ETI SDIY articles index: Difference between revisions
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Line 106:
| Jul||1978||Designing Oscillators||Tim Orr||15||Information||||||||||||||
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| Jul||1978||Music Synthesiser||Tim Orr||38||Synth||||||Part 1 of Transcendent 2000||||Y||http://www.spontis.se/pdf/t2000.pdf||
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| Aug||1978||Music Synthesiser||Tim Orr||45||Synth||||||Part 2 of Transcendent 2000||||Y||http://www.spontis.se/pdf/t2000.pdf||
|-
| Oct||1978||Complex Sound Generator||Not given||17||Synth||||SN76477||||||||||
Line 322:
| Nov||1983||Tech Tip: Active Bass Tone Control||Ian Willats||57||Effect||Permission Granted||||||||||||
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| Jan||1984||Chorus/Flanger Unit||Tim Orr||33||Effect||||MN3207/3102||||||Y||http://
|-
| Mar||1984||Tech Tip: Cheap Envelope Generator||Jeff Macanley||41||Synth||Permission Granted||||||||||||
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| May||1984||Midi Drum Synth||Not given||62||Synth||||||Not MIDI||||Y||http://
|-
| Oct||1984||Simple Echo Unit||Phil Walker||18||Effect||||||||||||||
|
Revision as of 13:52, 6 June 2015
Articles relevant to SDIY that were published in the UK edition of the magazine Electronics Today International (ETI):
Month | Year | Article name | Author | PPNo | Classification | Copyright status | Key components | Comments | Corrections | On Web? | URL 1st site | URL 2nd site |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Apr | 1973 | ETI Master Mixer | Not Given | 66 | Audio | Part 1 | ||||||
May | 1973 | ETI Master Mixer | Not Given | 30 | Audio | Part 2 | ||||||
Jun | 1973 | New Sound For Your Guitar | Not Given | 30 | Effect | |||||||
Jun | 1973 | ETI Master Mixer | Not Given | 56 | Audio | Part 3 | ||||||
Jul | 1973 | ETI Master Mixer | Not Given | 63 | Audio | Part 4 | ||||||
Oct | 1973 | Master Mixer Modification | Not Given | 52 | Audio | |||||||
Jan | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 20 | Synth | Part 1 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part1.pdf | ||||
Feb | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 24 | Synth | Part 2 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part2.pdf | ||||
Mar | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 40 | Synth | Part 3 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part3.pdf | ||||
Apr | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 44 | Synth | Part 4 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part4.pdf | ||||
May | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 54 | Synth | Part 5 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part5.pdf | ||||
Jun | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 24 | Synth | Part 6 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part6.pdf | ||||
Jul | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 52 | Synth | Part 7 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part7.pdf | ||||
Aug | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 58 | Synth | Part 8 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part8.pdf | ||||
Aug | 1974 | BBC Radiophonic Workshop | Not given | 18 | History | |||||||
Sep | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 48 | Synth | Part 9 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part9.pdf | ||||
Dec | 1974 | Spring Reverberation Unit | Not given | 46 | Effect | |||||||
Feb | 1975 | Tech Tip: Simple Waa-Waa Circuit | Not given | 66 | Effect | Permission Granted | ||||||
Mar | 1975 | Using the LM3900 | Not given | 29 | Information | |||||||
May | 1975 | ETI 3600 Synthesiser | Not given | 42 | Synth | Part 1 of 4 | ||||||
Jun | 1975 | ETI 3600 Synthesiser | Not given | 32 | Synth | Part 2 of 4 | ||||||
Jun | 1975 | Tech Tip: Pink Noise Generator | Not given | 62 | Effect | Permission Granted | ||||||
Jul | 1975 | Stage Mixer | Not given | 26 | Audio | Part 1 of 2 | ||||||
Jul | 1975 | ETI 3600 Synthesiser | Not given | 54 | Synth | Part 3 of 4 | ||||||
Sep | 1975 | Stage Mixer | Not given | 33 | Audio | Part 2 of 2 | ||||||
Oct | 1975 | ETI 3600 Synthesiser | Not given | 41 | Synth | Part 4 of 4 | ||||||
Feb | 1976 | Datasheet: AY-1-0212 & AY-1-5051 | Not given | 66 | Data Sheet | |||||||
Jun | 1976 | Waa-Waa Unit | Not given | 16 | Effect | |||||||
Dec | 1976 | Touch Organ | Not given | 41 | Organ | Capacitive Touch Keys | ||||||
Dec | 1976 | Audio Phaser | Not given | 29 | Effect | |||||||
Dec | 1976 | Tech Tip: Guitar Fuzz | Not given | 83 | Effect | Permission Granted | ||||||
Apr | 1977 | Fuzz Box | Not given | 48 | Effect | |||||||
May | 1977 | Datasheet: TDA1022 | Not given | 49 | Data Sheet | |||||||
Jul | 1977 | Active Filters | Tim Orr | 23 | Information | Part 1 | ||||||
Jul | 1977 | Datasheet: ICL8038 | Not given | 50 | Data Sheet | |||||||
Jul | 1977 | Tech Tip: A Simple VCO | Not given | 77 | Synth | Permission Granted | ||||||
Aug | 1977 | Active Filters | Tim Orr | 36 | Information | Part 2 | ||||||
Aug | 1977 | Vocoders! | Not given | 34 | Information | |||||||
Sep | 1977 | Active Filters | Tim Orr | 52 | Information | Part 3 | ||||||
Sep | 1977 | Graphic Equaliser | Not given | 27 | Audio | |||||||
Oct | 1977 | Datasheet: NE570/NE571 | Not given | 59 | Data Sheet | |||||||
Nov | 1977 | Tech Tip: Organ Divider | Not given | 73 | Organ | Permission Granted | Related to Touch Organ (Dec 76) | |||||
Feb | 1978 | Tech Tip: Sample and Hold for Music Synthesisers | L. Robinson | 84 | Synth | Permission Granted | ||||||
Feb | 1978 | Tech Tip: Battery Operated VCO | R. Zaman | 91 | Synth | Permission Granted | ||||||
Feb | 1978 | Op Amps | Tim Orr | 22 | Information | Part 1 | ||||||
Mar | 1978 | Op Amps | Tim Orr | 49 | Information | Part 2 | ||||||
Apr | 1978 | Op Amps | Tim Orr | 29 | Information | Part 3 | ||||||
May | 1978 | Op Amps | Tim Orr | 69 | Information | Part 4 | ||||||
May | 1978 | CCD Phaser | David Vorhaus | 57 | Effect | TDA1022 | ||||||
Jun | 1978 | Spectrum Analyser | Tim Orr | 27 | Audio | |||||||
Jul | 1978 | Designing Oscillators | Tim Orr | 15 | Information | |||||||
Jul | 1978 | Music Synthesiser | Tim Orr | 38 | Synth | Part 1 of Transcendent 2000 | Y | http://www.spontis.se/pdf/t2000.pdf | ||||
Aug | 1978 | Music Synthesiser | Tim Orr | 45 | Synth | Part 2 of Transcendent 2000 | Y | http://www.spontis.se/pdf/t2000.pdf | ||||
Oct | 1978 | Complex Sound Generator | Not given | 17 | Synth | SN76477 | ||||||
Nov | 1978 | Autochord | Not given | 56 | Organ | Part 1 | ||||||
Nov | 1978 | Tech Tip: Guitar Sustain Unit | S. D. Maistre | 91 | Effect | Permission Granted | ||||||
Dec | 1978 | Autochord | Not given | 80 | Organ | Part 2 | ||||||
Jan | 1979 | Log Convertor | Not given | 62 | Synth | Novel Oven for temp stability | ||||||
Feb | 1979 | 100W Disco Mixer Amplifier | Richard Becker | 64 | Amplifier | Powertran MPA 200 | ||||||
Feb | 1979 | Tech Tip: Simple Wide Range VCO | A. J. Richardson | 87 | Synth | Permission Granted | ||||||
Apr | 1979 | Ten 3080 Circuits | Tim Orr | 70 | Information | |||||||
Apr | 1979 | Guitar Effects Unit | Not given | 97 | Effect | |||||||
May | 1979 | Datasheet: TDA1008 | Not given | 70 | Data Sheet | |||||||
May | 1979 | Headphone Amplifier | Not given | 77 | Amplifier | |||||||
Jul | 1979 | Polyphonic Keyboard | Tim Orr | 36 | Synth | Y | http://www.spontis.se/pdf/arak.pdf | |||||
Aug | 1979 | Transcendent DPX | Tim Orr | 18 | Synth | Part 1 of A String Thing | ||||||
Sep | 1979 | Transcendent DPX | Tim Orr | 62 | Synth | Part 2 of A String Thing | ||||||
Sep | 1979 | Tech Tip: Voltage Controlled Filter | T. W, Stride | 95 | Synth | Permission Granted | ||||||
Oct | 1979 | Transcendent DPX | Tim Orr | 35 | Synth | Part 3 of A String Thing | ||||||
Oct | 1979 | High Quality Audio Amplifier | Not given | 55 | Amplifier | |||||||
Nov | 1979 | Transcendent DPX | Tim Orr | 64 | Synth | Part 4 of A String Thing | ||||||
Nov | 1979 | Analogue Delay Lines | Tim Orr | 29 | Information | |||||||
Nov | 1979 | Tech Tip: Simple Rhythm Generator | J. J. Trinder | 101 | Synth | Permission Granted | Basic Sequencer | |||||
Dec | 1979 | Random Noise Source | Not given | 67 | Synth | |||||||
Dec | 1979 | Tech Tip: A Simple Sequencer | P. Hill | 109 | Synth | Permission Granted | ||||||
Jan | 1980 | Tech Tip: A Simple Sequencer | S. Giles | 101 | Synth | Permission Granted | ||||||
Feb | 1980 | Modular Synthesiser | R. C. Blakey | 62 | Synth | Project 80 | Y | http://www.synthdiy.com/files/2006/80-1_eti.pdf | ||||
Feb | 1980 | Tuning Fork | Not given | 79 | Test Equipment | |||||||
Feb | 1980 | Tech Tip: Stereo VCA | J. Macauley | 97 | Synth | Permission Granted | ||||||
Mar | 1980 | The 1537 VCA | Keith Brindley | 30 | Information | |||||||
Mar | 1980 | Voltage Controlled Mixer | Not given | 87 | Synth | Project 80 | Y | http://www.synthdiy.com/files/2006/80-4_5_eti.pdf | ||||
Apr | 1980 | Analogue Switches | Tim Orr | 18 | Information | |||||||
Apr | 1980 | 300W Amplifier Module | Not given | 58 | Amplifier | |||||||
Apr | 1980 | Tech Tip: Transcendent 2000 Preamp | R. N. Johnson | 89 | Synth | Permission Granted | ||||||
May | 1980 | Project 80 filters | Chris Blakey | 20 | Synth | Project 80 | Y | |||||
May | 1980 | The Black Hole | Tim Orr | 90 | Effect | SAD512D | Chorus Machine | |||||
Jun | 1980 | Drum Synthesiser | Roger Shore | 84 | Synth | ICL8038 | ||||||
Jun | 1980 | Tech Tip: 555 Voltage Control | S. Draper | 97 | Synth | Permission Granted | ||||||
Jun | 1980 | Tech Tip: 16 Note Sequencer | P. Gatehouse | 99 | Synth | Permission Granted | ||||||
Jul | 1980 | Filter Design | Tim Orr | 17 | Information | |||||||
Jul | 1980 | State Variable Filter | R. C. Blakey | 84 | Synth | Project 80 | Y | |||||
Jul | 1980 | Envelope Shaper | R. C. Blakey | 88 | Synth | Project 80 | Y | |||||
Aug | 1980 | 100W Power Amplifier | Not given | 64 | Amplifier | |||||||
Aug | 1980 | Dual VCA | R. C. Blakey | 78 | Synth | Project 80 | Y | |||||
Sep | 1980 | Vocoder | Richard Becker | 58 | Synth | Part 1 of 2 | Y | http://rubidium.dyndns.org/cag/zip/etivoc.zip | ||||
Sep | 1980 | Envelope Shaper | R. C. Blakey | 93 | Synth | Project 80 | Y | |||||
Oct | 1980 | Spot Design: Reverberation Unit | Not given | 25 | Effect | |||||||
Oct | 1980 | Vocoder | Richard Becker | 40 | Synth | Part 2 of 2 | Y | http://rubidium.dyndns.org/cag/zip/etivoc.zip | ||||
Oct | 1980 | Sustain Fuzz Box | Not given | 53 | Effect | |||||||
Oct | 1980 | Monitor Amplifier | Chris Blakey | 79 | Synth | Project 80 | Y | |||||
Nov | 1980 | Spot Design: Waa-Waa Unit | Not given | 61 | Effect | |||||||
Nov | 1980 | 2W Power Amplifier | Keith Brindley | 72 | Amplifier | |||||||
Dec | 1980 | Four Input Mixer | John Fitzgerald | 19 | Audio | |||||||
Dec | 1980 | Bandpass and Beyond | Tim Orr | 25 | Information | |||||||
Dec | 1980 | Polysynth | Tim Orr | 87 | Synth | Part 1 | Y | http://rubidium.dyndns.org/cag/pdf/etipoly.pdf | ||||
Jan | 1981 | Polysynth | Tim Orr | 77 | Synth | Part 2 | Y | http://rubidium.dyndns.org/cag/pdf/etipoly.pdf | ||||
Feb | 1981 | Polysynth | Tim Orr | 32 | Synth | Part 3 | Y | http://rubidium.dyndns.org/cag/pdf/etipoly.pdf | ||||
Feb | 1981 | Sound Pressure Level Meter | Not given | 74 | Test Equipment | 2N3819 | ||||||
Mar | 1981 | Polysynth | Tim Orr | 27 | Synth | Part 4 | Y | http://rubidium.dyndns.org/cag/pdf/etipoly.pdf | ||||
Apr | 1981 | Noise Generator | Charles Blakey | 59 | Synth | Project 80 | Y | |||||
Apr | 1981 | Drum Machine | Ray Marston | 75 | Synth | |||||||
Apr | 1981 | Guitar Note Expander | Q. A. Rice | 95 | Effect | |||||||
Apr | 1981 | Tech Tip: Joystick Control | M. Swale | 36 | Synth | Permission Granted | ETI 4600 | |||||
Apr | 1981 | Tech Tip: Transcendent Pulse Wave Improvement | J. F. Jordan | 37 | Synth | Permission Granted | Transcendent 2000 | |||||
Apr | 1981 | Spot Design: 20W MOSFET Amplifier | Not given | 88 | Amplifier | |||||||
May | 1981 | Synthesiser Sequencer | Richard Becker | 36 | Synth | DM8130, ADC0804, DAC0808, 2x6514 | Y | http://www.milton.arachsys.com/nj71/zip/1024.zip | ||||
May | 1981 | Spot Design: Guitar Treble Boost | Not given | 77 | Effect | |||||||
May | 1981 | Tech Tip: 555 VCO | J. Harrold | 94 | Synth | Permission Granted | ||||||
May | 1981 | Tech Tip: Computer-controlled Synthesiser Keyboard | P.McChesney | 94 | Synth | Permission Granted | ||||||
Jun | 1981 | Waa-Phase Unit | Ray Marston | 24 | Effect | |||||||
Jun | 1981 | Tech Tip: Transposing Master Tone Generator | R. Basterfield | 54 | Organ | Permission Granted | ||||||
Jun | 1981 | Tech Tip: Synthesiser Interface For Transcendent DPX | D. Pallant | 56 | Synth | Permission Granted | ||||||
Aug | 1981 | Hand Clap Synthesiser | Roger Shore | 68 | Synth | |||||||
Aug | 1981 | Tech Tip: Computer-controlled Synthesiser Keyboard | K. Wood | 81 | Synth | Permission Granted | ||||||
Aug | 1981 | Tech Tip: Duophonic Synthesiser Keyboard | P. R. Williams | 83 | Synth | Permission Granted | Transcendent 2000 | |||||
Sep | 1981 | Equaliser Circuit Design | Tim Orr | 71 | Information | |||||||
Oct | 1981 | Sound Bender | Ray Marston | 24 | Effect | Ring Modulator | ||||||
Nov | 1981 | Music Processor | Ray Marston | 38 | Effect | TDA1022 | ||||||
Dec | 1981 | Tech Tip: Active 'Stereo' Bass Guitar | J. Smalley | 75 | Effect | Permission Granted | ||||||
Jan | 1982 | Guitar Tuner | Brian Brooks | 41 | Test Equipment | |||||||
Mar | 1982 | Facts on DAC's and ADC's | Tim Orr | 19 | Information | |||||||
Apr | 1982 | Electromusic Techniques | Tim Orr | 17 | Information | Part 1 | ||||||
Apr | 1982 | Solid State Reverb | Charles Blakey | 101 | Effect | MN3011/3101 | Y | http://www.synthdiy.com/files/2003/eti-mn3011reverb.pdf | ||||
May | 1982 | Electromusic Techniques | Tim Orr | 47 | Information | Part 2 | ||||||
May | 1982 | Tech Tip: Economy CMOS Vocoder | S. P. Giles | 60 | Synth | Permission Granted | ||||||
May | 1982 | Tech Tip: Guitar Tracking Oscillator | S. P. Giles | 61 | Effect | Permission Granted | ||||||
Jun | 1982 | Electromusic Techniques | Tim Orr | 59 | Information | Part 3 | ||||||
Jun | 1982 | Tech Tip: Solid StateScope Using LED's | G. Durant | 27 | Test Equipment | Permission Granted | ||||||
Jul | 1982 | Tech Tip: CMOS Sustainer for Electric Guitars | S. P. Giles | 27 | Effect | Permission Granted | ||||||
Jul | 1982 | Playmate Guitar Effects/Amp | Phil Walker | 28 | Effect | Part 1 of 2 | ||||||
Aug | 1982 | Tech Tip: Guitar Harmoniser | S. P. Giles | 34 | Effect | Permission Granted | ||||||
Aug | 1982 | Tech Tip: CMOS Phaser | S. P. Giles | 35 | Effect | Permission Granted | ||||||
Sep | 1982 | Playmate Guitar Effects/Amp | Phil Walker | 16 | Effect | Part 2 of 2 | ||||||
Sep | 1982 | Tech Tip: Cheap Auto-Waa | Tony Allgood | 22 | Effect | Permission Granted | ||||||
Sep | 1982 | Tech Tip: CMOS Fuzz/Tremelo | S. P. Giles | 23 | Effect | Permission Granted | ||||||
Oct | 1982 | Tech Tip: Enriching Synthesiser Sounds | H. Duncan | 77 | Synth | Permission Granted | ||||||
Nov | 1982 | Tech Tip: Switched Volume Guitar | E. D. Pearson | 85 | Effect | Permission Granted | ||||||
Dec | 1982 | Tech Tip: Computer/Synth Keyboard Interface | Philip Jones | 93 | Synth | Permission Granted | ||||||
Jan | 1983 | Waveform Multiplier | David Ward-Hunt | 71 | Synth | Y | http://www.milton.arachsys.com/nj71/pdf/magazine/ETIWaveMult.pdf | |||||
Feb | 1983 | The ETI Organ | Richard Watts | 19 | Organ | Part 1 | ||||||
Mar | 1983 | The ETI Organ | Richard Watts | 36 | Organ | Part 2 | ||||||
Apr | 1983 | The ETI Organ | Richard Watts | 56 | Organ | Part 3 | ||||||
May | 1983 | The ETI Organ | Richard Watts | 67 | Organ | Part 4 | ||||||
May | 1983 | Tech Tip: Electronic Guitar | Quentin Rice | 74 | Effect | Permission Granted | ||||||
Jun | 1983 | Data Sheet: M108/M208 | Not given | 71 | Data Sheet | Y | http://www.milton.arachsys.com/nj71/pdf/magazine/ETIM108.pdf | |||||
Aug | 1983 | 1/3 Octave Graphic Equaliser | David Tilbrook | 18 | Audio | Part 1 | ||||||
Sep | 1983 | 1/3 Octave Graphic Equaliser | David Tilbrook | 41 | Audio | Part 2 | ||||||
Nov | 1983 | Mini Drum Synth | A. G. Atkins | 36 | Synth | |||||||
Nov | 1983 | Tech Tip: Active Bass Tone Control | Ian Willats | 57 | Effect | Permission Granted | ||||||
Jan | 1984 | Chorus/Flanger Unit | Tim Orr | 33 | Effect | MN3207/3102 | Y | http://www.spontis.se/pdf/flanger.pdf | http://www.synthdiy.com/files/2005/flanger.pdf | |||
Mar | 1984 | Tech Tip: Cheap Envelope Generator | Jeff Macanley | 41 | Synth | Permission Granted | ||||||
May | 1984 | Midi Drum Synth | Not given | 62 | Synth | Not MIDI | Y | http://www.spontis.se/pdf/eti_drumsynth.pdf | ||||
Oct | 1984 | Simple Echo Unit | Phil Walker | 18 | Effect | |||||||
Oct | 1984 | Tech Tip: A440 Tuning Reference | C. Robertson | 48 | Test Equipment | Permission Granted | ||||||
Dec | 1984 | Digital Delay Line | Ray Lowe | 16 | Effect | Part 1 | ||||||
Jan | 1985 | Digital Delay Line | Ray Lowe | 62 | Effect | Part 2 | ||||||
Feb | 1985 | Digital Delay Line | Ray Lowe | 24 | Effect | Part 3 | ||||||
Feb | 1985 | Paragraph Equaliser | Barry Porter | 31 | Audio | Part 1 | ||||||
Mar | 1985 | Voltage Controlled Digital Oscillator | Richard Thorp | 16 | Synth | Project 80 | Y | |||||
Mar | 1985 | Paragraph Equaliser | Barry Porter | 49 | Audio | Part 2 | ||||||
Apr | 1985 | CCD Delay Line Effects Board | Phil Walker | 57 | Effect | TDA1022/1097 | ||||||
Jul | 1985 | Noise Gate | Ian Coughlan | 38 | Effect | |||||||
Aug | 1985 | ETI Sorcerer String Synthesiser | Graeme Durant | 36 | Synth | Part 1 | ||||||
Oct | 1985 | ETI Sorcerer String Synthesiser | Graeme Durant | 32 | Synth | Part 3 | ||||||
Nov | 1985 | The Rhythm Chip | Geoff Phillips | 33 | Synth | |||||||
Nov | 1985 | Chorus Unit | Ian Coughlan | 48 | Effect | TDA1097 | ||||||
Nov | 1985 | Cymbal Synth | D. Stone | 58 | Synth | |||||||
Nov | 1985 | Digital Sound Sampler | Paul Chappell | 63 | Synth | Part 1 | ||||||
Dec | 1985 | Specdrum Drum Sequencer | Digisound | 41 | Synth | Uses a ZX Spectrum | ||||||
Dec | 1985 | DI Compression Gate | Allan Bradford | 46 | Audio | |||||||
Jan | 1986 | The ETI Activator | Allan Bradford | 30 | Audio | |||||||
Jan | 1986 | Digital Sound Sampler | Paul Chappell | 63 | Synth | Part 2 - Uses a ZX Spectrum | ||||||
Feb | 1986 | Digital Sound Sampler | Paul Chappell | 42 | Synth | ZN448 | Part 3 | |||||
Mar | 1986 | Digital Sound Sampler | Paul Chappell | 44 | Synth | Part 4 | ||||||
Jun | 1986 | MIDI To CV Convertor | R. A. Penfold | 29 | Synth | |||||||
Jun | 1986 | Digital Sound Sampler | Paul Chappell | 48 | Synth | Part 5 | ||||||
Jul | 1986 | Digital Sound Sampler | Paul Chappell | 44 | Synth | Part 6 | ||||||
Oct | 1986 | Audio Analyser | R. A. Penfold | 43 | Audio | May87-57 | ||||||
Dec | 1986 | Bongo Box | Peter Davie | 43 | Synth | |||||||
Dec | 1986 | Tech Tip: Simple Fuzz Unit | Lee Sage | 58 | Effect | Permission Granted | ||||||
Jan | 1987 | The MIDI Interface | Alan Robinson | 17 | Information | |||||||
Jan | 1987 | The Better Flanger | Ian Coughlan | 47 | Effect | TDA1022 | Feb87-63, Mar87-55 | |||||
Jan | 1987 | The ETI LEDScope | Tony Ellis | 57 | Test Equipment | |||||||
Feb | 1987 | The MIDI Interface | Alan Robinson | 31 | Information | |||||||
Apr | 1987 | BBC Micro MIDI Interface | John Yua | 42 | MIDI | Jun87-51, Jul87-51, | ||||||
May | 1987 | MIDI Master Keyboard | John Yua | 27 | MIDI | |||||||
May | 1987 | Metronome | Not given | 44 | Music | |||||||
May | 1987 | Electronic Tuning Fork | Not given | 44 | Test Equipment | |||||||
May | 1987 | Valve Distortion' Fuzz Box | Not given | 46 | Effect | |||||||
Jun | 1987 | MIDI Master Keyboard | John Yua | 33 | MIDI | Jul87-51, Aug87-57,May88-53 | ||||||
Jul | 1987 | MIDI Master Keyboard | John Yua | 40 | MIDI | |||||||
Aug | 1987 | MIDI Master Keyboard | John Yua | 32 | MIDI | |||||||
Sep | 1987 | The Hybrid Music System | Malcolm Brown | 24 | Information | |||||||
Oct | 1987 | Inside Hybrid's Music 5000 | Chris Jordan | 23 | Information | |||||||
Oct | 1987 | Hyper Fuzz | Charles Dancer | 43 | Effect | |||||||
Dec | 1987 | Electronic Violet | Ronald Alpiar | 41 | Controller | Part 1 | ||||||
Jan | 1988 | Music Circuit Potpourri | Bruno Hewitt | 20 | Synth | |||||||
Jan | 1988 | Electronic Violet | Ronald Alpiar | 63 | Controller | Part 2 | ||||||
Nov | 1988 | Tech Tips: Guitar Preshaper | I. Harvey | 49 | Effect | Permission Granted | ||||||
Nov | 1988 | Tech Tips: Envelope Generator | T. Allgood | 51 | Synth | Permission Granted | ||||||
Feb | 1989 | Compressor/limiter/Gate | Ian Harvey | 26 | Effect | |||||||
Mar | 1989 | MIDI Programmer | Robert Penfold | 31 | MIDI | |||||||
May | 1989 | Guitar Tuner | Laurie Barron | 41 | Test Equipment | |||||||
Jun | 1989 | How to MIDI a Piano | John Brockhurst | 26 | MIDI | Nov89-60 | ||||||
Jul | 1989 | MIDI Patch Work | Robert Penfold | 41 | MIDI | Nov89-60 | ||||||
Oct | 1989 | MIDI Mapper | Robert Penfold | 53 | MIDI | |||||||
Dec | 1989 | Pedal Power | Gordon Tomlinson | 43 | Effect | |||||||
Dec | 1989 | Digital Noise Generator | Edward Barrow | 50 | Synth | |||||||
Jun | 1990 | The Fecko Box | Keith Brindley | 40 | Effect | MN3004/3101 | Jul90-60 | |||||
Aug | 1990 | SY77 Music Synthesis | Mike Barnes | 39 | Information | Part 1 | ||||||
Sep | 1990 | SY77 Music Synthesis | Mike Barnes | 37 | Information | Part 2 | ||||||
Nov | 1990 | Music Tech Tips | Robert Penfold | 51 | Synth | |||||||
Jul | 1991 | The Foot-Tapper | Paul Stevenson | 47 | Effect | |||||||
Mar | 1992 | MIDI Switch | G. Parris | 16 | MIDI | |||||||
Apr | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 22 | Audio | Part 1 | ||||||
May | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 17 | Audio | Part 2 | ||||||
Jun | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 46 | Audio | Part 3 | ||||||
Jul | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 53 | Audio | Part 4 | ||||||
Aug | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 52 | Audio | Part 5 | ||||||
Aug | 1992 | MIDI Keyboard | Stephen Lenham | 40 | MIDI | E510 | ||||||
Sep | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 60 | Audio | Part 6 | ||||||
Oct | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 38 | Audio | Part 7 | ||||||
Nov | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 24 | Audio | Part 7b | ||||||
Dec | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 23 | Audio | Part 8 | ||||||
Jan | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 24 | Audio | Part 8b | ||||||
Feb | 1993 | Sound to MIDI Processor | Ken Blackwell | 34 | MIDI | |||||||
Mar | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 49 | Audio | Part 10a | ||||||
Apr | 1993 | Auto-mate 20 Mixer PPM module | Mike Meecham | 32 | Audio | Part 1 | ||||||
May | 1993 | Auto-mate 20 Mixer PPM module | Mike Meecham | 36 | Audio | Part 2 | ||||||
May | 1993 | The Fuzztone | Daniel Coggins | 16 | Effect | |||||||
June | 1993 | 5-Band Graphic Equaliser | Andrew Armstrong | 12 | Audio | |||||||
Jun | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 39 | Audio | Part 11 | ||||||
Jul | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 48 | Audio | Part 12 | ||||||
Aug | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 40 | Audio | Part 13 | ||||||
Sep | 1993 | MIDI Analyser | Tom Scarff | 32 | MIDI | |||||||
Sep | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 39 | Audio | Part 14 | ||||||
Oct | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 26 | Audio | Part 15 | ||||||
Nov | 1993 | MIDI Change Pedal | D. Sapwell | 34 | MIDI | |||||||
Jun | 1994 | An Introduction to MIDI | Robert Penfold | 54 | Information | |||||||
Jun | 1994 | A MIDI Bass Pedal | Tom Scarff | 58 | MIDI | |||||||
Jul | 1994 | An Introduction to MIDI | Robert Penfold | 62 | Information | Part 2 | ||||||
Aug | 1994 | An Introduction to MIDI | Robert Penfold | 60 | Information | Part 3 | ||||||
Sep | 1994 | An Introduction to MIDI | Robert Penfold | 62 | Information | Part 4 | ||||||
Oct | 1994 | Hall Effect Swell Pedal | Robert Penfold | 30 | Effect | |||||||
Oct | 1994 | An Introduction to MIDI | Robert Penfold | 62 | Information | Part 5 | ||||||
Nov | 1994 | Hall Effect Wah-Wah Pedal | Robert Penfold | 58 | Effect | |||||||
Nov | 1994 | An Introduction to MIDI | Robert Penfold | 64 | Information | Part 6 | ||||||
Dec | 1994 | The Parabender | Barry Porter | 64 | Audio | Part 1 | ||||||
Jan | 1995 | Metal Effects Unit | Robert Penfold | 46 | Effect | |||||||
Jan | 1995 | The Parabender | Barry Porter | 50 | Audio | Part 2 | ||||||
Sep | 1995 | Fibre Optic MIDI Link | Robert Penfold | 40 | MIDI | |||||||
Oct | 1995 | 16 Channel MIDI Mixer | Tom Scarff | 46 | MIDI | |||||||
Sep | 1996 | "Chopper" Tremolo | Robert Penfold | 46 | Effect | |||||||
Apr | 1997 | MIDI Controlled Voice Harmoniser | Tom Scarff | 28 | Effect | |||||||
Jan | 1998 | Infra-red Theramin | Robert Penfold | 35 | Synth | |||||||
Feb | 1998 | MIDI Drum Pads | Tom Scarff | 64 | MIDI | |||||||
Jun | 1998 | HT-8955 Digital Echo | Robert Penfold | 19 | Effect | |||||||
Sep | 1998 | Tracking Filter Effects Unit | Robert Penfold | 49 | Effect | |||||||
Sep | 1998 | A PC-controlled Sine Wave Generator | Mark Roberts | 29 | Synth | |||||||
Nov | 1998 | Circuits for Music Lovers | James Scott | 29 | Effect |
Articles relevant to SDIY that were published in the Australian edition of ETI:
Month | Year | Article name | Author | PPNo | Classification | Copyright status | Key components | Comments | Corrections | On Web? | URL 1st site | URL 2nd site |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Sep | 1976 | Audio Phaser | Not Given | 51 | Effect | ETI 447 PCB | Y | http://www.synthdiy.com/files/2004/eti447.pdf | ||||
Aug | 1977 | Sequencer | Not Given | 77 | Synth | ETI 603 PCB | Y | http://www.synthdiy.com/show/?id=370 |
References
- Compiled by Mike Gorman from the original magazines