ETI SDIY articles index: Difference between revisions
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Rescuing 24 sources and tagging 0 as dead. #IABot (v2.0beta10ehf1)
(Rescuing 4 sources and tagging 0 as dead. #IABot (v2.0beta10ehf1)) |
(Rescuing 24 sources and tagging 0 as dead. #IABot (v2.0beta10ehf1)) |
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Line 109:
| Jul||1978||Designing Oscillators||Tim Orr||15||Information||||||||[http://www.americanradiohistory.com/Archive-Electronics-Today/70s/ETI-07-78.pdf American Radio History]
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| Jul||1978||Music Synthesiser||Tim Orr||38||Synth||||Part 1 of Transcendent 2000||||[https://web.archive.org/web/20160123231517/http://www.spontis.se/pdf/t2000.pdf CAG], [http://www.emusic-diy.org/Schematics/Synths?action=AttachFile&do=get&target=t2000.zip EmusicDIY], [http://www.americanradiohistory.com/Archive-Electronics-Today/70s/ETI-07-78.pdf American Radio History]
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| Aug||1978||Music Synthesiser||Tim Orr||45||Synth||||Part 2 of Transcendent 2000||||[https://web.archive.org/web/20160123231517/http://www.spontis.se/pdf/t2000.pdf CAG], [http://www.emusic-diy.org/Schematics/Synths?action=AttachFile&do=get&target=t2000.zip EmusicDIY], [http://www.americanradiohistory.com/Archive-Electronics-Today/70s/ETI-08-78.pdf American Radio History]
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| Oct||1978||Complex Sound Generator||Not given||17||Synth||SN76477||||||[https://web.archive.org/web/20150406055601/http://www.spontis.se/pdf/eti_csg.pdf CAG], [http://www.americanradiohistory.com/Archive-Electronics-Today/70s/ETI-10-78.pdf American Radio History]
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| Nov||1978||Autochord||Not given||56||Organ||||Part 1||||[http://www.americanradiohistory.com/Archive-Electronics-Today/70s/Electronics-Today-1978-11.pdf American Radio History]
Line 123:
| Jan||1979||Log Convertor||Not given||62||Synth||||Novel Oven for temp stability||||
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| Feb||1979||100W Disco Mixer Amplifier||Richard Becker||64||Amplifier||||Powertran MPA 200||||[https://web.archive.org/web/20150409095832/http://www.spontis.se/pdf/mixamp.pdf CAG]
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| Feb||1979||Tech Tip: Simple Wide Range VCO||A. J. Richardson||87||Synth||||||||
Line 135:
| May||1979||Headphone Amplifier||Not given||77||Amplifier||||||||
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| Jul||1979||Polyphonic Keyboard||Tim Orr||36||Synth||||||||[https://web.archive.org/web/20150406120939/http://www.spontis.se/pdf/arak.pdf CAG]
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| Aug||1979||Transcendent DPX||Tim Orr||18||Synth||BF244C, SAD512D||Part 1 of A String Thing||||[https://web.archive.org/web/20150405174129/http://www.spontis.se/pdf/eti_dpx.pdf CAG]
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| Sep||1979||Transcendent DPX||Tim Orr||62||Synth||NE566, M086||Part 2 of A String Thing||||[https://web.archive.org/web/20150405174129/http://www.spontis.se/pdf/eti_dpx.pdf CAG]
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| Sep||1979||Tech Tip: Voltage Controlled Filter||T. W, Stride||95||Synth||||||||
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| Oct||1979||Transcendent DPX||Tim Orr||35||Synth||BF244B, CA3080||Part 3 of A String Thing||||[https://web.archive.org/web/20150405174129/http://www.spontis.se/pdf/eti_dpx.pdf CAG]
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| Oct||1979||High Quality Audio Amplifier||Not given||55||Amplifier||||||||
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| Nov||1979||Transcendent DPX||Tim Orr||64||Synth||75107, MC6810L, ZN425SE||Part 4 of A String Thing||||[https://web.archive.org/web/20150405174129/http://www.spontis.se/pdf/eti_dpx.pdf CAG]
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| Nov||1979||Analogue Delay Lines||Tim Orr||29||Information||||||||
Line 179:
| May||1980||Project 80 filters||Chris Blakey||20||Synth||CEM3320||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-6_files/80-6_ETI.pdf Digisound80]
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| May||1980||The Black Hole||Tim Orr||90||Effect||SAD512D||Chorus Machine||||[https://web.archive.org/web/20150409040042/http://www.spontis.se/pdf/eti_bh.pdf CAG]
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| Jun||1980||Drum Synthesiser||Roger Shore||84||Synth||ICL8038||||||
Line 197:
| Aug||1980||Dual VCA||R. C. Blakey||78||Synth||CEM3330||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-9_files/80-9_ETI.pdf Digisound80]
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| Sep||1980||Vocoder||Richard Becker||58||Synth||||Part 1 of 2||||[https://web.archive.org/web/20150405234226/http://www.spontis.se/pdf/etivocoder.pdf CAG]
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| Sep||1980||Envelope Shaper||R. C. Blakey||93||Synth||CEM3310||Project 80||||[http://www.digisound80.co.uk/digisound/modules/80-10_files/80-10_ETI.pdf Digisound80]
Line 203:
| Oct||1980||Spot Design: Reverberation Unit||Not given||25||Effect||||||||
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| Oct||1980||Vocoder||Richard Becker||40||Synth||||Part 2 of 2||||[https://web.archive.org/web/20150405234226/http://www.spontis.se/pdf/etivocoder.pdf CAG]
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| Oct||1980||Sustain Fuzz Box||Not given||53||Effect||||||||
Line 231:
| Apr||1981||Drum Machine||Ray Marston||75||Synth||||||||
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| Apr||1981||Guitar Note Expander||Q. A. Rice||95||Effect||||||||[https://web.archive.org/web/20150405174138/http://www.spontis.se/pdf/eti_ge.pdf CAG]
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| Apr||1981||Tech Tip: Joystick Control||M. Swale||36||Synth||||ETI 4600||||
Line 239:
| Apr||1981||Spot Design: 20W MOSFET Amplifier||Not given||88||Amplifier||||||||
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| May||1981||Synthesiser Sequencer||Richard Becker||36||Synth||DM8130, ADC0804, DAC0808, 2x6514||||||[https://web.archive.org/web/20150408033617/http://www.spontis.se/pdf/composer.pdf CAG], [http://www.milton.arachsys.com/nj71/zip/1024.zip Neil Johnson]
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| May||1981||Spot Design: Guitar Treble Boost||Not given||77||Effect||||||||
Line 247:
| May||1981||Tech Tip: Computer-controlled Synthesiser Keyboard||P.McChesney||94||Synth||||||||
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| Jun||1981||Waa-Phase Unit||Ray Marston||24||Effect||||||||[https://web.archive.org/web/20160124232719/http://www.spontis.se/pdf/eti_waaphase.pdf CAG]
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| Jun||1981||Tech Tip: Transposing Master Tone Generator||R. Basterfield||54||Organ||||||||
Line 327:
| Nov||1983||Tech Tip: Active Bass Tone Control||Ian Willats||57||Effect||||||||
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| Jan||1984||Chorus/Flanger Unit||Tim Orr||33||Effect||MN3207/3102||||||[https://web.archive.org/web/20150409161536/http://www.spontis.se/pdf/flanger.pdf CAG], [http://www.synthdiy.com/files/2005/flanger.pdf SynthDIY.com]
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| Mar||1984||Tech Tip: Cheap Envelope Generator||Jeff Macanley||41||Synth||||||||
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| May||1984||Midi Drum Synth||Not given||62||Synth||||Not MIDI||||[https://web.archive.org/web/20150408035138/http://www.spontis.se/pdf/eti_drumsynth.pdf CAG]
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| Oct||1984||Simple Echo Unit||Phil Walker||18||Effect||||||||
Line 353:
| Jul||1985||Noise Gate||Ian Coughlan||38||Effect||||||||
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| Aug||1985||ETI Sorcerer String Synthesiser||Graeme Durant||36||Synth||||Part 1||||[https://web.archive.org/web/20150405234352/http://www.spontis.se/pdf/eti_sorcerer.pdf CAG]
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| Oct||1985||ETI Sorcerer String Synthesiser||Graeme Durant||32||Synth||CA3080, MN3010||Part 3||||[https://web.archive.org/web/20150405234352/http://www.spontis.se/pdf/eti_sorcerer.pdf CAG]
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| Nov||1985||The Rhythm Chip||Geoff Phillips||33||Synth||||||||
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| Nov||1985||Chorus Unit||Ian Coughlan||48||Effect||TDA1097||||||[https://web.archive.org/web/20150408100028/http://www.spontis.se/pdf/eti_chorusunit.pdf CAG]
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Line 366:
| Nov||1985||Digital Sound Sampler||Paul Chappell||63||Synth||||Part 1||||
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| Dec||1985||Specdrum Drum Sequencer||Digisound||41||Synth||||Uses a ZX Spectrum||||[https://web.archive.org/web/20150408035029/http://www.spontis.se/pdf/eti_specdrum.pdf CAG]
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| Dec||1985||DI Compression Gate||Allan Bradford||46||Audio||||||||[https://web.archive.org/web/20150408034353/http://www.spontis.se/pdf/eti_dicompgate.pdf CAG]
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| Jan||1986||The ETI Activator||Allan Bradford||30||Audio||||||||
Line 556:
! Month!!Year!!Article name!!Author!!PPNo!!Classification!!Key components!!Comments!!Corrections!!On Web
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| Sep||1976||Audio Phaser||Not Given||51||Effect||||ETI 447 PCB||||[http://www.synthdiy.com/files/2004/eti447.pdf SynthDIY.com], [https://web.archive.org/web/20160321100600/http://www.spontis.se/pdf/eti447.pdf CAG]
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| Aug||1977||International 603 Sequencer||Not Given||77||Synth||||ETI 603 PCB||||[http://www.synthdiy.com/show/?id=370 SynthDIY.com], [https://web.archive.org/web/20150409161522/http://www.spontis.se/pdf/etiseq.pdf CAG], [http://www.emusic-diy.org/Schematics/Seqs/EtiSeq EmusicDIY]
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|Jun||1982||Sub-octave oscillator for ETI synthesizer||Ken Stone||||Synth||LM301, 4024||||||
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