Wavetable synthesis: Difference between revisions

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It is often necessary to 'audition' each position in a wavetable and to scan through it, forwards and backwards, in order to make good use of it, though selecting random wavetables, start positions, end positions and directions of scan can also produce satisfyingly musical results. Most wavetable synthesizers also employ other synthesis methods to further shape the output waveform, such as [[subtractive synthesis]] (filters), [[phase modulation]], [[frequency modulation]] and AM (ring) modulation.
 
==Synths using wavetables==
*[http://www.digisound80.co.uk/digisound/modules/80-21.htm Digisound 80-21], Voltage Controlled Digital Oscillator
*[http://www.cgs.synth.net/modules/wavetable.html CGS02 Wave Table]
*[http://www.blacet.com/MW.html Blacet/Wiard Mini Wave], Voltage Controlled Wavetable device
*Ensoniq [http://www.pic101.com/ensoniq/ ESQ1 Hacker Site]
*Ensoniq SQ-80
*Kawai K3
*Korg DW8000
 
==References==
*Wikipedia:[http://en.wikipedia.org/wiki/Wavetable_synthesis Wavetable synthesis]
{{reflist}}
 
==External links==
*''[http://www.soundonsound.com/sos/Jan03/articles/microwavetips.asp Waldorf Microwave Masterclass]'' by Richard Leon, SOS, January 2003
 
[[Category:Types of synthesis]]
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