Wavetable synthesis: Difference between revisions

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== Principle ==
Wavetable synthesis is periodic reproduction of a single-cycle [[waveform]].<ref>''[httphttps://wwwweb.archive.org/web/20130615202748/http://musicdsp.org/files/Wavetable-101.pdf Wavetable Synthesis 101, A Fundamental Perspective]'' by Robert Bristow-Johnson, Audio Engineering Society (AES), 101st AES Convention (Los Angeles, California), 1996</ref> The distinction from other synthesis methods employing single-cycle waveforms is that multiple single-cycle waveforms are used and some means of [[amplitude modulation]] and mixing the single-cycle waveforms is employed.
 
Both variable and (more commonly) fixed sample rate systems are used<ref>''Practical Considerations in the Design of Music Systems using VLSI'' by J. William Mauchly, Albert J. Charpentier, Audio Engineering Society (AES), AES 5th International Conference: Music and Digital Technology, 1987</ref> and the wave modulation rate is usually significantly smaller (slower) than the [[sample rate]]. Depending on the details of the actual implementation, the sound produced by wavetable synthesis may also contain recognizable artifacts, especially [[aliasing]], [[quantization error]]s, and [[phase truncation]] noise.
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== Further reading ==
* ''[http://msp.ucsd.edu/techniques.htm Theory and Techniques of Electronic Music]'' by Miller Puckette, World Scientific Publishing Company, 2007
* ''[https://web.archive.org/web/20130615202748/http://musicdsp.org/files/Wavetable-101.pdf Wavetable Synthesis 101, A Fundamental Perspective]'' by Robert Bristow-Johnson
* ''Sound Synthesis and Sampling'' by Martin Russ, chapter 3.2, Focal Press, 2nd edition, 2004, ISBN 0-240-51692-3
== External links ==
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