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Controls for particular functions can be grouped together by panel graphics. Individual controls labels can be with text and others with graphics. Scales can be indicated with tick marks. Signal routing can be indicated. Besides writing or painting directly on the panel by hand, there are a number of different methods to add labelling. Traffolyte laminate or Dymo embossed labels were once common. Adhesive labels tend to fall off after a while. Laser printed graphics are common now, as well as a variety of iron-on transfer methods.<ref name="fpemw"/>
Controls for particular functions can be grouped together by panel graphics. Individual controls labels can be with text and others with graphics. Scales can be indicated with tick marks. Signal routing can be indicated. Besides writing or painting directly on the panel by hand, there are a number of different methods to add labelling. Traffolyte laminate or Dymo embossed labels were once common. Adhesive labels tend to fall off after a while. Laser printed graphics are common now, as well as a variety of iron-on transfer methods.<ref name="fpemw"/>


Note that for some of the methods listed here panels can be given a protective coating of matte or gloss clear lacquer after labeling. Acrylic or vinyl films attack some materials. Vinyl resists flaking and chipping better than acrylic.<ref name="infill">[https://www.muffwiggler.com/forum/viewtopic.php?t=52927 Infilling DIY engraved panels&#63;], Muff Wiggler forum, Feb. 2012</ref><ref name="electech">Electronic Techniques: Shop Practices and Construction Paperback by Robert S. Villanucci, Alexander W. Artgis and William F. Megow, Prentice Hall, 1998, ISBN 013779455X</ref>
Note that for some of the methods listed here panels can be given a protective coating of matte or gloss clear lacquer after labeling. Some materials are attacked by acrylic or vinyl coatings. Vinyl resists flaking and chipping better than acrylic.<ref name="infill">[https://www.muffwiggler.com/forum/viewtopic.php?t=52927 Infilling DIY engraved panels&#63;], Muff Wiggler forum, Feb. 2012</ref><ref name="electech">Electronic Techniques: Shop Practices and Construction Paperback by Robert S. Villanucci, Alexander W. Artgis and William F. Megow, Prentice Hall, 1998, ISBN 013779455X, Ch. 24.2</ref>


=== Adhesive polyester ===
=== Adhesive polyester ===

Revision as of 20:53, 2 December 2016

Moog 921, 911 and 902 modules, with visible component mounting screws.

The panel, front panel or faceplate is where most or all of the controls and displays are mounted. Usually it is the primary user interface for patching, control and operating besides actually playing notes.[1]

Aesthetics

Fabricating attractive front panels for a synthesizer can be a real challenge. Great care should go into creating an attractive synthesizer. The quality of work put into a guitar build, chrome fittings, pearl inlays, exotic woods all help inspire the musician and so it should be with the synthesizer. The design of a good-looking system requires much time spent mentally going over the various relationships of the modules and how the instrument will be used.[2]

Layout

Having elements too close together can introduce noise and crosstalk, spaciousness helps towards reducing unwanted problems. Choose between having jacks easier to read placed near their associated controls, [3] or below where patch cables are then easier to keep out of the way.

Design the panel so that behind the panel the potentiometer and jack bodies have enough clearance from each other and that in front both the controls and the users fingers have enough room to operate. Also check that any parts close to an edge won't interfere with mounting the panel into its enclosure. Check the angle of rotation of the pot will match the scale going to be marked on the panel.[4] Components laid out on a grid can use a half grid distance from their edge on adjacent panels.

Modular synthesizer panels

With a modular synthesizer module the front panel is also a structural element. Except for the power supply and power rails, the rest of the synth module internals are supported by the panel. Panels are usually made of thicker aluminum or have flanges to give extra stiffness, for example to withstand the forces of plugs being inserted and removed from the jacks. The PCB when attached parallel to the panel can be done by mounting pillars or via the pots and jacks soldered to the PCB, but check how this might strain the the solder joints. When attached perpendicularly the PCB is held in place usually with a stooge bracket and fastened against the panel by the pots and jacks, or simple 4-40 steel mounting brackets.[1][2]

Material

Usually aluminium; T3 or T6 6061 1.59mm (0.0625") aluminium sheet. This is easy to machine and isn't too soft. Sometimes other materials are used such as some sheet metal, acrylic (aka Lucite or Perspex), glass-reinforced epoxy laminate (FR4 PCB), plywood or formica.[5][6][7]

Drilling

A unibit aka step drill bit.

Use a center punch to mark the panel for drilling. This will stop the drill bit from wandering. First drill a pilot hole, then use increasingly larger size drill bits until the correct hole diameter is reached.[5] However it's more efficient to use a unibit aka step drill bit.[4] Also check for correct mounting against the data sheet, e.g. hole dimensions and maximum panel thickness.[3]

Labelling

Controls for particular functions can be grouped together by panel graphics. Individual controls labels can be with text and others with graphics. Scales can be indicated with tick marks. Signal routing can be indicated. Besides writing or painting directly on the panel by hand, there are a number of different methods to add labelling. Traffolyte laminate or Dymo embossed labels were once common. Adhesive labels tend to fall off after a while. Laser printed graphics are common now, as well as a variety of iron-on transfer methods.[1]

Note that for some of the methods listed here panels can be given a protective coating of matte or gloss clear lacquer after labeling. Some materials are attacked by acrylic or vinyl coatings. Vinyl resists flaking and chipping better than acrylic.[8][9]

Adhesive polyester

A4 polyester sheets that can be printed on a standard laser printer. Available in a range of different colours and also as sheets of peel-off labels. Very durable because the laser toner goes into the surface of the sheet.[10]

CNC engraving

Requires a large investment to produce panel drilling approaching commercial quality.[11] It's more efficient to use a drill press for making holes and use CNC for engraving. Engravings in anodised aluminum panel can be blackened with Birchwood Casey Aluminum Black[12] or coloured using a Markal Lacquer-Stik.[13][8]

Dry transfer lettering

Dry transfer lettering will adhere to smooth clean surfaces. The ink contains a pressure-sensitive heat-resistant adhesive. First remove the protective backing sheet then hold the symbol or letter firmly to the panel surface and rub around it with a wooden burnisher, pen or pencil. Take care to avoid rubbing adjacent letters/symbols. Gently lift an edge of the film to check transfer has been sucessful. The backing sheet can be used to further burnish the transfered characters. A wax residue remains on non-porous surfaces. This can be removed with thinners and a soft cloth. To improve durability apply a coat of protective lacquer after.[9] Custom transfers can be produced by inkjet or laser printer using dry rub off decal paper.

Etched

With chemical etching using Press and Peel transfer film, toner transfer or lacquer, masking areas of the panel from the etchant.[14] A variety of etchants can be used, taking into consideration what type of metals is used for the panel. This can be hazardous, so some care is needed in dealing with whatever chemicals are used as well as with the process itself. Safer methods are described at Non-toxic method for etching copper and brass.[13]

After 1965 all Moog modules panels were etched using black anodized aluminum coated with a photosensitive resist, known as Fotofoil. Where the panel had been exposed through a photographic film the resist remained. Immersing the panel in lye (sodium hydroxide) then etched the parts not protected.[15]

Laminated

The panel overlay is laminated in a plastic pouch, which is attached to the panel with contact adhesive. Print two copies of the overlay and use one of them as a drilling guide. Laminate pouches are also available in different finishes which you might be preferable. A problem with this method is that with the edges catching on other panels the platic laminate might lift at the corners.[4][5]

Laser etching

Anodized aluminum can be laser etched.

Lazertran

...

Paint infilling

Acid etched or engraved panels can be infilled with Revell enamel model or automotive touch up paint and the excess paint cleaned up after it's cured.[13][8]

Paint stick

Similar to paint infilling but easier and inexpensive. Using a Markal Lacquer-Stik. Dificult to apply to large etched areas where the appearance will be dull. Remove dried paint film from tip before use. Rub into the engraving and wipe off the excess around engraving with a soft cloth. On rough surfaces excess wet paint can be removed by lightly rubbing with a cloth dipped in mineral oil. When dry use mineral spirits or alcohol. Tack free after 12 hours, completely dry after 24 hours.[8][13][16][17]

Painted

MOTM panels finish is baked-on two part Polane paint,[18] giving it a crinkly look, and with labeling and scales in screen printed epoxy-ink.[19]

Printed paper

A laser print is made, of the same size as the panel and then glued onto it.

Quick-Mark Digital

QMD is a clear self-adhesive film on which the panel markings are laser printed in mirrored image, up to A3 size. This is then wet laminated to double sided adhesive white, silver, yellow, transparent or 0.2mm aluminium base sheet. Low cost high quality panels with full colour labeling are easily produced.[20]

Screen printed aka silkscreen

Template:Main article

Screen printing uses a stencil supported by fine polyester mesh about 1mm above the panel. First a blade or squeegee moves ink into the exposed mesh, then a reverse stroke causes the inked areas to momentarily make contact with the panel. It can take many attempts to perfect the process.[21]

Toner transfer

...

See also

References

  1. ^ a b c Front panel, Electronic Music Wiki
  2. ^ a b Build a Better Music Synthesizer by Thomas Henry, Tab Books, 1987, ISBN 0830602550
  3. ^ a b Electro-music.com forum:Standard measurements in front panels
  4. ^ a b c How i make front panels.
  5. ^ a b c How To Make Synth Panels by Ray Wilson, MFOS
  6. ^ What type of aluminium is used for faceplates?, Muff Wiggler forum, June 2013
  7. ^ Aluminum Panel Guage???, Muff Wiggler forum, January 2012
  8. ^ a b c d Infilling DIY engraved panels?, Muff Wiggler forum, Feb. 2012
  9. ^ a b Electronic Techniques: Shop Practices and Construction Paperback by Robert S. Villanucci, Alexander W. Artgis and William F. Megow, Prentice Hall, 1998, ISBN 013779455X, Ch. 24.2
  10. ^ Quick-Laser, Mega Electronics
  11. ^ Anybody using a Fireball CNC router to make panels/ pcb ?, Muff Wiggler forum, April 2012
  12. ^ DIY CNC milling/labelling of steel panels, Muff Wiggler forum, Aug 2012
  13. ^ a b c d Tips & Tricks, Engravers Solutions
  14. ^ How I Do Etching, DIY Guitar Effects
  15. ^ Bob Moog, 13 Jan 1998
  16. ^ Reverse Rotary and Laser Engraving.pdf
  17. ^ Lacquer-Stik, Technical Information Sheet, Markal
  18. ^ Where to get MOTM-style silkscreened panels made?, Muff Wiggler forum, May 2012
  19. ^ MOTM Info
  20. ^ Quick-Mark Digital, Mega Electronics
  21. ^ Experience silkscreening DIY panels?, Muff Wiggler forum, April 2014

External links

Designs

Finishing

Etching

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