ETI SDIY articles index: Difference between revisions
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! Month!!Year!!Article name!!Author!!PPNo!!Classification |
! Month!!Year!!Article name!!Author!!PPNo!!Classification!!Key components!!Comments!!Corrections!!On Web?!!URL 1st site!!URL 2nd site |
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| Apr||1973||ETI Master Mixer||Not Given||66||Audio |
| Apr||1973||ETI Master Mixer||Not Given||66||Audio||||Part 1|||||||| |
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| May||1973||ETI Master Mixer||Not Given||30||Audio |
| May||1973||ETI Master Mixer||Not Given||30||Audio||||Part 2|||||||| |
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| Jun||1973||New Sound For Your Guitar||Not Given||30||Effect |
| Jun||1973||New Sound For Your Guitar||Not Given||30||Effect|||||||||||| |
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| Jun||1973||ETI Master Mixer||Not Given||56||Audio |
| Jun||1973||ETI Master Mixer||Not Given||56||Audio||||Part 3|||||||| |
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| Jul||1973||ETI Master Mixer||Not Given||63||Audio |
| Jul||1973||ETI Master Mixer||Not Given||63||Audio||||Part 4|||||||| |
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| Oct||1973||Master Mixer Modification||Not Given||52||Audio |
| Oct||1973||Master Mixer Modification||Not Given||52||Audio|||||||||||| |
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| Jan||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||20||Synth |
| Jan||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||20||Synth||||Part 1 of ETI 4600 build||||Y||http://www.eti4600synthesiser.org.uk/ETI_Part1.pdf|| |
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| Feb||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||24||Synth |
| Feb||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||24||Synth||||Part 2 of ETI 4600 build||||Y||http://www.eti4600synthesiser.org.uk/ETI_Part2.pdf|| |
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| Mar||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||40||Synth |
| Mar||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||40||Synth||||Part 3 of ETI 4600 build||||Y||http://www.eti4600synthesiser.org.uk/ETI_Part3.pdf|| |
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| Apr||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||44||Synth |
| Apr||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||44||Synth||||Part 4 of ETI 4600 build||||Y||http://www.eti4600synthesiser.org.uk/ETI_Part4.pdf|| |
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| May||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||54||Synth |
| May||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||54||Synth||||Part 5 of ETI 4600 build||||Y||http://www.eti4600synthesiser.org.uk/ETI_Part5.pdf|| |
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| Jun||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||24||Synth |
| Jun||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||24||Synth||||Part 6 of ETI 4600 build||||Y||http://www.eti4600synthesiser.org.uk/ETI_Part6.pdf|| |
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| Jul||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||52||Synth |
| Jul||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||52||Synth||||Part 7 of ETI 4600 build||||Y||http://www.eti4600synthesiser.org.uk/ETI_Part7.pdf|| |
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| Aug||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||58||Synth |
| Aug||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||58||Synth||||Part 8 of ETI 4600 build||||Y||http://www.eti4600synthesiser.org.uk/ETI_Part8.pdf|| |
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| Aug||1974||BBC Radiophonic Workshop||Not given||18||History |
| Aug||1974||BBC Radiophonic Workshop||Not given||18||History|||||||||||| |
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| Sep||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||48||Synth |
| Sep||1974||International Music Synthesiser||Barry Wilkinson, Trevor Marshall||48||Synth||||Part 9 of ETI 4600 build||||Y||http://www.eti4600synthesiser.org.uk/ETI_Part9.pdf|| |
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| Dec||1974||Spring Reverberation Unit||Not given||46||Effect |
| Dec||1974||Spring Reverberation Unit||Not given||46||Effect|||||||||||| |
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| Feb||1975||Tech Tip: Simple Waa-Waa Circuit||Not given||66||Effect |
| Feb||1975||Tech Tip: Simple Waa-Waa Circuit||Not given||66||Effect|||||||||||| |
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| Mar||1975||Using the LM3900||Not given||29||Information |
| Mar||1975||Using the LM3900||Not given||29||Information|||||||||||| |
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| May||1975||ETI 3600 Synthesiser||Not given||42||Synth |
| May||1975||ETI 3600 Synthesiser||Not given||42||Synth||||Part 1 of 4|||||||| |
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| Jun||1975||ETI 3600 Synthesiser||Not given||32||Synth |
| Jun||1975||ETI 3600 Synthesiser||Not given||32||Synth||||Part 2 of 4|||||||| |
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| Jun||1975||Tech Tip: Pink Noise Generator||Not given||62||Effect |
| Jun||1975||Tech Tip: Pink Noise Generator||Not given||62||Effect|||||||||||| |
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| Jul||1975||Stage Mixer||Not given||26||Audio |
| Jul||1975||Stage Mixer||Not given||26||Audio||||Part 1 of 2|||||||| |
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| Jul||1975||ETI 3600 Synthesiser||Not given||54||Synth |
| Jul||1975||ETI 3600 Synthesiser||Not given||54||Synth||||Part 3 of 4|||||||| |
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| Sep||1975||Stage Mixer||Not given||33||Audio |
| Sep||1975||Stage Mixer||Not given||33||Audio||||Part 2 of 2|||||||| |
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| Oct||1975||ETI 3600 Synthesiser||Not given||41||Synth |
| Oct||1975||ETI 3600 Synthesiser||Not given||41||Synth||||Part 4 of 4|||||||| |
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| Feb||1976||Datasheet: AY-1-0212 & AY-1-5051||Not given||66||Data Sheet |
| Feb||1976||Datasheet: AY-1-0212 & AY-1-5051||Not given||66||Data Sheet|||||||||||| |
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| Jun||1976||Waa-Waa Unit||Not given||16||Effect |
| Jun||1976||Waa-Waa Unit||Not given||16||Effect|||||||||||| |
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| Dec||1976||Touch Organ||Not given||41||Organ |
| Dec||1976||Touch Organ||Not given||41||Organ||||Capacitive Touch Keys|||||||| |
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| Dec||1976||Audio Phaser||Not given||29||Effect |
| Dec||1976||Audio Phaser||Not given||29||Effect|||||||||||| |
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| Dec||1976||Tech Tip: Guitar Fuzz||Not given||83||Effect |
| Dec||1976||Tech Tip: Guitar Fuzz||Not given||83||Effect|||||||||||| |
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| Apr||1977||Fuzz Box||Not given||48||Effect |
| Apr||1977||Fuzz Box||Not given||48||Effect|||||||||||| |
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| May||1977||Datasheet: TDA1022||Not given||49||Data Sheet |
| May||1977||Datasheet: TDA1022||Not given||49||Data Sheet|||||||||||| |
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| Jul||1977||Active Filters|| |
| Jul||1977||Active Filters||Tim Orr||23||Information||||Part 1|||||||| |
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| Jul||1977||Datasheet: ICL8038||Not given||50||Data Sheet |
| Jul||1977||Datasheet: ICL8038||Not given||50||Data Sheet|||||||||||| |
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| Jul||1977||Tech Tip: A Simple VCO||Not given||77||Synth |
| Jul||1977||Tech Tip: A Simple VCO||Not given||77||Synth|||||||||||| |
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| Aug||1977||Active Filters||Tim Orr||36||Information |
| Aug||1977||Active Filters||Tim Orr||36||Information||||Part 2|||||||| |
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| Aug||1977||Vocoders!||Not given||34||Information |
| Aug||1977||Vocoders!||Not given||34||Information|||||||||||| |
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| Sep||1977||Active Filters||Tim Orr||52||Information |
| Sep||1977||Active Filters||Tim Orr||52||Information||||Part 3|||||||| |
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| Sep||1977||Graphic Equaliser||Not given||27||Audio |
| Sep||1977||Graphic Equaliser||Not given||27||Audio|||||||||||| |
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| Oct||1977||Datasheet: NE570/NE571||Not given||59||Data Sheet |
| Oct||1977||Datasheet: NE570/NE571||Not given||59||Data Sheet|||||||||||| |
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| Nov||1977||Tech Tip: Organ Divider||Not given||73||Organ |
| Nov||1977||Tech Tip: Organ Divider||Not given||73||Organ||||Related to Touch Organ (Dec 76)|||||||| |
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| Feb||1978||Tech Tip: Sample and Hold for Music Synthesisers||L. Robinson||84||Synth |
| Feb||1978||Tech Tip: Sample and Hold for Music Synthesisers||L. Robinson||84||Synth|||||||||||| |
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| Feb||1978||Tech Tip: Battery Operated VCO||R. Zaman||91||Synth |
| Feb||1978||Tech Tip: Battery Operated VCO||R. Zaman||91||Synth|||||||||||| |
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| Feb||1978||Op Amps||Tim Orr||22||Information |
| Feb||1978||Op Amps||Tim Orr||22||Information||||Part 1|||||||| |
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| Mar||1978||Op Amps||Tim Orr||49||Information |
| Mar||1978||Op Amps||Tim Orr||49||Information||||Part 2|||||||| |
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| Apr||1978||Op Amps||Tim Orr||29||Information |
| Apr||1978||Op Amps||Tim Orr||29||Information||||Part 3|||||||| |
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| May||1978||Op Amps||Tim Orr||69||Information |
| May||1978||Op Amps||Tim Orr||69||Information||||Part 4|||||||| |
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| May||1978||CCD Phaser||David Vorhaus||57||Effect |
| May||1978||CCD Phaser||David Vorhaus||57||Effect||TDA1022|||||||||| |
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| Jun||1978||Spectrum Analyser||Tim Orr||27||Audio |
| Jun||1978||Spectrum Analyser||Tim Orr||27||Audio|||||||||||| |
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| Jul||1978||Designing Oscillators||Tim Orr||15||Information |
| Jul||1978||Designing Oscillators||Tim Orr||15||Information|||||||||||| |
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| Jul||1978||Music Synthesiser||Tim Orr||38||Synth |
| Jul||1978||Music Synthesiser||Tim Orr||38||Synth||||Part 1 of Transcendent 2000||||Y||http://www.spontis.se/pdf/t2000.pdf|| |
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| Aug||1978||Music Synthesiser||Tim Orr||45||Synth |
| Aug||1978||Music Synthesiser||Tim Orr||45||Synth||||Part 2 of Transcendent 2000||||Y||http://www.spontis.se/pdf/t2000.pdf|| |
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| Oct||1978||Complex Sound Generator||Not given||17||Synth |
| Oct||1978||Complex Sound Generator||Not given||17||Synth||SN76477||||||Y||http://www.spontis.se/pdf/eti_csg.pdf|| |
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| Nov||1978||Autochord||Not given||56||Organ |
| Nov||1978||Autochord||Not given||56||Organ||||Part 1|||||||| |
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| Nov||1978||Tech Tip: Guitar Sustain Unit||S. D. Maistre||91||Effect |
| Nov||1978||Tech Tip: Guitar Sustain Unit||S. D. Maistre||91||Effect|||||||||||| |
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| Dec||1978||Autochord||Not given||80||Organ |
| Dec||1978||Autochord||Not given||80||Organ||||Part 2|||||||| |
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| Jan||1979||Log Convertor||Not given||62||Synth |
| Jan||1979||Log Convertor||Not given||62||Synth||||Novel Oven for temp stability|||||||| |
||
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| Feb||1979||100W Disco Mixer Amplifier||Richard Becker||64||Amplifier |
| Feb||1979||100W Disco Mixer Amplifier||Richard Becker||64||Amplifier||||Powertran MPA 200|||||||| |
||
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|- |
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| Feb||1979||Tech Tip: Simple Wide Range VCO||A. J. Richardson||87||Synth |
| Feb||1979||Tech Tip: Simple Wide Range VCO||A. J. Richardson||87||Synth|||||||||||| |
||
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| Apr||1979||Ten 3080 Circuits||Tim Orr||70||Information |
| Apr||1979||Ten 3080 Circuits||Tim Orr||70||Information|||||||||||| |
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| Apr||1979||Guitar Effects Unit||Not given||97||Effect |
| Apr||1979||Guitar Effects Unit||Not given||97||Effect|||||||||||| |
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| May||1979||Datasheet: TDA1008||Not given||70||Data Sheet |
| May||1979||Datasheet: TDA1008||Not given||70||Data Sheet|||||||||||| |
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| May||1979||Headphone Amplifier||Not given||77||Amplifier |
| May||1979||Headphone Amplifier||Not given||77||Amplifier|||||||||||| |
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| Jul||1979||Polyphonic Keyboard||Tim Orr||36||Synth |
| Jul||1979||Polyphonic Keyboard||Tim Orr||36||Synth||||||||Y||http://www.spontis.se/pdf/arak.pdf|| |
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| Aug||1979||Transcendent DPX||Tim Orr||18||Synth |
| Aug||1979||Transcendent DPX||Tim Orr||18||Synth||BF244C, SAD512D||Part 1 of A String Thing||||Y||http://www.spontis.se/pdf/eti_dpx.pdf|| |
||
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| Sep||1979||Transcendent DPX||Tim Orr||62||Synth |
| Sep||1979||Transcendent DPX||Tim Orr||62||Synth||NE566, M086||Part 2 of A String Thing||||Y||http://www.spontis.se/pdf/eti_dpx.pdf|| |
||
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| Sep||1979||Tech Tip: Voltage Controlled Filter||T. W, Stride||95||Synth |
| Sep||1979||Tech Tip: Voltage Controlled Filter||T. W, Stride||95||Synth|||||||||||| |
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| Oct||1979||Transcendent DPX||Tim Orr||35||Synth |
| Oct||1979||Transcendent DPX||Tim Orr||35||Synth||BF244B, CA3080||Part 3 of A String Thing||||Y||http://www.spontis.se/pdf/eti_dpx.pdf|| |
||
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| Oct||1979||High Quality Audio Amplifier||Not given||55||Amplifier |
| Oct||1979||High Quality Audio Amplifier||Not given||55||Amplifier|||||||||||| |
||
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| Nov||1979||Transcendent DPX||Tim Orr||64||Synth |
| Nov||1979||Transcendent DPX||Tim Orr||64||Synth||75107, MC6810L, ZN425SE||Part 4 of A String Thing||||Y||http://www.spontis.se/pdf/eti_dpx.pdf|| |
||
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| Nov||1979||Analogue Delay Lines||Tim Orr||29||Information |
| Nov||1979||Analogue Delay Lines||Tim Orr||29||Information|||||||||||| |
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| Nov||1979||Tech Tip: Simple Rhythm Generator||J. J. Trinder||101||Synth |
| Nov||1979||Tech Tip: Simple Rhythm Generator||J. J. Trinder||101||Synth||||Basic Sequencer|||||||| |
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| Dec||1979||Random Noise Source||Not given||67||Synth |
| Dec||1979||Random Noise Source||Not given||67||Synth|||||||||||| |
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| Dec||1979||Tech Tip: A Simple Sequencer||P. Hill||109||Synth |
| Dec||1979||Tech Tip: A Simple Sequencer||P. Hill||109||Synth|||||||||||| |
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| Jan||1980||Tech Tip: A Simple Sequencer||S. Giles||101||Synth |
| Jan||1980||Tech Tip: A Simple Sequencer||S. Giles||101||Synth|||||||||||| |
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| Feb||1980||Modular Synthesiser||R. C. Blakey||62||Synth |
| Feb||1980||Modular Synthesiser||R. C. Blakey||62||Synth||||Project 80||||Y||||http://www.synthdiy.com/files/2006/80-1_eti.pdf |
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| Feb||1980||Tuning Fork||Not given||79||Test Equipment |
| Feb||1980||Tuning Fork||Not given||79||Test Equipment|||||||||||| |
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| Feb||1980||Tech Tip: Stereo VCA||J. Macauley||97||Synth |
| Feb||1980||Tech Tip: Stereo VCA||J. Macauley||97||Synth|||||||||||| |
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| Mar||1980||The 1537 VCA||Keith Brindley||30||Information |
| Mar||1980||The 1537 VCA||Keith Brindley||30||Information|||||||||||| |
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| Mar||1980||Voltage Controlled Mixer||Not given||87||Synth |
| Mar||1980||Voltage Controlled Mixer||Not given||87||Synth||||Project 80||||Y||||http://www.synthdiy.com/files/2006/80-4_5_eti.pdf |
||
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| Apr||1980||Analogue Switches||Tim Orr||18||Information |
| Apr||1980||Analogue Switches||Tim Orr||18||Information|||||||||||| |
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| Apr||1980||300W Amplifier Module||Not given||58||Amplifier |
| Apr||1980||300W Amplifier Module||Not given||58||Amplifier|||||||||||| |
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| Apr||1980||Tech Tip: Transcendent 2000 Preamp||R. N. Johnson||89||Synth |
| Apr||1980||Tech Tip: Transcendent 2000 Preamp||R. N. Johnson||89||Synth|||||||||||| |
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| May||1980||Project 80 filters||Chris Blakey||20||Synth |
| May||1980||Project 80 filters||Chris Blakey||20||Synth||||Project 80||||Y|||| |
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| May||1980||The Black Hole||Tim Orr||90||Effect |
| May||1980||The Black Hole||Tim Orr||90||Effect||SAD512D||Chorus Machine|||||||| |
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| Jun||1980||Drum Synthesiser||Roger Shore||84||Synth |
| Jun||1980||Drum Synthesiser||Roger Shore||84||Synth||ICL8038|||||||||| |
||
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| Jun||1980||Tech Tip: 555 Voltage Control||S. Draper||97||Synth |
| Jun||1980||Tech Tip: 555 Voltage Control||S. Draper||97||Synth|||||||||||| |
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| Jun||1980||Tech Tip: 16 Note Sequencer||P. Gatehouse||99||Synth |
| Jun||1980||Tech Tip: 16 Note Sequencer||P. Gatehouse||99||Synth|||||||||||| |
||
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| Jul||1980||Filter Design||Tim Orr||17||Information |
| Jul||1980||Filter Design||Tim Orr||17||Information|||||||||||| |
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| Jul||1980||State Variable Filter||R. C. Blakey||84||Synth |
| Jul||1980||State Variable Filter||R. C. Blakey||84||Synth||||Project 80||||Y|||| |
||
|- |
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||
| Jul||1980||Envelope Shaper||R. C. Blakey||88||Synth |
| Jul||1980||Envelope Shaper||R. C. Blakey||88||Synth||||Project 80||||Y|||| |
||
|- |
|- |
||
| Aug||1980||100W Power Amplifier||Not given||64||Amplifier |
| Aug||1980||100W Power Amplifier||Not given||64||Amplifier|||||||||||| |
||
|- |
|- |
||
| Aug||1980||Dual VCA||R. C. Blakey||78||Synth |
| Aug||1980||Dual VCA||R. C. Blakey||78||Synth||||Project 80||||Y|||| |
||
|- |
|- |
||
| Sep||1980||Vocoder||Richard Becker||58||Synth |
| Sep||1980||Vocoder||Richard Becker||58||Synth||||Part 1 of 2||||Y||http://www.spontis.se/pdf/etivocoder.pdf|| |
||
|- |
|- |
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| Sep||1980||Envelope Shaper||R. C. Blakey||93||Synth |
| Sep||1980||Envelope Shaper||R. C. Blakey||93||Synth||||Project 80||||Y|||| |
||
|- |
|- |
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| Oct||1980||Spot Design: Reverberation Unit||Not given||25||Effect |
| Oct||1980||Spot Design: Reverberation Unit||Not given||25||Effect|||||||||||| |
||
|- |
|- |
||
| Oct||1980||Vocoder||Richard Becker||40||Synth |
| Oct||1980||Vocoder||Richard Becker||40||Synth||||Part 2 of 2||||Y||http://www.spontis.se/pdf/etivocoder.pdf|| |
||
|- |
|- |
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| Oct||1980||Sustain Fuzz Box||Not given||53||Effect |
| Oct||1980||Sustain Fuzz Box||Not given||53||Effect|||||||||||| |
||
|- |
|- |
||
| Oct||1980||Monitor Amplifier||Chris Blakey||79||Synth |
| Oct||1980||Monitor Amplifier||Chris Blakey||79||Synth||||Project 80||||Y|||| |
||
|- |
|- |
||
| Nov||1980||Spot Design: Waa-Waa Unit||Not given||61||Effect |
| Nov||1980||Spot Design: Waa-Waa Unit||Not given||61||Effect|||||||||||| |
||
|- |
|- |
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| Nov||1980||2W Power Amplifier||Keith Brindley||72||Amplifier |
| Nov||1980||2W Power Amplifier||Keith Brindley||72||Amplifier|||||||||||| |
||
|- |
|- |
||
| Dec||1980||Four Input Mixer||John Fitzgerald||19||Audio |
| Dec||1980||Four Input Mixer||John Fitzgerald||19||Audio|||||||||||| |
||
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|- |
||
| Dec||1980||Bandpass and Beyond||Tim Orr||25||Information |
| Dec||1980||Bandpass and Beyond||Tim Orr||25||Information|||||||||||| |
||
|- |
|- |
||
| Dec||1980||Polysynth||Tim Orr||87||Synth |
| Dec||1980||Polysynth||Tim Orr||87||Synth||2102, 6810||Part 1||||Y||http://www.spontis.se/pdf/etipoly.pdf|| |
||
|- |
|- |
||
| Jan||1981||Polysynth||Tim Orr||77||Synth |
| Jan||1981||Polysynth||Tim Orr||77||Synth||2102, 6810, LM13600||Part 2||||Y||http://www.spontis.se/pdf/etipoly.pdf|| |
||
|- |
|- |
||
| Feb||1981||Polysynth||Tim Orr||32||Synth |
| Feb||1981||Polysynth||Tim Orr||32||Synth||CA3080, CEM3310, CEM3340, LM13600||Part 3||||Y||http://www.spontis.se/pdf/etipoly.pdf|| |
||
|- |
|- |
||
| Feb||1981||Sound Pressure Level Meter||Not given||74||Test Equipment |
| Feb||1981||Sound Pressure Level Meter||Not given||74||Test Equipment||2N3819|||||||||| |
||
|- |
|- |
||
| Mar||1981||Polysynth||Tim Orr||27||Synth |
| Mar||1981||Polysynth||Tim Orr||27||Synth||||Part 4||||Y||http://www.spontis.se/pdf/etipoly.pdf|| |
||
|- |
|- |
||
| Apr||1981||Noise Generator||Charles Blakey||59||Synth |
| Apr||1981||Noise Generator||Charles Blakey||59||Synth||||Project 80||||Y|||| |
||
|- |
|- |
||
| Apr||1981||Drum Machine||Ray Marston||75||Synth |
| Apr||1981||Drum Machine||Ray Marston||75||Synth|||||||||||| |
||
|- |
|- |
||
| Apr||1981||Guitar Note Expander||Q. A. Rice||95||Effect |
| Apr||1981||Guitar Note Expander||Q. A. Rice||95||Effect|||||||||||| |
||
|- |
|- |
||
| Apr||1981||Tech Tip: Joystick Control||M. Swale||36||Synth |
| Apr||1981||Tech Tip: Joystick Control||M. Swale||36||Synth||||ETI 4600|||||||| |
||
|- |
|- |
||
| Apr||1981||Tech Tip: Transcendent Pulse Wave Improvement||J. F. Jordan||37||Synth |
| Apr||1981||Tech Tip: Transcendent Pulse Wave Improvement||J. F. Jordan||37||Synth||||Transcendent 2000|||||||| |
||
|- |
|- |
||
| Apr||1981||Spot Design: 20W MOSFET Amplifier||Not given||88||Amplifier |
| Apr||1981||Spot Design: 20W MOSFET Amplifier||Not given||88||Amplifier|||||||||||| |
||
|- |
|- |
||
| May||1981||Synthesiser Sequencer||Richard Becker||36||Synth |
| May||1981||Synthesiser Sequencer||Richard Becker||36||Synth||DM8130, ADC0804, DAC0808, 2x6514||||||Y||http://www.spontis.se/pdf/composer.pdf||http://www.milton.arachsys.com/nj71/zip/1024.zip |
||
|- |
|- |
||
| May||1981||Spot Design: Guitar Treble Boost||Not given||77||Effect |
| May||1981||Spot Design: Guitar Treble Boost||Not given||77||Effect|||||||||||| |
||
|- |
|- |
||
| May||1981||Tech Tip: 555 VCO||J. Harrold||94||Synth |
| May||1981||Tech Tip: 555 VCO||J. Harrold||94||Synth|||||||||||| |
||
|- |
|- |
||
| May||1981||Tech Tip: Computer-controlled Synthesiser Keyboard||P.McChesney||94||Synth |
| May||1981||Tech Tip: Computer-controlled Synthesiser Keyboard||P.McChesney||94||Synth|||||||||||| |
||
|- |
|- |
||
| Jun||1981||Waa-Phase Unit||Ray Marston||24||Effect |
| Jun||1981||Waa-Phase Unit||Ray Marston||24||Effect|||||||||||| |
||
|- |
|- |
||
| Jun||1981||Tech Tip: Transposing Master Tone Generator||R. Basterfield||54||Organ |
| Jun||1981||Tech Tip: Transposing Master Tone Generator||R. Basterfield||54||Organ|||||||||||| |
||
|- |
|- |
||
| Jun||1981||Tech Tip: Synthesiser Interface For Transcendent DPX||D. Pallant||56||Synth |
| Jun||1981||Tech Tip: Synthesiser Interface For Transcendent DPX||D. Pallant||56||Synth|||||||||||| |
||
|- |
|- |
||
| Aug||1981||Hand Clap Synthesiser||Roger Shore||68||Synth |
| Aug||1981||Hand Clap Synthesiser||Roger Shore||68||Synth|||||||||||| |
||
|- |
|- |
||
| Aug||1981||Tech Tip: Computer-controlled Synthesiser Keyboard||K. Wood||81||Synth |
| Aug||1981||Tech Tip: Computer-controlled Synthesiser Keyboard||K. Wood||81||Synth|||||||||||| |
||
|- |
|- |
||
| Aug||1981||Tech Tip: Duophonic Synthesiser Keyboard||P. R. Williams||83||Synth |
| Aug||1981||Tech Tip: Duophonic Synthesiser Keyboard||P. R. Williams||83||Synth||||Transcendent 2000|||||||| |
||
|- |
|- |
||
| Sep||1981||Equaliser Circuit Design||Tim Orr||71||Information |
| Sep||1981||Equaliser Circuit Design||Tim Orr||71||Information|||||||||||| |
||
|- |
|- |
||
| Oct||1981||Sound Bender||Ray Marston||24||Effect |
| Oct||1981||Sound Bender||Ray Marston||24||Effect||||Ring Modulator|||||||| |
||
|- |
|- |
||
| Nov||1981||Music Processor||Ray Marston||38||Effect |
| Nov||1981||Music Processor||Ray Marston||38||Effect||TDA1022|||||||||| |
||
|- |
|- |
||
| Dec||1981||Tech Tip: Active 'Stereo' Bass Guitar||J. Smalley||75||Effect |
| Dec||1981||Tech Tip: Active 'Stereo' Bass Guitar||J. Smalley||75||Effect|||||||||||| |
||
|- |
|- |
||
| Jan||1982||Guitar Tuner||Brian Brooks||41||Test Equipment |
| Jan||1982||Guitar Tuner||Brian Brooks||41||Test Equipment|||||||||||| |
||
|- |
|- |
||
| Mar||1982||Facts on DAC's and ADC's||Tim Orr||19||Information |
| Mar||1982||Facts on DAC's and ADC's||Tim Orr||19||Information|||||||||||| |
||
|- |
|- |
||
| Apr||1982||Electromusic Techniques||Tim Orr||17||Information |
| Apr||1982||Electromusic Techniques||Tim Orr||17||Information||||Part 1|||||||| |
||
|- |
|- |
||
| Apr||1982||Solid State Reverb||Charles Blakey||101||Effect |
| Apr||1982||Solid State Reverb||Charles Blakey||101||Effect||MN3011/3101||||||Y||http://www.synthdiy.com/files/2003/eti-mn3011reverb.pdf|| |
||
|- |
|- |
||
| May||1982||Electromusic Techniques||Tim Orr||47||Information |
| May||1982||Electromusic Techniques||Tim Orr||47||Information||||Part 2|||||||| |
||
|- |
|- |
||
| May||1982||Tech Tip: Economy CMOS Vocoder||S. P. Giles||60||Synth |
| May||1982||Tech Tip: Economy CMOS Vocoder||S. P. Giles||60||Synth|||||||||||| |
||
|- |
|- |
||
| May||1982||Tech Tip: Guitar Tracking Oscillator||S. P. Giles||61||Effect |
| May||1982||Tech Tip: Guitar Tracking Oscillator||S. P. Giles||61||Effect|||||||||||| |
||
|- |
|- |
||
| Jun||1982||Electromusic Techniques||Tim Orr||59||Information |
| Jun||1982||Electromusic Techniques||Tim Orr||59||Information||||Part 3|||||||| |
||
|- |
|- |
||
| Jun||1982||Tech Tip: Solid StateScope Using LED's||G. Durant||27||Test Equipment |
| Jun||1982||Tech Tip: Solid StateScope Using LED's||G. Durant||27||Test Equipment|||||||||||| |
||
|- |
|- |
||
| Jul||1982||Tech Tip: CMOS Sustainer for Electric Guitars||S. P. Giles||27||Effect |
| Jul||1982||Tech Tip: CMOS Sustainer for Electric Guitars||S. P. Giles||27||Effect|||||||||||| |
||
|- |
|- |
||
| Jul||1982||Playmate Guitar Effects/Amp||Phil Walker||28||Effect |
| Jul||1982||Playmate Guitar Effects/Amp||Phil Walker||28||Effect||||Part 1 of 2|||||||| |
||
|- |
|- |
||
| Aug||1982||Tech Tip: Guitar Harmoniser||S. P. Giles||34||Effect |
| Aug||1982||Tech Tip: Guitar Harmoniser||S. P. Giles||34||Effect|||||||||||| |
||
|- |
|- |
||
| Aug||1982||Tech Tip: CMOS Phaser||S. P. Giles||35||Effect |
| Aug||1982||Tech Tip: CMOS Phaser||S. P. Giles||35||Effect|||||||||||| |
||
|- |
|- |
||
| Sep||1982||Playmate Guitar Effects/Amp||Phil Walker||16||Effect |
| Sep||1982||Playmate Guitar Effects/Amp||Phil Walker||16||Effect||||Part 2 of 2|||||||| |
||
|- |
|- |
||
| Sep||1982||Tech Tip: Cheap Auto-Waa||Tony Allgood||22||Effect |
| Sep||1982||Tech Tip: Cheap Auto-Waa||Tony Allgood||22||Effect|||||||||||| |
||
|- |
|- |
||
| Sep||1982||Tech Tip: CMOS Fuzz/Tremelo||S. P. Giles||23||Effect |
| Sep||1982||Tech Tip: CMOS Fuzz/Tremelo||S. P. Giles||23||Effect|||||||||||| |
||
|- |
|- |
||
| Oct||1982||Tech Tip: Enriching Synthesiser Sounds||H. Duncan||77||Synth |
| Oct||1982||Tech Tip: Enriching Synthesiser Sounds||H. Duncan||77||Synth|||||||||||| |
||
|- |
|- |
||
| Nov||1982||Tech Tip: Switched Volume Guitar||E. D. Pearson||85||Effect |
| Nov||1982||Tech Tip: Switched Volume Guitar||E. D. Pearson||85||Effect|||||||||||| |
||
|- |
|- |
||
| Dec||1982||Tech Tip: Computer/Synth Keyboard Interface||Philip Jones||93||Synth |
| Dec||1982||Tech Tip: Computer/Synth Keyboard Interface||Philip Jones||93||Synth|||||||||||| |
||
|- |
|- |
||
| Jan||1983||Waveform Multiplier||David Ward-Hunt||71||Synth |
| Jan||1983||Waveform Multiplier||David Ward-Hunt||71||Synth||||||||Y||http://www.milton.arachsys.com/nj71/pdf/magazine/ETIWaveMult.pdf|| |
||
|- |
|- |
||
| Feb||1983||The ETI Organ||Richard Watts||19||Organ |
| Feb||1983||The ETI Organ||Richard Watts||19||Organ||||Part 1|||||||| |
||
|- |
|- |
||
| Mar||1983||The ETI Organ||Richard Watts||36||Organ |
| Mar||1983||The ETI Organ||Richard Watts||36||Organ||||Part 2|||||||| |
||
|- |
|- |
||
| Apr||1983||The ETI Organ||Richard Watts||56||Organ |
| Apr||1983||The ETI Organ||Richard Watts||56||Organ||||Part 3|||||||| |
||
|- |
|- |
||
| May||1983||The ETI Organ||Richard Watts||67||Organ |
| May||1983||The ETI Organ||Richard Watts||67||Organ||||Part 4|||||||| |
||
|- |
|- |
||
| May||1983||Tech Tip: Electronic Guitar||Quentin Rice||74||Effect |
| May||1983||Tech Tip: Electronic Guitar||Quentin Rice||74||Effect|||||||||||| |
||
|- |
|- |
||
| Jun||1983||Data Sheet: M108/M208||Not given||71||Data Sheet |
| Jun||1983||Data Sheet: M108/M208||Not given||71||Data Sheet||||||||Y||http://www.milton.arachsys.com/nj71/pdf/magazine/ETIM108.pdf|| |
||
|- |
|- |
||
| Aug||1983||1/3 Octave Graphic Equaliser||David Tilbrook||18||Audio |
| Aug||1983||1/3 Octave Graphic Equaliser||David Tilbrook||18||Audio||||Part 1|||||||| |
||
|- |
|- |
||
| Sep||1983||1/3 Octave Graphic Equaliser||David Tilbrook||41||Audio |
| Sep||1983||1/3 Octave Graphic Equaliser||David Tilbrook||41||Audio||||Part 2|||||||| |
||
|- |
|- |
||
| Nov||1983||Mini Drum Synth||A. G. Atkins||36||Synth |
| Nov||1983||Mini Drum Synth||A. G. Atkins||36||Synth|||||||||||| |
||
|- |
|- |
||
| Nov||1983||Tech Tip: Active Bass Tone Control||Ian Willats||57||Effect |
| Nov||1983||Tech Tip: Active Bass Tone Control||Ian Willats||57||Effect|||||||||||| |
||
|- |
|- |
||
| Jan||1984||Chorus/Flanger Unit||Tim Orr||33||Effect |
| Jan||1984||Chorus/Flanger Unit||Tim Orr||33||Effect||MN3207/3102||||||Y||http://www.spontis.se/pdf/flanger.pdf||http://www.synthdiy.com/files/2005/flanger.pdf |
||
|- |
|- |
||
| Mar||1984||Tech Tip: Cheap Envelope Generator||Jeff Macanley||41||Synth |
| Mar||1984||Tech Tip: Cheap Envelope Generator||Jeff Macanley||41||Synth|||||||||||| |
||
|- |
|- |
||
| May||1984||Midi Drum Synth||Not given||62||Synth |
| May||1984||Midi Drum Synth||Not given||62||Synth||||Not MIDI||||Y||http://www.spontis.se/pdf/eti_drumsynth.pdf|| |
||
|- |
|- |
||
| Oct||1984||Simple Echo Unit||Phil Walker||18||Effect |
| Oct||1984||Simple Echo Unit||Phil Walker||18||Effect|||||||||||| |
||
|- |
|- |
||
| Oct||1984||Tech Tip: A440 Tuning Reference||C. Robertson||48||Test Equipment |
| Oct||1984||Tech Tip: A440 Tuning Reference||C. Robertson||48||Test Equipment|||||||||||| |
||
|- |
|- |
||
| Dec||1984||Digital Delay Line||Ray Lowe||16||Effect |
| Dec||1984||Digital Delay Line||Ray Lowe||16||Effect||||Part 1|||||||| |
||
|- |
|- |
||
| Jan||1985||Digital Delay Line||Ray Lowe||62||Effect |
| Jan||1985||Digital Delay Line||Ray Lowe||62||Effect||||Part 2|||||||| |
||
|- |
|- |
||
| Feb||1985||Digital Delay Line||Ray Lowe||24||Effect |
| Feb||1985||Digital Delay Line||Ray Lowe||24||Effect||||Part 3|||||||| |
||
|- |
|- |
||
| Feb||1985||Paragraph Equaliser||Barry Porter||31||Audio |
| Feb||1985||Paragraph Equaliser||Barry Porter||31||Audio||||Part 1|||||||| |
||
|- |
|- |
||
| Mar||1985||Voltage Controlled Digital Oscillator||Richard Thorp||16||Synth |
| Mar||1985||Voltage Controlled Digital Oscillator||Richard Thorp||16||Synth||||Project 80||||Y|||| |
||
|- |
|- |
||
| Mar||1985||Paragraph Equaliser||Barry Porter||49||Audio |
| Mar||1985||Paragraph Equaliser||Barry Porter||49||Audio||||Part 2|||||||| |
||
|- |
|- |
||
| Apr||1985||CCD Delay Line Effects Board||Phil Walker||57||Effect |
| Apr||1985||CCD Delay Line Effects Board||Phil Walker||57||Effect||TDA1022/1097|||||||||| |
||
|- |
|- |
||
| Jul||1985||Noise Gate||Ian Coughlan||38||Effect |
| Jul||1985||Noise Gate||Ian Coughlan||38||Effect|||||||||||| |
||
|- |
|- |
||
| Aug||1985||ETI Sorcerer String Synthesiser||Graeme Durant||36||Synth |
| Aug||1985||ETI Sorcerer String Synthesiser||Graeme Durant||36||Synth||||Part 1||||Y||http://www.spontis.se/pdf/eti_sorcerer.pdf|| |
||
|| |
|||
|- |
|- |
||
| Oct||1985||ETI Sorcerer String Synthesiser||Graeme Durant||32||Synth |
| Oct||1985||ETI Sorcerer String Synthesiser||Graeme Durant||32||Synth||CA3080, MN3010||Part 3||||Y||http://www.spontis.se/pdf/eti_sorcerer.pdf|| |
||
|| |
|||
|- |
|- |
||
| Nov||1985||The Rhythm Chip||Geoff Phillips||33||Synth |
| Nov||1985||The Rhythm Chip||Geoff Phillips||33||Synth|||||||||||| |
||
|- |
|- |
||
| Nov||1985||Chorus Unit||Ian Coughlan||48||Effect |
| Nov||1985||Chorus Unit||Ian Coughlan||48||Effect||TDA1097|||||||||| |
||
|- |
|- |
||
| Nov||1985||Cymbal Synth||D. Stone||58||Synth |
| Nov||1985||Cymbal Synth||D. Stone||58||Synth|||||||||||| |
||
|- |
|- |
||
| Nov||1985||Digital Sound Sampler||Paul Chappell||63||Synth |
| Nov||1985||Digital Sound Sampler||Paul Chappell||63||Synth||||Part 1|||||||| |
||
|- |
|- |
||
| Dec||1985||Specdrum Drum Sequencer||Digisound||41||Synth |
| Dec||1985||Specdrum Drum Sequencer||Digisound||41||Synth||||Uses a ZX Spectrum||||Y||http://www.spontis.se/pdf/eti_specdrum.pdf|| |
||
|- |
|- |
||
| Dec||1985||DI Compression Gate||Allan Bradford||46||Audio |
| Dec||1985||DI Compression Gate||Allan Bradford||46||Audio|||||||||||| |
||
|- |
|- |
||
| Jan||1986||The ETI Activator||Allan Bradford||30||Audio |
| Jan||1986||The ETI Activator||Allan Bradford||30||Audio|||||||||||| |
||
|- |
|- |
||
| Jan||1986||Digital Sound Sampler||Paul Chappell||63||Synth |
| Jan||1986||Digital Sound Sampler||Paul Chappell||63||Synth||||Part 2 - Uses a ZX Spectrum|||||||| |
||
|- |
|- |
||
| Feb||1986||Digital Sound Sampler||Paul Chappell||42||Synth |
| Feb||1986||Digital Sound Sampler||Paul Chappell||42||Synth||ZN448||Part 3|||||||| |
||
|- |
|- |
||
| Mar||1986||Digital Sound Sampler||Paul Chappell||44||Synth |
| Mar||1986||Digital Sound Sampler||Paul Chappell||44||Synth||||Part 4|||||||| |
||
|- |
|- |
||
| Jun||1986||MIDI To CV Convertor||R. A. Penfold||29||Synth |
| Jun||1986||MIDI To CV Convertor||R. A. Penfold||29||Synth|||||||||||| |
||
|- |
|- |
||
| Jun||1986||Digital Sound Sampler||Paul Chappell||48||Synth |
| Jun||1986||Digital Sound Sampler||Paul Chappell||48||Synth||||Part 5|||||||| |
||
|- |
|- |
||
| Jul||1986||Digital Sound Sampler||Paul Chappell||44||Synth |
| Jul||1986||Digital Sound Sampler||Paul Chappell||44||Synth||||Part 6|||||||| |
||
|- |
|- |
||
| Oct||1986||Audio Analyser||R. A. Penfold||43||Audio |
| Oct||1986||Audio Analyser||R. A. Penfold||43||Audio||||||May87-57|||||| |
||
|- |
|- |
||
| Dec||1986||Bongo Box||Peter Davie||43||Synth |
| Dec||1986||Bongo Box||Peter Davie||43||Synth|||||||||||| |
||
|- |
|- |
||
| Dec||1986||Tech Tip: Simple Fuzz Unit||Lee Sage||58||Effect |
| Dec||1986||Tech Tip: Simple Fuzz Unit||Lee Sage||58||Effect|||||||||||| |
||
|- |
|- |
||
| Jan||1987||The MIDI Interface||Alan Robinson||17||Information |
| Jan||1987||The MIDI Interface||Alan Robinson||17||Information|||||||||||| |
||
|- |
|- |
||
| Jan||1987||The Better Flanger||Ian Coughlan||47||Effect |
| Jan||1987||The Better Flanger||Ian Coughlan||47||Effect||TDA1022||||Feb87-63, Mar87-55|||||| |
||
|- |
|- |
||
| Jan||1987||The ETI LEDScope||Tony Ellis||57||Test Equipment |
| Jan||1987||The ETI LEDScope||Tony Ellis||57||Test Equipment|||||||||||| |
||
|- |
|- |
||
| Feb||1987||The MIDI Interface||Alan Robinson||31||Information |
| Feb||1987||The MIDI Interface||Alan Robinson||31||Information|||||||||||| |
||
|- |
|- |
||
| Apr||1987||BBC Micro MIDI Interface||John Yua||42||MIDI |
| Apr||1987||BBC Micro MIDI Interface||John Yua||42||MIDI||||||Jun87-51, Jul87-51,|||||| |
||
|- |
|- |
||
| May||1987||MIDI Master Keyboard||John Yua||27||MIDI |
| May||1987||MIDI Master Keyboard||John Yua||27||MIDI|||||||||||| |
||
|- |
|- |
||
| May||1987||Metronome||Not given||44||Music |
| May||1987||Metronome||Not given||44||Music|||||||||||| |
||
|- |
|- |
||
| May||1987||Electronic Tuning Fork||Not given||44||Test Equipment |
| May||1987||Electronic Tuning Fork||Not given||44||Test Equipment|||||||||||| |
||
|- |
|- |
||
| May||1987||Valve Distortion' Fuzz Box||Not given||46||Effect |
| May||1987||Valve Distortion' Fuzz Box||Not given||46||Effect|||||||||||| |
||
|- |
|- |
||
| Jun||1987||MIDI Master Keyboard||John Yua||33||MIDI |
| Jun||1987||MIDI Master Keyboard||John Yua||33||MIDI||||||Jul87-51, Aug87-57,May88-53|||||| |
||
|- |
|- |
||
| Jul||1987||MIDI Master Keyboard||John Yua||40||MIDI |
| Jul||1987||MIDI Master Keyboard||John Yua||40||MIDI|||||||||||| |
||
|- |
|- |
||
| Aug||1987||MIDI Master Keyboard||John Yua||32||MIDI |
| Aug||1987||MIDI Master Keyboard||John Yua||32||MIDI|||||||||||| |
||
|- |
|- |
||
| Sep||1987||The Hybrid Music System||Malcolm Brown||24||Information |
| Sep||1987||The Hybrid Music System||Malcolm Brown||24||Information|||||||||||| |
||
|- |
|- |
||
| Oct||1987||Inside Hybrid's Music 5000||Chris Jordan||23||Information |
| Oct||1987||Inside Hybrid's Music 5000||Chris Jordan||23||Information|||||||||||| |
||
|- |
|- |
||
| Oct||1987||Hyper Fuzz||Charles Dancer||43||Effect |
| Oct||1987||Hyper Fuzz||Charles Dancer||43||Effect|||||||||||| |
||
|- |
|- |
||
| Dec||1987||Electronic Violet||Ronald Alpiar||41||Controller |
| Dec||1987||Electronic Violet||Ronald Alpiar||41||Controller||||Part 1|||||||| |
||
|- |
|- |
||
| Jan |
| Jan||1988||Music Circuit Potpourri||Bruno Hewitt||20||Synth|||||||||||| |
||
|- |
|- |
||
| Jan |
| Jan||1988||Electronic Violet||Ronald Alpiar||63||Controller||||Part 2|||||||| |
||
|- |
|- |
||
| Nov||1988||Tech Tips: Guitar Preshaper||I. Harvey||49||Effect |
| Nov||1988||Tech Tips: Guitar Preshaper||I. Harvey||49||Effect|||||||||||| |
||
|- |
|- |
||
| Nov||1988||Tech Tips: Envelope Generator||T. Allgood||51||Synth |
| Nov||1988||Tech Tips: Envelope Generator||T. Allgood||51||Synth|||||||||||| |
||
|- |
|- |
||
| Feb||1989||Compressor/limiter/Gate||Ian Harvey||26||Effect |
| Feb||1989||Compressor/limiter/Gate||Ian Harvey||26||Effect|||||||||||| |
||
|- |
|- |
||
| Mar||1989||MIDI Programmer||Robert Penfold||31||MIDI |
| Mar||1989||MIDI Programmer||Robert Penfold||31||MIDI|||||||||||| |
||
|- |
|- |
||
| May||1989||Guitar Tuner||Laurie Barron||41||Test Equipment |
| May||1989||Guitar Tuner||Laurie Barron||41||Test Equipment|||||||||||| |
||
|- |
|- |
||
| Jun||1989||How to MIDI a Piano||John Brockhurst||26||MIDI |
| Jun||1989||How to MIDI a Piano||John Brockhurst||26||MIDI||||||Nov89-60|||||| |
||
|- |
|- |
||
| Jul||1989||MIDI Patch Work||Robert Penfold||41||MIDI |
| Jul||1989||MIDI Patch Work||Robert Penfold||41||MIDI||||||Nov89-60|||||| |
||
|- |
|- |
||
| Oct||1989||MIDI Mapper||Robert Penfold||53||MIDI |
| Oct||1989||MIDI Mapper||Robert Penfold||53||MIDI|||||||||||| |
||
|- |
|- |
||
| Dec||1989||Pedal Power||Gordon Tomlinson||43||Effect |
| Dec||1989||Pedal Power||Gordon Tomlinson||43||Effect|||||||||||| |
||
|- |
|- |
||
| Dec||1989||Digital Noise Generator||Edward Barrow||50||Synth |
| Dec||1989||Digital Noise Generator||Edward Barrow||50||Synth|||||||||||| |
||
|- |
|- |
||
| Jun||1990||The Fecko Box||Keith Brindley||40||Effect |
| Jun||1990||The Fecko Box||Keith Brindley||40||Effect||MN3004/3101||||Jul90-60|||||| |
||
|- |
|- |
||
| Aug||1990||SY77 Music Synthesis||Mike Barnes||39||Information |
| Aug||1990||SY77 Music Synthesis||Mike Barnes||39||Information||||Part 1|||||||| |
||
|- |
|- |
||
| Sep||1990||SY77 Music Synthesis||Mike Barnes||37||Information |
| Sep||1990||SY77 Music Synthesis||Mike Barnes||37||Information||||Part 2|||||||| |
||
|- |
|- |
||
| Nov||1990||Music Tech Tips||Robert Penfold||51||Synth |
| Nov||1990||Music Tech Tips||Robert Penfold||51||Synth|||||||||||| |
||
|- |
|- |
||
| Jul||1991||The Foot-Tapper||Paul Stevenson||47||Effect |
| Jul||1991||The Foot-Tapper||Paul Stevenson||47||Effect|||||||||||| |
||
|- |
|- |
||
| Mar||1992||MIDI Switch||G. Parris||16||MIDI |
| Mar||1992||MIDI Switch||G. Parris||16||MIDI|||||||||||| |
||
|- |
|- |
||
| Apr||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||22||Audio |
| Apr||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||22||Audio||||Part 1|||||||| |
||
|- |
|- |
||
| May||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||17||Audio |
| May||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||17||Audio||||Part 2|||||||| |
||
|- |
|- |
||
| Jun||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||46||Audio |
| Jun||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||46||Audio||||Part 3|||||||| |
||
|- |
|- |
||
| Jul||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||53||Audio |
| Jul||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||53||Audio||||Part 4|||||||| |
||
|- |
|- |
||
| Aug||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||52||Audio |
| Aug||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||52||Audio||||Part 5|||||||| |
||
|- |
|- |
||
| Aug||1992||MIDI Keyboard||Stephen Lenham||40||MIDI |
| Aug||1992||MIDI Keyboard||Stephen Lenham||40||MIDI||E510|||||||||| |
||
|- |
|- |
||
| Sep||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||60||Audio |
| Sep||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||60||Audio||||Part 6|||||||| |
||
|- |
|- |
||
| Oct||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||38||Audio |
| Oct||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||38||Audio||||Part 7|||||||| |
||
|- |
|- |
||
| Nov||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||24||Audio |
| Nov||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||24||Audio||||Part 7b|||||||| |
||
|- |
|- |
||
| Dec||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||23||Audio |
| Dec||1992||Auto-mate 20 Audio Mixing Desk||Mike Meecham||23||Audio||||Part 8|||||||| |
||
|- |
|- |
||
| Jan||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||24||Audio |
| Jan||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||24||Audio||||Part 8b|||||||| |
||
|- |
|- |
||
| Feb||1993||Sound to MIDI Processor||Ken Blackwell||34||MIDI |
| Feb||1993||Sound to MIDI Processor||Ken Blackwell||34||MIDI|||||||||||| |
||
|- |
|- |
||
| Mar||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||49||Audio |
| Mar||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||49||Audio||||Part 10a|||||||| |
||
|- |
|- |
||
| Apr||1993||Auto-mate 20 Mixer PPM module||Mike Meecham||32||Audio |
| Apr||1993||Auto-mate 20 Mixer PPM module||Mike Meecham||32||Audio||||Part 1|||||||| |
||
|- |
|- |
||
| May||1993||Auto-mate 20 Mixer PPM module||Mike Meecham||36||Audio |
| May||1993||Auto-mate 20 Mixer PPM module||Mike Meecham||36||Audio||||Part 2|||||||| |
||
|- |
|- |
||
| May||1993||The Fuzztone||Daniel Coggins||16||Effect |
| May||1993||The Fuzztone||Daniel Coggins||16||Effect|||||||||||| |
||
|- |
|- |
||
| June||1993||5-Band Graphic Equaliser||Andrew Armstrong||12||Audio |
| June||1993||5-Band Graphic Equaliser||Andrew Armstrong||12||Audio|||||||||||| |
||
|- |
|- |
||
| Jun||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||39||Audio |
| Jun||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||39||Audio||||Part 11|||||||| |
||
|- |
|- |
||
| Jul||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||48||Audio |
| Jul||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||48||Audio||||Part 12|||||||| |
||
|- |
|- |
||
| Aug||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||40||Audio |
| Aug||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||40||Audio||||Part 13|||||||| |
||
|- |
|- |
||
| Sep||1993||MIDI Analyser||Tom Scarff||32||MIDI |
| Sep||1993||MIDI Analyser||Tom Scarff||32||MIDI|||||||||||| |
||
|- |
|- |
||
| Sep||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||39||Audio |
| Sep||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||39||Audio||||Part 14|||||||| |
||
|- |
|- |
||
| Oct||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||26||Audio |
| Oct||1993||Auto-mate 20 Audio Mixing Desk||Mike Meecham||26||Audio||||Part 15|||||||| |
||
|- |
|- |
||
| Nov||1993||MIDI Change Pedal||D. Sapwell||34||MIDI |
| Nov||1993||MIDI Change Pedal||D. Sapwell||34||MIDI|||||||||||| |
||
|- |
|- |
||
| Jun||1994||An Introduction to MIDI |
| Jun||1994||An Introduction to MIDI||Robert Penfold||54||Information|||||||||||| |
||
|- |
|- |
||
| Jun||1994||A MIDI Bass Pedal||Tom Scarff||58||MIDI |
| Jun||1994||A MIDI Bass Pedal||Tom Scarff||58||MIDI|||||||||||| |
||
|- |
|- |
||
| Jul||1994||An Introduction to MIDI |
| Jul||1994||An Introduction to MIDI||Robert Penfold||62||Information||||Part 2|||||||| |
||
|- |
|- |
||
| Aug||1994||An Introduction to MIDI |
| Aug||1994||An Introduction to MIDI||Robert Penfold||60||Information||||Part 3|||||||| |
||
|- |
|- |
||
| Sep||1994||An Introduction to MIDI |
| Sep||1994||An Introduction to MIDI||Robert Penfold||62||Information||||Part 4|||||||| |
||
|- |
|- |
||
| Oct||1994||Hall Effect Swell Pedal||Robert Penfold||30||Effect |
| Oct||1994||Hall Effect Swell Pedal||Robert Penfold||30||Effect|||||||||||| |
||
|- |
|- |
||
| Oct||1994||An Introduction to MIDI |
| Oct||1994||An Introduction to MIDI||Robert Penfold||62||Information||||Part 5|||||||| |
||
|- |
|- |
||
| Nov||1994||Hall Effect Wah-Wah Pedal||Robert Penfold||58||Effect |
| Nov||1994||Hall Effect Wah-Wah Pedal||Robert Penfold||58||Effect|||||||||||| |
||
|- |
|- |
||
| Nov||1994||An Introduction to MIDI |
| Nov||1994||An Introduction to MIDI||Robert Penfold||64||Information||||Part 6|||||||| |
||
|- |
|- |
||
| Dec||1994||The Parabender||Barry Porter||64||Audio |
| Dec||1994||The Parabender||Barry Porter||64||Audio||||Part 1|||||||| |
||
|- |
|- |
||
| Jan||1995||Metal Effects Unit||Robert Penfold||46||Effect |
| Jan||1995||Metal Effects Unit||Robert Penfold||46||Effect|||||||||||| |
||
|- |
|- |
||
| Jan||1995||The Parabender||Barry Porter||50||Audio |
| Jan||1995||The Parabender||Barry Porter||50||Audio||||Part 2|||||||| |
||
|- |
|- |
||
| Sep||1995||Fibre Optic MIDI Link||Robert Penfold||40||MIDI |
| Sep||1995||Fibre Optic MIDI Link||Robert Penfold||40||MIDI|||||||||||| |
||
|- |
|- |
||
| Oct||1995||16 Channel MIDI Mixer||Tom Scarff||46||MIDI |
| Oct||1995||16 Channel MIDI Mixer||Tom Scarff||46||MIDI|||||||||||| |
||
|- |
|- |
||
| Sep||1996||"Chopper" Tremolo||Robert Penfold||46||Effect |
| Sep||1996||"Chopper" Tremolo||Robert Penfold||46||Effect|||||||||||| |
||
|- |
|- |
||
| Apr||1997||MIDI Controlled Voice Harmoniser||Tom Scarff||28||Effect |
| Apr||1997||MIDI Controlled Voice Harmoniser||Tom Scarff||28||Effect|||||||||||| |
||
|- |
|- |
||
| Jan||1998||Infra-red Theramin||Robert Penfold||35||Synth |
| Jan||1998||Infra-red Theramin||Robert Penfold||35||Synth|||||||||||| |
||
|- |
|- |
||
| Feb||1998||MIDI Drum Pads||Tom Scarff||64||MIDI |
| Feb||1998||MIDI Drum Pads||Tom Scarff||64||MIDI|||||||||||| |
||
|- |
|- |
||
| Jun||1998||HT-8955 Digital Echo||Robert Penfold||19||Effect |
| Jun||1998||HT-8955 Digital Echo||Robert Penfold||19||Effect|||||||||||| |
||
|- |
|- |
||
| Sep||1998||Tracking Filter Effects Unit||Robert Penfold||49||Effect |
| Sep||1998||Tracking Filter Effects Unit||Robert Penfold||49||Effect|||||||||||| |
||
|- |
|- |
||
| Sep||1998||A PC-controlled Sine Wave Generator||Mark Roberts||29||Synth |
| Sep||1998||A PC-controlled Sine Wave Generator||Mark Roberts||29||Synth|||||||||||| |
||
|- |
|- |
||
| Nov||1998||Circuits for Music Lovers||James Scott||29||Effect |
| Nov||1998||Circuits for Music Lovers||James Scott||29||Effect|||||||||||| |
||
|} |
|} |
||
Line 554: | Line 548: | ||
{| class="wikitable" |
{| class="wikitable" |
||
! Month!!Year!!Article name!!Author!!PPNo!!Classification |
! Month!!Year!!Article name!!Author!!PPNo!!Classification!!Key components!!Comments!!Corrections!!On Web?!!URL 1st site!!URL 2nd site |
||
|- |
|- |
||
| Sep||1976||Audio Phaser||Not Given||51||Effect |
| Sep||1976||Audio Phaser||Not Given||51||Effect||||ETI 447 PCB||||Y||http://www.synthdiy.com/files/2004/eti447.pdf|| |
||
|- |
|- |
||
| Aug||1977||Sequencer||Not Given||77||Synth |
| Aug||1977||Sequencer||Not Given||77||Synth||||ETI 603 PCB||||Y||http://www.synthdiy.com/show/?id=370||http://www.spontis.se/pdf/etiseq.pdf |
||
|} |
|} |
||
Revision as of 14:48, 6 June 2015
Articles relevant to SDIY that were published in the UK edition of the magazine Electronics Today International (ETI):
Month | Year | Article name | Author | PPNo | Classification | Key components | Comments | Corrections | On Web? | URL 1st site | URL 2nd site |
---|---|---|---|---|---|---|---|---|---|---|---|
Apr | 1973 | ETI Master Mixer | Not Given | 66 | Audio | Part 1 | |||||
May | 1973 | ETI Master Mixer | Not Given | 30 | Audio | Part 2 | |||||
Jun | 1973 | New Sound For Your Guitar | Not Given | 30 | Effect | ||||||
Jun | 1973 | ETI Master Mixer | Not Given | 56 | Audio | Part 3 | |||||
Jul | 1973 | ETI Master Mixer | Not Given | 63 | Audio | Part 4 | |||||
Oct | 1973 | Master Mixer Modification | Not Given | 52 | Audio | ||||||
Jan | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 20 | Synth | Part 1 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part1.pdf | |||
Feb | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 24 | Synth | Part 2 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part2.pdf | |||
Mar | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 40 | Synth | Part 3 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part3.pdf | |||
Apr | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 44 | Synth | Part 4 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part4.pdf | |||
May | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 54 | Synth | Part 5 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part5.pdf | |||
Jun | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 24 | Synth | Part 6 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part6.pdf | |||
Jul | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 52 | Synth | Part 7 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part7.pdf | |||
Aug | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 58 | Synth | Part 8 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part8.pdf | |||
Aug | 1974 | BBC Radiophonic Workshop | Not given | 18 | History | ||||||
Sep | 1974 | International Music Synthesiser | Barry Wilkinson, Trevor Marshall | 48 | Synth | Part 9 of ETI 4600 build | Y | http://www.eti4600synthesiser.org.uk/ETI_Part9.pdf | |||
Dec | 1974 | Spring Reverberation Unit | Not given | 46 | Effect | ||||||
Feb | 1975 | Tech Tip: Simple Waa-Waa Circuit | Not given | 66 | Effect | ||||||
Mar | 1975 | Using the LM3900 | Not given | 29 | Information | ||||||
May | 1975 | ETI 3600 Synthesiser | Not given | 42 | Synth | Part 1 of 4 | |||||
Jun | 1975 | ETI 3600 Synthesiser | Not given | 32 | Synth | Part 2 of 4 | |||||
Jun | 1975 | Tech Tip: Pink Noise Generator | Not given | 62 | Effect | ||||||
Jul | 1975 | Stage Mixer | Not given | 26 | Audio | Part 1 of 2 | |||||
Jul | 1975 | ETI 3600 Synthesiser | Not given | 54 | Synth | Part 3 of 4 | |||||
Sep | 1975 | Stage Mixer | Not given | 33 | Audio | Part 2 of 2 | |||||
Oct | 1975 | ETI 3600 Synthesiser | Not given | 41 | Synth | Part 4 of 4 | |||||
Feb | 1976 | Datasheet: AY-1-0212 & AY-1-5051 | Not given | 66 | Data Sheet | ||||||
Jun | 1976 | Waa-Waa Unit | Not given | 16 | Effect | ||||||
Dec | 1976 | Touch Organ | Not given | 41 | Organ | Capacitive Touch Keys | |||||
Dec | 1976 | Audio Phaser | Not given | 29 | Effect | ||||||
Dec | 1976 | Tech Tip: Guitar Fuzz | Not given | 83 | Effect | ||||||
Apr | 1977 | Fuzz Box | Not given | 48 | Effect | ||||||
May | 1977 | Datasheet: TDA1022 | Not given | 49 | Data Sheet | ||||||
Jul | 1977 | Active Filters | Tim Orr | 23 | Information | Part 1 | |||||
Jul | 1977 | Datasheet: ICL8038 | Not given | 50 | Data Sheet | ||||||
Jul | 1977 | Tech Tip: A Simple VCO | Not given | 77 | Synth | ||||||
Aug | 1977 | Active Filters | Tim Orr | 36 | Information | Part 2 | |||||
Aug | 1977 | Vocoders! | Not given | 34 | Information | ||||||
Sep | 1977 | Active Filters | Tim Orr | 52 | Information | Part 3 | |||||
Sep | 1977 | Graphic Equaliser | Not given | 27 | Audio | ||||||
Oct | 1977 | Datasheet: NE570/NE571 | Not given | 59 | Data Sheet | ||||||
Nov | 1977 | Tech Tip: Organ Divider | Not given | 73 | Organ | Related to Touch Organ (Dec 76) | |||||
Feb | 1978 | Tech Tip: Sample and Hold for Music Synthesisers | L. Robinson | 84 | Synth | ||||||
Feb | 1978 | Tech Tip: Battery Operated VCO | R. Zaman | 91 | Synth | ||||||
Feb | 1978 | Op Amps | Tim Orr | 22 | Information | Part 1 | |||||
Mar | 1978 | Op Amps | Tim Orr | 49 | Information | Part 2 | |||||
Apr | 1978 | Op Amps | Tim Orr | 29 | Information | Part 3 | |||||
May | 1978 | Op Amps | Tim Orr | 69 | Information | Part 4 | |||||
May | 1978 | CCD Phaser | David Vorhaus | 57 | Effect | TDA1022 | |||||
Jun | 1978 | Spectrum Analyser | Tim Orr | 27 | Audio | ||||||
Jul | 1978 | Designing Oscillators | Tim Orr | 15 | Information | ||||||
Jul | 1978 | Music Synthesiser | Tim Orr | 38 | Synth | Part 1 of Transcendent 2000 | Y | http://www.spontis.se/pdf/t2000.pdf | |||
Aug | 1978 | Music Synthesiser | Tim Orr | 45 | Synth | Part 2 of Transcendent 2000 | Y | http://www.spontis.se/pdf/t2000.pdf | |||
Oct | 1978 | Complex Sound Generator | Not given | 17 | Synth | SN76477 | Y | http://www.spontis.se/pdf/eti_csg.pdf | |||
Nov | 1978 | Autochord | Not given | 56 | Organ | Part 1 | |||||
Nov | 1978 | Tech Tip: Guitar Sustain Unit | S. D. Maistre | 91 | Effect | ||||||
Dec | 1978 | Autochord | Not given | 80 | Organ | Part 2 | |||||
Jan | 1979 | Log Convertor | Not given | 62 | Synth | Novel Oven for temp stability | |||||
Feb | 1979 | 100W Disco Mixer Amplifier | Richard Becker | 64 | Amplifier | Powertran MPA 200 | |||||
Feb | 1979 | Tech Tip: Simple Wide Range VCO | A. J. Richardson | 87 | Synth | ||||||
Apr | 1979 | Ten 3080 Circuits | Tim Orr | 70 | Information | ||||||
Apr | 1979 | Guitar Effects Unit | Not given | 97 | Effect | ||||||
May | 1979 | Datasheet: TDA1008 | Not given | 70 | Data Sheet | ||||||
May | 1979 | Headphone Amplifier | Not given | 77 | Amplifier | ||||||
Jul | 1979 | Polyphonic Keyboard | Tim Orr | 36 | Synth | Y | http://www.spontis.se/pdf/arak.pdf | ||||
Aug | 1979 | Transcendent DPX | Tim Orr | 18 | Synth | BF244C, SAD512D | Part 1 of A String Thing | Y | http://www.spontis.se/pdf/eti_dpx.pdf | ||
Sep | 1979 | Transcendent DPX | Tim Orr | 62 | Synth | NE566, M086 | Part 2 of A String Thing | Y | http://www.spontis.se/pdf/eti_dpx.pdf | ||
Sep | 1979 | Tech Tip: Voltage Controlled Filter | T. W, Stride | 95 | Synth | ||||||
Oct | 1979 | Transcendent DPX | Tim Orr | 35 | Synth | BF244B, CA3080 | Part 3 of A String Thing | Y | http://www.spontis.se/pdf/eti_dpx.pdf | ||
Oct | 1979 | High Quality Audio Amplifier | Not given | 55 | Amplifier | ||||||
Nov | 1979 | Transcendent DPX | Tim Orr | 64 | Synth | 75107, MC6810L, ZN425SE | Part 4 of A String Thing | Y | http://www.spontis.se/pdf/eti_dpx.pdf | ||
Nov | 1979 | Analogue Delay Lines | Tim Orr | 29 | Information | ||||||
Nov | 1979 | Tech Tip: Simple Rhythm Generator | J. J. Trinder | 101 | Synth | Basic Sequencer | |||||
Dec | 1979 | Random Noise Source | Not given | 67 | Synth | ||||||
Dec | 1979 | Tech Tip: A Simple Sequencer | P. Hill | 109 | Synth | ||||||
Jan | 1980 | Tech Tip: A Simple Sequencer | S. Giles | 101 | Synth | ||||||
Feb | 1980 | Modular Synthesiser | R. C. Blakey | 62 | Synth | Project 80 | Y | http://www.synthdiy.com/files/2006/80-1_eti.pdf | |||
Feb | 1980 | Tuning Fork | Not given | 79 | Test Equipment | ||||||
Feb | 1980 | Tech Tip: Stereo VCA | J. Macauley | 97 | Synth | ||||||
Mar | 1980 | The 1537 VCA | Keith Brindley | 30 | Information | ||||||
Mar | 1980 | Voltage Controlled Mixer | Not given | 87 | Synth | Project 80 | Y | http://www.synthdiy.com/files/2006/80-4_5_eti.pdf | |||
Apr | 1980 | Analogue Switches | Tim Orr | 18 | Information | ||||||
Apr | 1980 | 300W Amplifier Module | Not given | 58 | Amplifier | ||||||
Apr | 1980 | Tech Tip: Transcendent 2000 Preamp | R. N. Johnson | 89 | Synth | ||||||
May | 1980 | Project 80 filters | Chris Blakey | 20 | Synth | Project 80 | Y | ||||
May | 1980 | The Black Hole | Tim Orr | 90 | Effect | SAD512D | Chorus Machine | ||||
Jun | 1980 | Drum Synthesiser | Roger Shore | 84 | Synth | ICL8038 | |||||
Jun | 1980 | Tech Tip: 555 Voltage Control | S. Draper | 97 | Synth | ||||||
Jun | 1980 | Tech Tip: 16 Note Sequencer | P. Gatehouse | 99 | Synth | ||||||
Jul | 1980 | Filter Design | Tim Orr | 17 | Information | ||||||
Jul | 1980 | State Variable Filter | R. C. Blakey | 84 | Synth | Project 80 | Y | ||||
Jul | 1980 | Envelope Shaper | R. C. Blakey | 88 | Synth | Project 80 | Y | ||||
Aug | 1980 | 100W Power Amplifier | Not given | 64 | Amplifier | ||||||
Aug | 1980 | Dual VCA | R. C. Blakey | 78 | Synth | Project 80 | Y | ||||
Sep | 1980 | Vocoder | Richard Becker | 58 | Synth | Part 1 of 2 | Y | http://www.spontis.se/pdf/etivocoder.pdf | |||
Sep | 1980 | Envelope Shaper | R. C. Blakey | 93 | Synth | Project 80 | Y | ||||
Oct | 1980 | Spot Design: Reverberation Unit | Not given | 25 | Effect | ||||||
Oct | 1980 | Vocoder | Richard Becker | 40 | Synth | Part 2 of 2 | Y | http://www.spontis.se/pdf/etivocoder.pdf | |||
Oct | 1980 | Sustain Fuzz Box | Not given | 53 | Effect | ||||||
Oct | 1980 | Monitor Amplifier | Chris Blakey | 79 | Synth | Project 80 | Y | ||||
Nov | 1980 | Spot Design: Waa-Waa Unit | Not given | 61 | Effect | ||||||
Nov | 1980 | 2W Power Amplifier | Keith Brindley | 72 | Amplifier | ||||||
Dec | 1980 | Four Input Mixer | John Fitzgerald | 19 | Audio | ||||||
Dec | 1980 | Bandpass and Beyond | Tim Orr | 25 | Information | ||||||
Dec | 1980 | Polysynth | Tim Orr | 87 | Synth | 2102, 6810 | Part 1 | Y | http://www.spontis.se/pdf/etipoly.pdf | ||
Jan | 1981 | Polysynth | Tim Orr | 77 | Synth | 2102, 6810, LM13600 | Part 2 | Y | http://www.spontis.se/pdf/etipoly.pdf | ||
Feb | 1981 | Polysynth | Tim Orr | 32 | Synth | CA3080, CEM3310, CEM3340, LM13600 | Part 3 | Y | http://www.spontis.se/pdf/etipoly.pdf | ||
Feb | 1981 | Sound Pressure Level Meter | Not given | 74 | Test Equipment | 2N3819 | |||||
Mar | 1981 | Polysynth | Tim Orr | 27 | Synth | Part 4 | Y | http://www.spontis.se/pdf/etipoly.pdf | |||
Apr | 1981 | Noise Generator | Charles Blakey | 59 | Synth | Project 80 | Y | ||||
Apr | 1981 | Drum Machine | Ray Marston | 75 | Synth | ||||||
Apr | 1981 | Guitar Note Expander | Q. A. Rice | 95 | Effect | ||||||
Apr | 1981 | Tech Tip: Joystick Control | M. Swale | 36 | Synth | ETI 4600 | |||||
Apr | 1981 | Tech Tip: Transcendent Pulse Wave Improvement | J. F. Jordan | 37 | Synth | Transcendent 2000 | |||||
Apr | 1981 | Spot Design: 20W MOSFET Amplifier | Not given | 88 | Amplifier | ||||||
May | 1981 | Synthesiser Sequencer | Richard Becker | 36 | Synth | DM8130, ADC0804, DAC0808, 2x6514 | Y | http://www.spontis.se/pdf/composer.pdf | http://www.milton.arachsys.com/nj71/zip/1024.zip | ||
May | 1981 | Spot Design: Guitar Treble Boost | Not given | 77 | Effect | ||||||
May | 1981 | Tech Tip: 555 VCO | J. Harrold | 94 | Synth | ||||||
May | 1981 | Tech Tip: Computer-controlled Synthesiser Keyboard | P.McChesney | 94 | Synth | ||||||
Jun | 1981 | Waa-Phase Unit | Ray Marston | 24 | Effect | ||||||
Jun | 1981 | Tech Tip: Transposing Master Tone Generator | R. Basterfield | 54 | Organ | ||||||
Jun | 1981 | Tech Tip: Synthesiser Interface For Transcendent DPX | D. Pallant | 56 | Synth | ||||||
Aug | 1981 | Hand Clap Synthesiser | Roger Shore | 68 | Synth | ||||||
Aug | 1981 | Tech Tip: Computer-controlled Synthesiser Keyboard | K. Wood | 81 | Synth | ||||||
Aug | 1981 | Tech Tip: Duophonic Synthesiser Keyboard | P. R. Williams | 83 | Synth | Transcendent 2000 | |||||
Sep | 1981 | Equaliser Circuit Design | Tim Orr | 71 | Information | ||||||
Oct | 1981 | Sound Bender | Ray Marston | 24 | Effect | Ring Modulator | |||||
Nov | 1981 | Music Processor | Ray Marston | 38 | Effect | TDA1022 | |||||
Dec | 1981 | Tech Tip: Active 'Stereo' Bass Guitar | J. Smalley | 75 | Effect | ||||||
Jan | 1982 | Guitar Tuner | Brian Brooks | 41 | Test Equipment | ||||||
Mar | 1982 | Facts on DAC's and ADC's | Tim Orr | 19 | Information | ||||||
Apr | 1982 | Electromusic Techniques | Tim Orr | 17 | Information | Part 1 | |||||
Apr | 1982 | Solid State Reverb | Charles Blakey | 101 | Effect | MN3011/3101 | Y | http://www.synthdiy.com/files/2003/eti-mn3011reverb.pdf | |||
May | 1982 | Electromusic Techniques | Tim Orr | 47 | Information | Part 2 | |||||
May | 1982 | Tech Tip: Economy CMOS Vocoder | S. P. Giles | 60 | Synth | ||||||
May | 1982 | Tech Tip: Guitar Tracking Oscillator | S. P. Giles | 61 | Effect | ||||||
Jun | 1982 | Electromusic Techniques | Tim Orr | 59 | Information | Part 3 | |||||
Jun | 1982 | Tech Tip: Solid StateScope Using LED's | G. Durant | 27 | Test Equipment | ||||||
Jul | 1982 | Tech Tip: CMOS Sustainer for Electric Guitars | S. P. Giles | 27 | Effect | ||||||
Jul | 1982 | Playmate Guitar Effects/Amp | Phil Walker | 28 | Effect | Part 1 of 2 | |||||
Aug | 1982 | Tech Tip: Guitar Harmoniser | S. P. Giles | 34 | Effect | ||||||
Aug | 1982 | Tech Tip: CMOS Phaser | S. P. Giles | 35 | Effect | ||||||
Sep | 1982 | Playmate Guitar Effects/Amp | Phil Walker | 16 | Effect | Part 2 of 2 | |||||
Sep | 1982 | Tech Tip: Cheap Auto-Waa | Tony Allgood | 22 | Effect | ||||||
Sep | 1982 | Tech Tip: CMOS Fuzz/Tremelo | S. P. Giles | 23 | Effect | ||||||
Oct | 1982 | Tech Tip: Enriching Synthesiser Sounds | H. Duncan | 77 | Synth | ||||||
Nov | 1982 | Tech Tip: Switched Volume Guitar | E. D. Pearson | 85 | Effect | ||||||
Dec | 1982 | Tech Tip: Computer/Synth Keyboard Interface | Philip Jones | 93 | Synth | ||||||
Jan | 1983 | Waveform Multiplier | David Ward-Hunt | 71 | Synth | Y | http://www.milton.arachsys.com/nj71/pdf/magazine/ETIWaveMult.pdf | ||||
Feb | 1983 | The ETI Organ | Richard Watts | 19 | Organ | Part 1 | |||||
Mar | 1983 | The ETI Organ | Richard Watts | 36 | Organ | Part 2 | |||||
Apr | 1983 | The ETI Organ | Richard Watts | 56 | Organ | Part 3 | |||||
May | 1983 | The ETI Organ | Richard Watts | 67 | Organ | Part 4 | |||||
May | 1983 | Tech Tip: Electronic Guitar | Quentin Rice | 74 | Effect | ||||||
Jun | 1983 | Data Sheet: M108/M208 | Not given | 71 | Data Sheet | Y | http://www.milton.arachsys.com/nj71/pdf/magazine/ETIM108.pdf | ||||
Aug | 1983 | 1/3 Octave Graphic Equaliser | David Tilbrook | 18 | Audio | Part 1 | |||||
Sep | 1983 | 1/3 Octave Graphic Equaliser | David Tilbrook | 41 | Audio | Part 2 | |||||
Nov | 1983 | Mini Drum Synth | A. G. Atkins | 36 | Synth | ||||||
Nov | 1983 | Tech Tip: Active Bass Tone Control | Ian Willats | 57 | Effect | ||||||
Jan | 1984 | Chorus/Flanger Unit | Tim Orr | 33 | Effect | MN3207/3102 | Y | http://www.spontis.se/pdf/flanger.pdf | http://www.synthdiy.com/files/2005/flanger.pdf | ||
Mar | 1984 | Tech Tip: Cheap Envelope Generator | Jeff Macanley | 41 | Synth | ||||||
May | 1984 | Midi Drum Synth | Not given | 62 | Synth | Not MIDI | Y | http://www.spontis.se/pdf/eti_drumsynth.pdf | |||
Oct | 1984 | Simple Echo Unit | Phil Walker | 18 | Effect | ||||||
Oct | 1984 | Tech Tip: A440 Tuning Reference | C. Robertson | 48 | Test Equipment | ||||||
Dec | 1984 | Digital Delay Line | Ray Lowe | 16 | Effect | Part 1 | |||||
Jan | 1985 | Digital Delay Line | Ray Lowe | 62 | Effect | Part 2 | |||||
Feb | 1985 | Digital Delay Line | Ray Lowe | 24 | Effect | Part 3 | |||||
Feb | 1985 | Paragraph Equaliser | Barry Porter | 31 | Audio | Part 1 | |||||
Mar | 1985 | Voltage Controlled Digital Oscillator | Richard Thorp | 16 | Synth | Project 80 | Y | ||||
Mar | 1985 | Paragraph Equaliser | Barry Porter | 49 | Audio | Part 2 | |||||
Apr | 1985 | CCD Delay Line Effects Board | Phil Walker | 57 | Effect | TDA1022/1097 | |||||
Jul | 1985 | Noise Gate | Ian Coughlan | 38 | Effect | ||||||
Aug | 1985 | ETI Sorcerer String Synthesiser | Graeme Durant | 36 | Synth | Part 1 | Y | http://www.spontis.se/pdf/eti_sorcerer.pdf | |||
Oct | 1985 | ETI Sorcerer String Synthesiser | Graeme Durant | 32 | Synth | CA3080, MN3010 | Part 3 | Y | http://www.spontis.se/pdf/eti_sorcerer.pdf | ||
Nov | 1985 | The Rhythm Chip | Geoff Phillips | 33 | Synth | ||||||
Nov | 1985 | Chorus Unit | Ian Coughlan | 48 | Effect | TDA1097 | |||||
Nov | 1985 | Cymbal Synth | D. Stone | 58 | Synth | ||||||
Nov | 1985 | Digital Sound Sampler | Paul Chappell | 63 | Synth | Part 1 | |||||
Dec | 1985 | Specdrum Drum Sequencer | Digisound | 41 | Synth | Uses a ZX Spectrum | Y | http://www.spontis.se/pdf/eti_specdrum.pdf | |||
Dec | 1985 | DI Compression Gate | Allan Bradford | 46 | Audio | ||||||
Jan | 1986 | The ETI Activator | Allan Bradford | 30 | Audio | ||||||
Jan | 1986 | Digital Sound Sampler | Paul Chappell | 63 | Synth | Part 2 - Uses a ZX Spectrum | |||||
Feb | 1986 | Digital Sound Sampler | Paul Chappell | 42 | Synth | ZN448 | Part 3 | ||||
Mar | 1986 | Digital Sound Sampler | Paul Chappell | 44 | Synth | Part 4 | |||||
Jun | 1986 | MIDI To CV Convertor | R. A. Penfold | 29 | Synth | ||||||
Jun | 1986 | Digital Sound Sampler | Paul Chappell | 48 | Synth | Part 5 | |||||
Jul | 1986 | Digital Sound Sampler | Paul Chappell | 44 | Synth | Part 6 | |||||
Oct | 1986 | Audio Analyser | R. A. Penfold | 43 | Audio | May87-57 | |||||
Dec | 1986 | Bongo Box | Peter Davie | 43 | Synth | ||||||
Dec | 1986 | Tech Tip: Simple Fuzz Unit | Lee Sage | 58 | Effect | ||||||
Jan | 1987 | The MIDI Interface | Alan Robinson | 17 | Information | ||||||
Jan | 1987 | The Better Flanger | Ian Coughlan | 47 | Effect | TDA1022 | Feb87-63, Mar87-55 | ||||
Jan | 1987 | The ETI LEDScope | Tony Ellis | 57 | Test Equipment | ||||||
Feb | 1987 | The MIDI Interface | Alan Robinson | 31 | Information | ||||||
Apr | 1987 | BBC Micro MIDI Interface | John Yua | 42 | MIDI | Jun87-51, Jul87-51, | |||||
May | 1987 | MIDI Master Keyboard | John Yua | 27 | MIDI | ||||||
May | 1987 | Metronome | Not given | 44 | Music | ||||||
May | 1987 | Electronic Tuning Fork | Not given | 44 | Test Equipment | ||||||
May | 1987 | Valve Distortion' Fuzz Box | Not given | 46 | Effect | ||||||
Jun | 1987 | MIDI Master Keyboard | John Yua | 33 | MIDI | Jul87-51, Aug87-57,May88-53 | |||||
Jul | 1987 | MIDI Master Keyboard | John Yua | 40 | MIDI | ||||||
Aug | 1987 | MIDI Master Keyboard | John Yua | 32 | MIDI | ||||||
Sep | 1987 | The Hybrid Music System | Malcolm Brown | 24 | Information | ||||||
Oct | 1987 | Inside Hybrid's Music 5000 | Chris Jordan | 23 | Information | ||||||
Oct | 1987 | Hyper Fuzz | Charles Dancer | 43 | Effect | ||||||
Dec | 1987 | Electronic Violet | Ronald Alpiar | 41 | Controller | Part 1 | |||||
Jan | 1988 | Music Circuit Potpourri | Bruno Hewitt | 20 | Synth | ||||||
Jan | 1988 | Electronic Violet | Ronald Alpiar | 63 | Controller | Part 2 | |||||
Nov | 1988 | Tech Tips: Guitar Preshaper | I. Harvey | 49 | Effect | ||||||
Nov | 1988 | Tech Tips: Envelope Generator | T. Allgood | 51 | Synth | ||||||
Feb | 1989 | Compressor/limiter/Gate | Ian Harvey | 26 | Effect | ||||||
Mar | 1989 | MIDI Programmer | Robert Penfold | 31 | MIDI | ||||||
May | 1989 | Guitar Tuner | Laurie Barron | 41 | Test Equipment | ||||||
Jun | 1989 | How to MIDI a Piano | John Brockhurst | 26 | MIDI | Nov89-60 | |||||
Jul | 1989 | MIDI Patch Work | Robert Penfold | 41 | MIDI | Nov89-60 | |||||
Oct | 1989 | MIDI Mapper | Robert Penfold | 53 | MIDI | ||||||
Dec | 1989 | Pedal Power | Gordon Tomlinson | 43 | Effect | ||||||
Dec | 1989 | Digital Noise Generator | Edward Barrow | 50 | Synth | ||||||
Jun | 1990 | The Fecko Box | Keith Brindley | 40 | Effect | MN3004/3101 | Jul90-60 | ||||
Aug | 1990 | SY77 Music Synthesis | Mike Barnes | 39 | Information | Part 1 | |||||
Sep | 1990 | SY77 Music Synthesis | Mike Barnes | 37 | Information | Part 2 | |||||
Nov | 1990 | Music Tech Tips | Robert Penfold | 51 | Synth | ||||||
Jul | 1991 | The Foot-Tapper | Paul Stevenson | 47 | Effect | ||||||
Mar | 1992 | MIDI Switch | G. Parris | 16 | MIDI | ||||||
Apr | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 22 | Audio | Part 1 | |||||
May | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 17 | Audio | Part 2 | |||||
Jun | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 46 | Audio | Part 3 | |||||
Jul | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 53 | Audio | Part 4 | |||||
Aug | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 52 | Audio | Part 5 | |||||
Aug | 1992 | MIDI Keyboard | Stephen Lenham | 40 | MIDI | E510 | |||||
Sep | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 60 | Audio | Part 6 | |||||
Oct | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 38 | Audio | Part 7 | |||||
Nov | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 24 | Audio | Part 7b | |||||
Dec | 1992 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 23 | Audio | Part 8 | |||||
Jan | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 24 | Audio | Part 8b | |||||
Feb | 1993 | Sound to MIDI Processor | Ken Blackwell | 34 | MIDI | ||||||
Mar | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 49 | Audio | Part 10a | |||||
Apr | 1993 | Auto-mate 20 Mixer PPM module | Mike Meecham | 32 | Audio | Part 1 | |||||
May | 1993 | Auto-mate 20 Mixer PPM module | Mike Meecham | 36 | Audio | Part 2 | |||||
May | 1993 | The Fuzztone | Daniel Coggins | 16 | Effect | ||||||
June | 1993 | 5-Band Graphic Equaliser | Andrew Armstrong | 12 | Audio | ||||||
Jun | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 39 | Audio | Part 11 | |||||
Jul | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 48 | Audio | Part 12 | |||||
Aug | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 40 | Audio | Part 13 | |||||
Sep | 1993 | MIDI Analyser | Tom Scarff | 32 | MIDI | ||||||
Sep | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 39 | Audio | Part 14 | |||||
Oct | 1993 | Auto-mate 20 Audio Mixing Desk | Mike Meecham | 26 | Audio | Part 15 | |||||
Nov | 1993 | MIDI Change Pedal | D. Sapwell | 34 | MIDI | ||||||
Jun | 1994 | An Introduction to MIDI | Robert Penfold | 54 | Information | ||||||
Jun | 1994 | A MIDI Bass Pedal | Tom Scarff | 58 | MIDI | ||||||
Jul | 1994 | An Introduction to MIDI | Robert Penfold | 62 | Information | Part 2 | |||||
Aug | 1994 | An Introduction to MIDI | Robert Penfold | 60 | Information | Part 3 | |||||
Sep | 1994 | An Introduction to MIDI | Robert Penfold | 62 | Information | Part 4 | |||||
Oct | 1994 | Hall Effect Swell Pedal | Robert Penfold | 30 | Effect | ||||||
Oct | 1994 | An Introduction to MIDI | Robert Penfold | 62 | Information | Part 5 | |||||
Nov | 1994 | Hall Effect Wah-Wah Pedal | Robert Penfold | 58 | Effect | ||||||
Nov | 1994 | An Introduction to MIDI | Robert Penfold | 64 | Information | Part 6 | |||||
Dec | 1994 | The Parabender | Barry Porter | 64 | Audio | Part 1 | |||||
Jan | 1995 | Metal Effects Unit | Robert Penfold | 46 | Effect | ||||||
Jan | 1995 | The Parabender | Barry Porter | 50 | Audio | Part 2 | |||||
Sep | 1995 | Fibre Optic MIDI Link | Robert Penfold | 40 | MIDI | ||||||
Oct | 1995 | 16 Channel MIDI Mixer | Tom Scarff | 46 | MIDI | ||||||
Sep | 1996 | "Chopper" Tremolo | Robert Penfold | 46 | Effect | ||||||
Apr | 1997 | MIDI Controlled Voice Harmoniser | Tom Scarff | 28 | Effect | ||||||
Jan | 1998 | Infra-red Theramin | Robert Penfold | 35 | Synth | ||||||
Feb | 1998 | MIDI Drum Pads | Tom Scarff | 64 | MIDI | ||||||
Jun | 1998 | HT-8955 Digital Echo | Robert Penfold | 19 | Effect | ||||||
Sep | 1998 | Tracking Filter Effects Unit | Robert Penfold | 49 | Effect | ||||||
Sep | 1998 | A PC-controlled Sine Wave Generator | Mark Roberts | 29 | Synth | ||||||
Nov | 1998 | Circuits for Music Lovers | James Scott | 29 | Effect |
Articles relevant to SDIY that were published in the Australian edition of ETI:
Month | Year | Article name | Author | PPNo | Classification | Key components | Comments | Corrections | On Web? | URL 1st site | URL 2nd site |
---|---|---|---|---|---|---|---|---|---|---|---|
Sep | 1976 | Audio Phaser | Not Given | 51 | Effect | ETI 447 PCB | Y | http://www.synthdiy.com/files/2004/eti447.pdf | |||
Aug | 1977 | Sequencer | Not Given | 77 | Synth | ETI 603 PCB | Y | http://www.synthdiy.com/show/?id=370 | http://www.spontis.se/pdf/etiseq.pdf |
References
- Compiled by Mike Gorman from the original magazines