2,276
edits
No edit summary |
|||
Line 18:
*[[LA synthesis]] uses short [[Pulse-code modulation|PCM]] samples for the attack portion of the sound, with either a digital subtractive synth sound or looped samples (most of them single-cycle loops) for the sustain/release portion of the sound.
*[[Granular synthesis]] uses many overlapping [[Window function|windowed]] samples. While these samples are very short, they are never periodic.
== In practice ==
Line 48 ⟶ 42:
*[http://web.archive.org/web/20010408055406/http://www.wavesynth.com/whatis.htm What is a wavetable?]<!-- use as a reference instead -->
*[http://computermusicresource.com/Definitions/wavetable.synthesis.html Wavetable Synthesis]<!-- use as a reference instead -->
*[http://www.electricdruid.net/index.php?page=info.wavetableoscs Wavetable oscillators] by Tom Wiltshire<!-- use as a reference instead -->
*''[http://www.soundonsound.com/sos/Jan03/articles/microwavetips.asp Waldorf Microwave Masterclass]'' by Richard Leon, SOS, January 2003
*[https://en.wikibooks.org/wiki/Sound_Synthesis_Theory/Oscillators_and_Wavetables#Wavetables Oscillators and Wavetables], Sound Synthesis Theory, Wikibooks
[[Category:Wavetable synthesis]]
|