1985 | ETI Sorcerer String Synthesiser | Graeme Durant | 32 | Synth | CA3080, MN3010 | Part 3 | CAG | ||
Nov | 1985 | The Rhythm Chip | Geoff Phillips | 33 | Synth | |||||
Nov | 1985 | Chorus Unit | Ian Coughlan | 48 | Effect | TDA1097 | CAG | |||
Nov | 1985 | Cymbal Synth | D. Stone | 58 | Synth | |||||
Nov | 1985 | Digital Sound Sampler | Paul Chappell | 63 | Synth | Part 1 | ||||
Dec | 1985 | Specdrum Drum Sequencer | Digisound | 41 | Synth | Uses a ZX Spectrum | CAG | |||
Dec | 1985 | DI Compression Gate | Allan Bradford | 46 | Audio | CAG | ||||
Jan | 1986 | The ETI Activator | Allan Bradford | 30 | Audio | |||||
Jan | 1986 | Digital Sound Sampler | Paul Chappell | 63 | Synth | Part 2 – Uses a ZX Spectrum | ||||
Feb | 1986 | Digital Sound Sampler | Paul Chappell | 42 | Synth | ZN448 | Part 3 | |||
Mar | 1986 | Digital Sound Sampler | Paul Chappell | 44 | Synth | Part 4 | ||||
Jun | 1986 | MIDI To CV Convertor | R. A. Penfold | 29 | Synth | |||||
Jun | 1986 | Digital Sound Sampler | Paul Chappell | 48 | Synth | Part 5 | ||||
Jul | 1986 | Digital Sound Sampler | Paul Chappell | 44 | Synth | Part 6 | ||||
Oct | 1986 | Audio Analyser | R. A. Penfold | 43 | Audio | May87-57 | ||||
Dec | 1986 | Bongo Box | Peter Davie | 43 | Synth | |||||
Dec | 1986 | Tech Tip: Simple Fuzz Unit | Lee Sage | 58 | Effect | |||||
Jan | 1987 | The MIDI Interface | Alan Robinson | 17 | Information | |||||
Jan | 1987 | The Better Flanger | Ian Coughlan | 47 | Effect | TDA1022 | Feb87-63, Mar87-55 | |||
Jan | 1987 | The ETI LEDScope | Tony Ellis | 57 | Test equipment | |||||
Feb | 1987 | The MIDI Interface | Alan Robinson | 31 | Information | |||||
Apr | 1987 | BBC Micro MIDI Interface | John Yua | 42 | MIDI | Jun87-51, Jul87-51, | ||||
May | 1987 | MIDI Master Keyboard | John Yua | 27 | MIDI | |||||
May | 1987 | Metronome | Not given | 44 | Music | |||||
May | 1987 | Electronic Tuning Fork | Not given | 44 | Test equipment | |||||
May | 1987 | Valve Distortion' Fuzz Box | Not given | 46 | Effect | |||||
Jun | 1987 | MIDI Master Keyboard | John Yua | 33 | MIDI | Jul87-51, Aug87-57,May88-53 | ||||
Jul | 1987 | MIDI Master Keyboard | John Yua | 40 | MIDI | |||||
Aug | 1987 | MIDI Master Keyboard | John Yua | 32 | MIDI | |||||
Sep | 1987 | The Hybrid Music System | Malcolm Brown | 24 | Information | |||||
Oct | 1987 | Inside Hybrid's Music 5000 | Chris Jordan | 23 | Information | |||||
Oct | 1987 | Hyper Fuzz | Charles Dancer | 43 | Effect | |||||
Dec | 1987 | Electronic Violet | Ronald Alpiar | 41 | Controller | Part 1 | ||||
Jan | 1988 | Music Circuit Potpourri | Bruno Hewitt | 20 | Synth | |||||
Jan | 1988 | Electronic Violet | Ronald Alpiar | 63 | Controller | Part 2 | ||||
Nov | 1988 | Tech Tips: Guitar Preshaper | I. Harvey | 49 | Effect | |||||
Nov | 1988 | Tech Tips: Envelope Generator | T. Allgood | 51 | Synth | |||||
Feb | 1989 | Compressor/limiter/Gate | Ian Harvey | 26 | Effect | |||||
Mar | 1989 | MIDI Programmer | Robert Penfold | 31 | MIDI | |||||
May | 1989 | Guitar Tuner | Laurie Barron | 41 | Test equipment | |||||
Jun | 1989 | How to MIDI a Piano | John Brockhurst | 26 | MIDI | Nov89-60 | ||||
Jul | 1989 | MIDI Patch Work | Robert Penfold | 41 | MIDI | Nov89-60 | ||||
Oct | 1989 | MIDI Mapper | Robert Penfold | 53 | MIDI | |||||
Dec | 1989 | Pedal Power | Gordon Tomlinson | 43 | Effect | |||||
Dec | 1989 | Digital Noise Generator | Edward Barrow | 50 | Synth | |||||
Jun | 1990 | The Fecko Box | Keith Brindley | 40 | Effect | MN3004/3101 | Jul90-60 | |||
Aug | 1990 | SY77 Music Synthesis | Mike Barnes | 39 | Information | Part 1 | ||||
Sep | 1990 | SY77 Music Synthesis | Mike Barnes | 37 | Information | Part 2 | ||||
Nov | 1990 | Music Tech Tips | Robert Penfold | 51 | Synth | |||||
Jul | 1991 | The Foot-Tapper | Paul Stevenson | 47 | Effect | |||||
Mar | 1992 | MIDI Switch | G. Parris | 16 | MIDI | |||||
Apr | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 22 | Audio | Part 1 | ||||
May | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 17 | Audio | Part 2 | ||||
Jun | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 46 | Audio | Part 3 | ||||
Jul | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 53 | Audio | Part 4 | ||||
Aug | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 52 | Audio | Part 5 | ||||
Aug | 1992 | MIDI Keyboard | Stephen Lenham | 40 | MIDI | E510 | ||||
Sep | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 60 | Audio | Part 6 | ||||
Oct | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 38 | Audio | Part 7 | ||||
Nov | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 24 | Audio | Part 7b | ||||
Dec | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 23 | Audio | Part 8 | ||||
Jan | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 24 | Audio | Part 8b | ||||
Feb | 1993 | Sound to MIDI Processor | Ken Blackwell | 34 | MIDI | |||||
Mar | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 49 | Audio | Part 10a | ||||
Apr | 1993 | Auto-mate 20 Mixer PPM module | Mike Meecham | 32 | Audio | Part 1 | ||||
May | 1993 | Auto-mate 20 Mixer PPM module | Mike Meecham | 36 | Audio | Part 2 | ||||
May | 1993 | The Fuzztone | Daniel Coggins | 16 | Effect | |||||
June | 1993 | 5-Band Graphic Equaliser | Andrew Armstrong | 12 | Audio | |||||
Jun | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 39 | Audio | Part 11 | ||||
Jul | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 48 | Audio | Part 12 | ||||
Aug | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 40 | Audio | Part 13 | ||||
Sep | 1993 | MIDI Analyser | Tom Scarff | 32 | MIDI | |||||
Sep | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 39 | Audio | Part 14 | ||||
Oct | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 26 | Audio | Part 15 | ||||
Nov | 1993 | MIDI Change Pedal | D. Sapwell | 34 | MIDI | |||||
Jun | 1994 | An Introduction to MIDI | Robert Penfold | 54 | Information | |||||
Jun | 1994 | A MIDI Bass Pedal | Tom Scarff | 58 | MIDI | |||||
Jul | 1994 | An Introduction to MIDI | Robert Penfold | 62 | Information | Part 2 | ||||
Aug | 1994 | An Introduction to MIDI | Robert Penfold | 60 | Information | Part 3 | ||||
Sep | 1994 | An Introduction to MIDI | Robert Penfold | 62 | Information | Part 4 | ||||
Oct | 1994 | Hall Effect Swell Pedal | Robert Penfold | 30 | Effect | |||||
Oct | 1994 | An Introduction to MIDI | Robert Penfold | 62 | Information | Part 5 | ||||
Nov | 1994 | Hall Effect Wah-Wah Pedal | Robert Penfold | 58 | Effect | |||||
Nov | 1994 | An Introduction to MIDI | Robert Penfold | 64 | Information | Part 6 | ||||
Dec | 1994 | The Parabender | Barry Porter | 64 | Audio | Part 1 | ||||
Jan | 1995 | Metal Effects Unit | Robert Penfold | 46 | Effect | |||||
Jan | 1995 | The Parabender | Barry Porter | 50 | Audio | Part 2 | ||||
Sep | 1995 | Fibre Optic MIDI Link | Robert Penfold | 40 | MIDI | |||||
Oct | 1995 | 16 Channel MIDI Mixer | Tom Scarff | 46 | MIDI | |||||
Sep | 1996 | "Chopper" Tremolo | Robert Penfold | 46 | Effect | |||||
Apr | 1997 | MIDI Controlled Voice Harmoniser | Tom Scarff | 28 | Effect | |||||
Jan | 1998 | Infra-red Theramin | Robert Penfold | 35 | Synth | |||||
Feb | 1998 | MIDI Drum Pads | Tom Scarff | 64 | MIDI | |||||
Jun | 1998 | HT-8955 Digital Echo | Robert Penfold | 19 | Effect | |||||
Sep | 1998 | Tracking Filter Effects Unit | Robert Penfold | 49 | Effect | |||||
Sep | 1998 | A PC-controlled Sine Wave Generator | Mark Roberts | 29 | Synth | |||||
Nov | 1998 | Circuits for Music Lovers | James Scott | 29 | Effect |
Articles relevant to SDIY that were published in the Australian edition of ETI:
Month | Year | Article name | Author | PPNo | Classification | Key components | Comments | Corrections | On Web |
---|---|---|---|---|---|---|---|---|---|
Sep | 1976 | Audio Phaser | Not Given | 51 | Effect | ETI 447 PCB | SynthDIY.com, CAG | ||
Aug | 1977 | International 603 Sequencer | Not Given | 77 | Synth | ETI 603 PCB | SynthDIY.com, CAG, Emusic DIY | ||
Jun | 1982 | Sub-octave oscillator for ETI synthesizer | Ken Stone | Synth | LM301, 4024 |
References
- Compiled by Mike Gorman from the original magazines