Rob Hordijk Triple LF-VCO: Difference between revisions

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[[File:RobHordijk-TriLF-VCO.jpg|thumb|Photo of a Rob Hordijk LF-VCO. (Photo by Todd Barton)]]The '''Triple LF-VCO''' is a module by [[Rob Hordijk Design|Rob Hordijk]] it contains three independent CV controllable LFO's or as Rob calls them LF-VCO's. The modulation inputs of all VC-LFO's are normalized at the input connectors in such a way that everything can crossmodulate and sync.<ref name="rh">Rob Hordijk</ref> Each LF-VCO also has an LED to provide visual feedback.
Contact Rob directly for details about his modules: rhordijk@xs4all.nl. <br>
 
=== LF-VCO A ===
'''LF-VCO A''' provides a sine wave output, with inputs for frequency modulation (A MOD) and 'fluctuation' (A FLUCT). There are knobs to control frequency (LF-VCO A RATE), frequency modulation depth (LF-VCO A MOD), and fluctuation depth (LF-VCO A FLUCT). Fluctuation is a combination of AM and FM that soft-syncs to the harmonics of the modulating signal, providing a more 'natural' feel for things such as vibrato than a traditional LFO even at high frequencies.<ref name="rh" /> '''LF-VCO A'''<nowiki/>'s frequency modulation input is normalised to '''LF-VCO C's S/H output. '''
 
=== LF-VCO B ===
Rob also has a subforum at the Electro-Music forum site:
'''LF-VCO B''' provides triangle and pulse wave outputs, which are uni-polar; and inputs for frequency modulation (B MOD) and synchronisation (B SYNC/HALT). There are knobs to control frequency (LF-VCO B RATE), frequency modulation depth (LF-VCO B MOD), and waveform shape (LF-VCO B SHAPE). The frequency range goes from several minutes to around 100Hz, and has a slower range than LFO A. The triangle output can be modulated from ramp to triangle to saw (like the Korg MS20). The wave shape control also effects the pulse width.
http://electro-music.com/forum/index.php?f=185
 
'''LF-VCO B''' has a switch to select between hard-sync or a "stop" function. The stop function stops the LFO on the current output level and from that it goes further on the rhythm of a modulating input signal or the triangle LF-VCO.<ref name="rh" /><!-- This feels poorly explained - need to clarify. -->
 
'''LF-VCO B''' has three operating modes, selectable with a switch: <ref name=":0">[https://thehordijkmodular.blogspot.com/search/label/Triple%20LF-VCO LF-VCO] by Benoit Faivre (2018)</ref>
Most of Rob's module designs use SSM quad VCA chips, possibly the Analog Devices SSM2164 (?)
* SYNC (up) : '''LF-VCO B''' is synced to '''LF-VCO C''' or to an external signal
* MODE (center) : '''LF-VCO B''' is free running
* HALT (down) : '''LF-VCO B'''<nowiki/>'s frequency is set by its RATE control, but during the rise of the Triangle wave of LF-VCO C and will "freeze" during the Fall of the Triangle wave of LF-VCO C. LF-VCO B will restart with the next cycle of LF-VCO C. When "frozen", LF-VCO B will output a fixed, momentary voltage. Halt mode works best on pitch.
 
=== LF-VCO C ===
'''LF-VCO-C''' provides triangle and inverterd triangle wave outputs. The frequency range goes from several minutes to 100&nbsp;Hz.<ref name="rh" /> There are knobs to control frequency (LF-VCO RATE) and frequency modulation depth (LF-VCO C MOD).
 
[[File:TriLfoSH flowchart.jpg|thumb|TRIPLE LF-VFO flowchart with new Sample and Hold function.]]
<b>OSC HRM</b><br>
Price 325 euro<br>
The Harmonic Oscillator module (OSC HRM) is used to create pitched waveforms with
dynamically controlled timbres. Pitch control law is 1V/Oct and the module uses a platinum
element for temperature stabilization of the pitch curve. Maximum frequency range is from
0.5 Hz to 16.000 Hz and the scale is perfectly tuned in the middle six octaves up to a pitch of
4.000 Hz. When playing pitches higher as 4000 Hz the 1V/Oct scale starts to break down, due
to the necessary internal bandlimiting in the harmonic generators.
The module uses a biquad sine/cosine oscillator at its core and through a process of recursion
harmonic series of overtones are generated. There are two recursion paths, one that produces
all harmonics and one that produces only the odd harmonics. By gradually opening the knobs
that control the amount of recursion more and more harmonics are generated. When only the
all harmonics path is used the waveform morphs smoothly from a sinewave to a waveform
that closely resembles and sounds like a sawtooth or an inverted sawtooth. Opening only the
odd harmonics knob will smoothly morph from a sinewave to a squarewave. When opening
both knobs effects like pulse wave modulation are possible. Building up these harmonic series
is under full voltage control and can be modulated from slow LFO speeds to fast audio rates
to create FM timbres. When the waveforms are modulated there is a negligable amount of
detune (less than 1 cent), though when modulating at audio rates an asymmetry in the
modulating waveform can cause detune effects on deep modulations.
There is an additional VCA incorporated in the module. The final output signal can be taken
from a point just before the VCA and at the output of the VCA. This enables the module to be
easily used in a situation where one wants to modulate another module by an audio rate signal
and have the modulation depth under voltage control using e.g. a LFO waveform, an envelope
voltage signal or a play controller that produces a control voltage, while still having the full
output level signal available on the full output to serve different purposes.
The waveforms have an exceptionally warm sound and when dynamically modulated have a
deep spatial and organic character.
With only one OSC HRM and one DUAL ENV module you can already have a voice with
dynamic timbral and volume control that can do e.g. a pretty solid bass line
 
=== Sample & Hold Function ===
<b>Dual Phaser </b><br>
In new versions the modulation input of '''LF-VCO C''' has a S&H right after the input connector, but just before the input level knob. '''LF-VCO C''' triggers the S&H circuit.
Price: 385 Euro.<br>
 
The S/H is triggered every change of direction (rising to falling, or falling to rising)
The internal CV voltage scale is 1V/Oct. Each phaser has a reasonably accurate one volt per octave direct control input that can track the keyboard voltage. Normalization is used, routing the V/Oct input signal of phaser1 into phaser2 when the phaser2 V/Oct input is left unplugged.
 
On every positive peak and on every negative peak of the triangle waveform the S&H samples the '''LF-VCO C''' modulation input signal and holds the sampled value during the slope that follows. This means that the S&H causes every up-slope and every down-slope of the triangle to have a different duration, defined by the momentary value the S&H happened to sample. The slopes remain perfectly linear, only their steepness is affected. The effect is that there is a more or less random spread in time. This also effects the duration or width of the pulse output.
Total control range is about 18 octaves. The Frq knob goes over the top 9 octaves of this range. Through the V/Oct and Modulation inputs you can go deeper, but you get into the LFO range and audible phasing effects would disappear.
 
In old versions the '''LF-VCO C''' Mod would slow down the rate of the falling slope of the triangle, while the rate of the rising slope remained the same. For example, when speeding up the LFO and opening the C MOD knob the out-put will have a fast attack and slow decay envelope like a saw-tooth wave. The pulse output goes high while the slope is rising and low when falling, so the pulse length will remain the same but the time between the pulses will increase.<ref name=":0" /> [[File:TriLFO flowchart.jpg|thumb|TRIPLE LF-VFO flowchart]]<!-- This feels contradictory. Need to clarify. -->
It is however possible to use the phasing effect on LFO control signals in the 1Hz to 10Hz range by supplying the V/Oct with e.g. a fixed -5V control signal, which can create quite interesting LFO effects on e.g. drones. All inputs and outputs are DC coupled, so CV signals can pass the module equally well as audio signals. Only the internal resonance is AC coupled, so resonance drops off below roughly 10Hz.
 
Additionally each phaser has a modulation input, also at 1V/Oct when the mode is set to sweep. When the mode is set to spread it behaves like the modulation sensitivity is halved, also when it is in half mode where only half of the poles in each phaser are modulated by this input. These inputs are not normalized, in fact if no plug is connected the modulation level knobs receive a fixed voltage so a manual spread value can be set.
 
Audio input is maximum 12V peak/peak before clipping occurs and there is 6dB attenuation from input to output to enable resonance peaks without clipping.
 
Note for frequency modulation: A high frequency can easily be deeply modulated by a low rate, but a low frequency is much harder to modulate deeply with high frequency. A S&H changes this FM equation into a pure statistic function that becomes pitch independent, resulting in slow rates reacting much deeper to faster rate modulation signals as without the S&H. For example, when a 1Hz LFO is modulated with a 1kHz signal there may only be a tiny bit of 1kHz zippery noise in the LFO signal, but the 1Hz will not seem to change much. But by using a S&H on the 1Hz LFO it will instead go all over the place, defined by the average amplitude of the 1kHz signal.
Audio routing is as follows:
If a jack is connected to input1, and if input2 is unconnected, then the audio will route into both phasers. In this mode you can use the two phaser outputs as a stereo signal. Connecting a jack to input2 will override this internal input1->input2 connection and separate both phasers.
 
To use the S&H modulation on LFO C it is often a good idea to not set the LFO C rate knob to its maximum. While there are not set limits for the minimum rate times, a very large negative modulation signal can cause a LFO to stop oscillating. If this happens when the LFO C rate knob is at its minumum, the modulation level knob is fully open, and a sampled negative signal is stopping the LFO, and thus also not sampling a new value that can start it again. In this case LFO C may appear to be frozen. In that case you can just open the rate knob a bit until it starts oscillating again. Or wait for a very long time for the S&H capacitor to eventually loose its charge.<ref name=":0" /> [[File:Hordijk trilfo.png|thumb|200px|Panel design for a Rob Hordijk TRIPLE LF-VCO]]
If audio is routed into input1 and if input2 is left unconnected, and if a jack is connected into ónly output2, then the two phasers are automatically set to "inverse parallel" mode. Meaning that if both phasers are set to exactly the same knob settings the phaser outputs would be in exact reverse phase and thus result in almost silence.
=== Internal Normalisations ===
Many of Rob's designs feature internal connections or 'normalisations' between inputs and outputs. These can be broken by inserting jacks into the inputs. When found together in triple-module formation the following normalised connections were made:
 
* LF-VCO - C S/H (internal) > LF-VCO A Modulation input
If audio is routed into input1, and if output1 is connected with a short cable to input2, and if output2 is taken as the overall output, the two phasers are in series and thus result in one 16-pole phaser.
* LF-VCO - C TRIANGLE output > LF-VCO A Fluctuation input
* LF-VCO - A SINE output > LF-VCO C Modulation input
* LF-VCO - B PULSE output > DUAL ENV - GATE IN
 
This means that when no external signals are applied to the inputs, and their modulation input level knobs are opened, LF-VCO A and LF-VCO C cross-modulate one another.<ref name=":0" />
To summarize: you can use the phasers fully separated, parallel with two (stereo) outputs on one input signal, parallel with mono output but with one phaser in reversed phase before the mixing of the outputs of the phasers take place on output2, or in series. All this is accomplished by the internal switches in the connectors and only depends on which inputs and outputs have a plug."
== External Links ==
 
* [https://thehordijkmodular.blogspot.com/search/label/Triple%20LF-VCO TRIPLE LF-VCO] on Benoit Faivre's Hordijk Modular Blog
* [https://www.youtube.com/watch?v=9qhjG5GJLGc Rob explains the LF-VCO] at the European Electro Music Event (2012)
* [https://www.youtube.com/watch?v=LP-B37O3mKI Rob explains the new S/H function] in his workshop (2018)
 
== References ==
{{From Mod Wiggler Wiki|Rob Hordijk Designs}}
{{reflist}}
 
== External links ==
* Rob Hordijk explains the [http://www.youtube.com/watch?v=9qhjG5GJLGc&list=PLAC347DE38ABA9E8D&index=3 Triple LF-VCO] at the European Electro Music Event 2012, Mallorca, Spain.
 
[[Category:Original Rob Hordijk Design]]
<b>Active Matrix</b><br>
[[Category:5U modules]]
Price: a little under 500 Euro.<br>
The Active Matrix module is buffered and works similar to the EMS Synthi.
It comes with mono plugs and some have built-in resistors for -6db or -12db signal reduction.
Every point is an insert, and with an insert cable, you can patch whatever you like into that point.
 
<b>Dual Envelope Generator</b>